Film and Media Studies Commons^™

Memorias | Electronic Literature + Live Coding Performance, Jessica A. Rodriguez Miss, Rolando Rodriguez, Alejandro Brianza, Luis M. Guzman

Electronic Literature Organization Conference 2020

Memorias is a web-based artistic project by Jessica Rodríguez developed through the Estuary platform —an online platform to host live coding languages. It is based in six autobiographical writings connected to the way she “hears”, “writes”, “watches”, “reads”, “sees” and “listens” to the word. Through these texts, six code works were designed and programmed, hybridizing natural and computing languages by parsing three existing live coding languages: Tidal Cycles, Punctual, and CineCer0.

Together, Memorias’ languages collide different materialities as well as visual and sonic approaches, going from voices in English, Spanish, Cello and Paetzold samples, audio and visual synthesis, and pre-recorded …

Savage Words, Lee Tusman

Electronic Literature Organization Conference 2020

Savage Words is a realtime massive multiplayer online text space as well as a collaborative poem and asynchronous chatroom. It is a corner of the internet built on the platform Your World of Text, an infinite grid of text editable by visitors.

Throughout the conference period, participants can join in a communal writing, a textual table of simultaneous and asynchronous shared writing. ASCII images, freewheeling conversations, 'Poetry', and other forms of experimental text will be woven together into a freewheeling shared work.

Screenshots of the unfolding text will be saved at regular intervals, to be published after the conclusion of …

Poetry For Seers Or The Peruvian Visual Poetic Tradition In Front Of New Media, Michael Hurtado, Pamela Medina, Enrique García, Michael Prado

Electronic Literature Organization Conference 2020

Since the first decades of the twentieth century, Peruvian poetic tradition has been characterized by experimental uses of language. Among these possibilities, some records tensioned this medium from the link with the plastic arts, as in the case of the poetry of José María Eguren, while others opted for the playing with the spatiality and visuality of the blank sheet, such as in the case of the work of Carlos Oquendo de Amat. However, it is not until the appearance of the poetry of César Vallejo, specifically with a poems like Trilce in 1922, that these breakages force us to …

Glitch Reading: [Re]Mediation And The Protocols Of Reading, Jacob Reber

Electronic Literature Organization Conference 2020

In this paper, I outline a methodology for reading poetic works that operate between media environments, noting the subtle shifts and failures that mark the material changes. The space between mediums and processes of remediation produce residue from the various material substrates and protocols of reading that adhere to works moving through networks. The attention to the residue can be understood as glitches, which proliferate the possibilities of reading and reveal the construction of imbricated reading environments. This is a practice I want to consider through the framework of glitch reading. Drawing on Rosa Menkman's theorization of glitches and Tan …

Twine And The Challenge To Reading, Stuart Moulthrop

Electronic Literature Organization Conference 2020

The article considers the Twine story-game platform in relation to important critiques of earlier forms of electronic literature (specifically hypertext) from which it descends. Arguments for the significance of Twine are made based on aesthetic approaches (the fusion of literature and game culture) and the refinement of writing itself.

Play this paper in Twine

“Decolonize” E-Literature? On Weeding The E-Lit Garden (A Riposte To Anna Nacher's "Gardening E-Literature"), Kathi Berens

Electronic Literature Organization Conference 2020

This essay, a RiPOSTe to Anna Nacher's forthcoming "Gardening E-Literature" in Electronic Book Review (5 July 2020), asks: Should the e-literature community include third-generation works in collections, syllabi, databases, prizes? A related question: do third-gen makers have a role in “decolonizing” e-literature? Who or what “colonizes” e-lit? E-literature began as a coterie and has become a scholarly field. Using the comparison of a field versus a walled garden, the essay examines critiques of e-literature and variations on field definitions. It ends with two ideas about how to "decolonize" e-literature; about how equity and inclusion work in tandem with decolonization; and …

Productive Misreading In Intermedia Art: Four Approaches By A Musician, Jeff Morris, Elisabeth Blair

Electronic Literature Organization Conference 2020

This discussion examines the evolution and lessons of four artistic performance works that engage with text and imagery with the mindset of a composer, rather than as an author or visual artist. The works involve computer music, improvisation, video art, generative art techniques, and challenging aesthetics. An analytical discussion reveals that different forms and mechanisms of reading are manifest in the artworks, and reflections upon these elucidate the intermedial nature of reading and the productive, expressive potential of interfering with these processes.

Little Magazines, Postwar Internationalism, And The Construction Of World Cinema, Louise Kane

Faculty Scholarship and Creative Works

This essay explores how two interwar film magazines, Close Up (1927-33) and Experimental Cinema (1930-4), pioneered early forms of world cinema as part of wider postwar attempts to forge transnationalism, improved international relations, and humanistic dialogue among people and nations. I argue that both magazines presented the cinema as a form of global community through their establishment of film societies and clubs, inclusive contributor policies, turn toward Russian cinema, and staunch rejection of Hollywood cinema’s commercialism. These strategies enabled the construction of a shared, albeit idealistic, vision of world cinema centered on comparative approaches, anti-imperialism, and the preservation and documentation …

Adachigahara Project: A 3d Iterative Series, James Mitchell

Electronic Theses and Dissertations, 2020-

This project tested an aesthetic use of 3D space to create alienation and immersion. It expanded upon it through iteration into other methods of cinematic alienation. To do this the project produced three short films each used the aesthetic of stereoscopic space. Two of the films were tested in conjunction with other methods of alienation while one served as a baseline. The project was able to render the spatial method of alienation and immersion, and found that other methods of alienation had an effect on it. While the project was able to test the use of 3D space to alienate …

