Film and Media Studies Commons^™

The Western, Violence, And Queer Expression In Red River, Brokeback Mountain, And Thelma & Louise, Dean Symmonds

Undergraduate Research Awards

Of all the tools the film industry has used in the past and present to contribute to American myth-making, the Western is the most iconic. If, as critic J. Hoberman argues in a Village Voice article, “the Western has always been the most idyllically homosocial of modes,” and, as film scholar Erika Spohrer writes in her article about genre and Brokeback Mountain (2005, dir. Ang Lee), “by inserting Brokeback Mountain into the Western canon, critics force a re-vision, a re-seeing of all Westerns that have preceded it,” then I argue for the necessity of pursuing that critical work and analyzing …