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Articles 1 - 4 of 4
Full-Text Articles in Film and Media Studies
What Do Women Want? The Feminist Pursuit Of Happiness, Hannah Ruth Ellen
What Do Women Want? The Feminist Pursuit Of Happiness, Hannah Ruth Ellen
Honors Theses
“What do Women Want?” My thesis asks whether women can genuinely seek freedom while also hoping for happiness. I look closely at how male theorists define happiness and liberty for themselves and for others, and in particular for feminized others. My two central chapters focus on theories of individual happiness, happiness sought through another or others, and the ways feminist thinkers reimagine happiness in relationship to women’s freedom. I apply feminist critiques to the concept of psychodynamic therapy as an anti-revolutionary tool designed to isolate and silence women into believing that coping with oppression is equivalent to genuine happiness. I …
Les Réalisatrices Et Le « Regard Masculin » Dans Le Cinéma Francophone, Arianna Kosakowski
Les Réalisatrices Et Le « Regard Masculin » Dans Le Cinéma Francophone, Arianna Kosakowski
Honors Theses
This thesis focuses on how the male gaze is confronted in French and Francophone cinema, particularly in the films of the female directors Celine Sciamma, Euzhan Palcy and Claire Denis. The male gaze is a look in cinema in which women are regarded generally as sexual objects. The male gaze renders women mostly relevant only to fulfill male sexual desires, and thus as weak or background characters with little to contribute to moving the narrative action along. All six films by the female directors analyzed in this thesis, however--Bande de filles and Tomboy (Sciamma), Rue case-nègres and A Dry …
Breaking The Glass Slipper: Analyzing Female Figures' Roles In Disney Animated Cinema From 1950-2013, Brianna Prudencia Gutiérrez
Breaking The Glass Slipper: Analyzing Female Figures' Roles In Disney Animated Cinema From 1950-2013, Brianna Prudencia Gutiérrez
Honors Theses
In this study, heroines and villainesses in nineteen Disney animated films from 1950- 2013 are characterized as traditional, complex, or non-traditional. A total of twenty-four female characters are classified based on their representation, actions, personality traits, appearance, and relationship status. Traditional female figures are beautiful dependent on male figures and engage in a heterosexual relationship as part of their "happily ever after." The traditional female figures in this study are Cinderella from Cinderella (1950) Lady from Lady and the Tramp (1955) Aurora (Sleeping Beauty) from Sleeping Beauty (1959) and Duchess from The AristoCats (1970). Complex female figures are, in the …
L' Obscurite' Manifestee (A Manifested Obscurity), Roswald Morales
L' Obscurite' Manifestee (A Manifested Obscurity), Roswald Morales
Honors Theses
There are three directors that have revolutionized the world of French cinema by bringing to the forefront topics that make its audiences uncomfortable. Abdellatif Kechiche, director of the film Black Venus (2010), Ousmane Sembène, director of the film Black Girl (1966), and Céline Sciamma, director of the film Girlhood (2014) have become renowned for discussing the portrayal of black women in French society. This is a topic at hand that reveals the devastating truth behind French society in regarding black women during various eras. Black Venus narrates the life of an African woman during the slavery period in Europe. Black …