2020 Icrcc Proceedings Table Of Contents, Conference Organizers

International Crisis and Risk Communication Conference

These proceedings are a representative sample of the presentations given by professional practitioners and academic scholars at the 2020 International Crisis and Risk Communication Conference (ICRCC) held March 9-11, 2020. The ICRCC is an annual event that takes place the second week in March in beautiful sunny Orlando, Florida. The conference hosts are faculty and staff from the Nicholson School of Communication and Media. The goal of the ICRCC is to bring together prominent professional practitioners and academic scholars that work directly with crisis and risk communication on a daily basis. We define crisis and risk broadly to include, for …

Some Southern Waters, Julian Baner

Electronic Theses and Dissertations, 2020-

Some Southern Waters is a microbudget feature-length film written, directed, and produced by Julian Baner as part of the requirements for earning a Master of Fine Arts in Entrepreneurial Digital Cinema from the University of Central Florida. The film is a black and white, semi-abstract narrative mainly in the mystery genre, with elements of thriller, horror, and black comedy throughout. This thesis is a description of the creative impetus behind the project, as well as the technical process from pre-production through production, and post-production.

Two's Accompany: Understanding Acceptance Through Animation, Brian Phinn

Electronic Theses and Dissertations, 2020-

Animation as a medium has broad appeal based on its ability to convey stories in universal ways. This art form bridges cultural barriers that allow relationships to form through shared interests. Music also shares similar traits. Based on the global understanding of music and its history of use in film, the conclusion is the acceptance of different musical tastes can parallel acceptance of differing ideologies. When clashing ideological beliefs cause societal conflict, it is essential to remember that friendships cultivate through commonalities. The purpose of this study is to create an animated short film that presents the story of two …

Alexander: A Dive Into Identity, Inspiration, And Release Of The Creative Self, Alyssa Garoogian

Electronic Theses and Dissertations, 2020-

Alexander is a story of overcoming the fear of personal artistic expression. Alexander is the son of an affluent family who was found to have musical talent at a young age. Alex grows to enjoy music, but rote exercises alone begin to disillusion the promising musician. Regardless, Alexander dutifully practices piano exercises daily, bored by the lack of creative stimulation but afraid to openly admit it. After an accidental music note sparks his imagination, Alexander escapes into fantasy: a colorful visualization of the original music he creates. Within this fantasy, a warm, supportive community leads Alexander to his most significant …

Seeds Of Doubt, Amber Hilson

Electronic Theses and Dissertations, 2020-

Seeds of Doubt is a two-dimensional (2D) animated film that explores how anxiety can stifle personal growth. The film demonstrates how accepting and coping with this anxiety can help you return to a place of calm and allow you to blossom. Roma, a young witch, struggles to use her magic to successfully make her crops grow. Her lack of confidence leaves her stuck inside the greenhouse until she is ready to move on to the tomato fields outside. She must first re-center herself and overcome her self-doubt before it consumes her completely. This idea is sourced largely from my own …

Ouroboros: The Evolution From Industrialized Mass Production To Auteurism In American Animation, Heather Knott

Electronic Theses and Dissertations, 2020-

The evolution of animation in the United States and its resulting classification varies significantly from its global counterparts. Through a convergence of complex cultural, regulatory, and entrepreneurial influences, the medium's experimental artistic principals have remained firmly rooted in the mass-production style studio pipeline codified by Hollywood. Through the advent of academically centered animation education, the development of the internet, self-distribution, and the growing affordability of industry level hardware and software, the industry has expanded beyond the traditional narrow scope. This re-globalization of entertainment in the United States encourages an auteur approach to animated filmmaking that is challenging the strict association …

2030: Utilizing Animation In Political Messaging, Angela Hernandez-Carlson

Electronic Theses and Dissertations, 2020-

The purpose of this paper and film is to explore the animated medium's ability to convey controversial political topics. The goal of this film is to reach my audience on an emotional level, which will hopefully motivate them to act on the information presented. By using animated themes and metaphors, the audience can digest the political messaging by disassociating themselves from the characters in the story. This will allow them to be open to other perspectives. This paper will explore how one can use the aesthetic quality of animation imagery to convey an important political message about our environment. The …

Mirrors For Monsters: A Journey Towards Self-Acknowledgement And Nuanced Representation In Film, Alejandro Watson

Electronic Theses and Dissertations, 2020-

Mirrors for Monsters is a body of work created by Alejandro Watson in partial fulfillment of the requirements for earning a Master of Fine Arts in Entrepreneurial Digital Cinema from the University of Central Florida. The body of work consists of a feature length documentary, MHD, several installations (Self-Acknowledgement/Self-Acceptance, Garden of Bodies, Why Am I Like This?, Not My Thoughts), several short video pieces (In A Dream I Saw A Way to Survive and I Was Full of Joy, Car Ride (Baker Act Version), My Lunch With Andy, Prompts) and an art book, It's All Good. The body experiments with …

Afrofuturism In Animation: Self Identity Of African Americans In Cinematic Storytelling, Dana Barnes

Electronic Theses and Dissertations, 2020-

My work addresses the importance of self-identity within the Black culture of the United States of America through the depiction of an African American boy who must look into himself to overcome a difficult bullying situation. Animation as a medium is an ideal tool for interrogating the Western perspective of identity through cinematic storytelling. Using established animation methods, I created a visual narrative to portray the impact self-identity has on an individual's actions in certain social conditions. The film expands the medium of animation to subvert the narrative expectations of bullying and presents the idea of identity as a nonconforming …