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Articles 1 - 8 of 8
Full-Text Articles in Film and Media Studies
I Am (A)Part: Ang Sahaya Sa Pananaw Ng Mga Badjaw At Manlilikha Ng Epikserye, Janil C. Manguerra, Hailey Jerrimee Y. Ng, Joy Christian Emmanuelle P. Rivera, Katharine O. Villano, Raphaelle Jazmine D. Rodriguez, Christian P. Gopez
I Am (A)Part: Ang Sahaya Sa Pananaw Ng Mga Badjaw At Manlilikha Ng Epikserye, Janil C. Manguerra, Hailey Jerrimee Y. Ng, Joy Christian Emmanuelle P. Rivera, Katharine O. Villano, Raphaelle Jazmine D. Rodriguez, Christian P. Gopez
Sinaya: A Philippine Journal for Senior High School Teachers and Students
Karaniwang mali, kulang, o labis ang paglalarawan ng midya sa mga katutubong pamayanan. Subalit, limitadong-limitado ang mga pag-aaral na nakatuon sa pagsusuri sa motibo ng mga manlilikha ng palabas at maging sa pagtanggap ng mismong mga katutubong pamayanan sa mga produktong pangmidya. Sa ganitong konteksto, nilayon ng pag-aaral na ilarawan ang intensyon ng mga lumikha ng epikseryeng Sahaya at suriin ang naging resepsyon ng mga katutubong Badjaw na pangunahing itinampok sa palabas. Kinapanayam sa pag-aaral sina Zig Dulay at Suzette Doctolero, ang direktor at head scriptwriter ng Sahaya, gayundin ang komunidad ng Badjaw partikular ang Sama-Dilaut mula sa Tawi-tawi. Napag-alaman …
Lumad Image-Making In Baboy Halas (2016) Through Intercultural Filmmaking, Katrina Ross A. Tan
Lumad Image-Making In Baboy Halas (2016) Through Intercultural Filmmaking, Katrina Ross A. Tan
Akda: The Asian Journal of Literature, Culture, Performance
This essay examines the processes involved in intercultural filmmaking, a mode of filmmaking practiced in the production of Baboy Halas (2016) directed by Bagane Fiola where the non-Indigenous filmmaker and the Indigenous community of Matigsalug collaborated in creating their screen images. It discusses how intercultural filmmaking allows the Lumad to enact cinematic agency in constructing their identities on screen. In addition to this, it outlines how this mode of production enables groups from different cultures to forge connections through filmmaking and cultivate ethical relations between Indigenous and non-Indigenous groups. I draw from interview data with the filmmaker and an analysis …
The Region In Motion In The Road Movie Patay Na Si Hesus (2016), Mary Anne D.C. Mallari
The Region In Motion In The Road Movie Patay Na Si Hesus (2016), Mary Anne D.C. Mallari
Akda: The Asian Journal of Literature, Culture, Performance
Utilizing the theories of Bakhtin’s dialogism, Hall’s cultural identity, and Gidden’s globalization, this article analyzes the Cebuano regional road movie Patay na si Hesus (2016). The road film genre reveals that the Philippine regions have a diverse identity, as shown in the image of the regional landscapes and unconventional characters. The use of camera techniques such as the traveling shot and other related styles reveals a dialogue among the diverse cultures of the regions. Furthermore, the image of the automobile in road movies and its mobility also illustrate that the regions combine an image of tradition and modernity as they …
Gabriella: Gender Gap And Discrimination Experienced By Women Employees In The Filmmaking Sector, Janelle G. Gutierrez, Carla R. Isip
Gabriella: Gender Gap And Discrimination Experienced By Women Employees In The Filmmaking Sector, Janelle G. Gutierrez, Carla R. Isip
DLSU Senior High School Research Congress
The gender gap issue continues to be prevalent in varying sectors in the Philippines even in the midst of the COVID-19 pandemic. This study aims to highlight women’s experiences in the filmmaking sector of the art industry working in an online set-up and to also clearly show its effects to their target audience, which is the working-class sectors in the Philippines through a short mockumentary film. Data was collected from six participants, men and women who are between 20 to 50 years old and have worked part-time or full-time in the filmmaking industry in the last 10 years. The results …
Reading About A Lost Film: A Review Of Ang Daigdig Ng Mga Api: Remembering A Lost Film By Clodualdo Del Mundo, Jr., Shirley O. Lua
Reading About A Lost Film: A Review Of Ang Daigdig Ng Mga Api: Remembering A Lost Film By Clodualdo Del Mundo, Jr., Shirley O. Lua
Akda: The Asian Journal of Literature, Culture, Performance
No abstract provided.
Ang Boys’ Love Bílang Papausbong Na Telebiswalidad (Boys’ Love As Emerging Televisuality), Louie Jon A. Sánchez
Ang Boys’ Love Bílang Papausbong Na Telebiswalidad (Boys’ Love As Emerging Televisuality), Louie Jon A. Sánchez
Akda: The Asian Journal of Literature, Culture, Performance
Sa sanaysay na ito, pinahahalagahan ang sandali ng pag-usbong ng mga boys’ love webserye sa panahon ng pandemya. Sinusulit nito ang telebiswal na penomeno sa pamamagitan ng pahapyaw na pag-uugat sa mga minumulang tradisyon o impluwensiya; sa pagsasakonteksto ng paglaganap nito; sa pangkabuuang pagbása sa nagkakaisang salaysay ng mga serye; at sa pagtukoy sa mga transgresyong tinutupad nito sa anyo at kagawian ng panonood ng teleserye, at sa pangkalahatan, sa telebisyong patuloy na umaagapay sa mga hámon at pagbabago ng kalakaran. Sa kasaysayan ng teleserye at ng telebisyong Filipino, pinangangatwiranang mahalaga ang sandali ng BL sa gitna ng pandemya dahil …
Precarity And Motherhood In Philippine Trans Cinema, Mikee Inton-Campbell
Precarity And Motherhood In Philippine Trans Cinema, Mikee Inton-Campbell
Akda: The Asian Journal of Literature, Culture, Performance
In this short essay, I reflect on representations and themes in trans cinema in the Philippines. I examine the emerging and intersecting themes of precarity and motherhood in two recent films –Rod Singh’s Mamu and a Mother too (2018), and Isabel Sandoval’s Lingua Franca (2020). I look at how economic and social precarity tends to pervade the lives of trans women, and how transness itself becomes a form of precarity under the legal system’s lack of accommodation to trans rights. I also examine trans motherhood and make the argument that while it destabilizes biology as the root of motherhood, it …
Bi-Phasic Dissonance In Some Pinoy Boys’ Love Series, Gary C. Devilles
Bi-Phasic Dissonance In Some Pinoy Boys’ Love Series, Gary C. Devilles
Akda: The Asian Journal of Literature, Culture, Performance
The growing fascination with Pinoy Boy’s Love (BL) series, such as Gameboys, Hello Stranger, and Quaranthings can be construed as part of the long struggle of LGBTQI community for more inclusivity as most of its fans were also fans of Thai Boy’s Love series called “lakhon,” according to scholar Thomas Baudinette who studied that Pinoy fan sites actively appropriate or “creatively misread” these series. My paper now would like to follow up on the efficacy of these reparative readings in Pinoy BL series, if the creative misreading in Thai BL series can be carried over to their Pinoy …