Film and Media Studies Commons^™

Who Lives, Who Dies, Who Sings Which Story?: Narrative Production And Race In The Curriculum Of Film Musicals, Joanna Batt, Michael Joseph

Northwest Journal of Teacher Education

Film musicals serve as a tool to infuse historical and cultural content into social studies curricula towards greater student engagement—for example, Lin Manuel-Miranda's Hamilton has become a celebrated classroom piece due to its ability to blend history with hip-hop and pop culture. Yet beyond language and content scans, teachers rarely examine or utilize musicals for how their narratives (mis)represent racial communities. This critical film analysis of three film musicals, using the theoretical framework of history production, reveals themes of historical morality, romantic relationship and race, and implicit/explicit racial messaging. Although troubling in their overall contribution to racial projects, film musicals …

Pathos, Fall 2022, Portland State University. Student Publications Board

Pathos

Editor: Bret Steggell

A New Studio Era: How Netflix Is Becoming A Threat To The Film Industry, Al Kasper

University Honors Theses

Movie streaming services have become an increasingly popular distribution method due to their widespread accessibility to film content across the globe. Netflix is the biggest competitor of movie streaming services and has led the charge in creating original content for its customers. With many of these streaming services creating their own content, both Hollywood and independent studios are being introduced to a new competitor in their market: studios that stream their own content. While this may seem to be an issue only within the industry, there are concerns about another oligarchy of studios being created out of these streaming services …

"Untitled Screenplay", Mailyn Salazar Jiménez

University Honors Theses

A young woman moves to Mexico in an attempt to change her mundane and monotonous life.

Stillness And Motion On The Coffee Table: Photochemical Motion Pictures In Gilded Age Periodical, Amy E. Borden

School of Film Faculty Publications and Presentations

My research suggests that in addition to local practices, American film historians should continue to be attentive to mass experiences determined not only by location but, in this case, by 19th century periodical reading habits. I focus on the first four years of US public photochemical motion picture exhibition to consider the similarities I found in the use of still photographs to explain and introduce the machines and development processes used to introduce photochemical motion pictures to middle-class reading publics, effectively inviting readers to mentally animate the images themselves in imitatiion of a screening apparatus. I argue that the use …

Film History Digests, Nathan A. Varner

Student Research Symposium

Film History Digests is a web series created by Nathan Varner and chronicled popular culture's smaller and underrepresented parts. This project showcased collaboration, innovation, consistency, and determination for a small team. In return, we uncovered the decades-long mystery, shined a light on mental health, and provided a subtext of non-partisan political discourse all over a year.

Contributing To A Richer View Of Korean Queer Popular Culture With Jungmin Kwon, Jungmin Kwon

PDXPLORES Podcast

Jungmin Kwon is an associate professor of film and digital culture. Kwon studies film and digital media through a lens of queer and feminist perspectives, focusing on how non-normative identities challenge and disrupt existing hierarchies in Korean culture.

Click on the "Download" button to access the audio transcript.

Interwar Weimar Film And Masculinity: Challenging The Presumed Crisis Of Interwar German Gender Discourse From Selected Films From 1925-1931, Brandon Metcalf

Dissertations and Theses

The First World War altered the view of masculinity held by many in Germany and shredded what many regarded as unchangeable fixtures of German life. For German men, much of the interwar period meant dealing with the losses from the war, reconfiguring what it meant to be a man. This reconfiguration of gender took place in a context of change in Germany. Many women entered the workforce to replace the lost men. The economic downturn and reliance on funding from the United States motivated many within Germany to examine gender roles and to reassemble masculinity to meet changing circumstances.

This …

Pathos, Spring 2022, Portland State University. Student Publications Board

Pathos

Editor: Bret Steggell