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Articles 1 - 14 of 14
Full-Text Articles in Film and Media Studies
Queerform/Ing, Matthew Solon-Lee Weimer
Queerform/Ing, Matthew Solon-Lee Weimer
Art Theses and Dissertations
My artwork is situated within and around vessels and the Queer Homoerotic World and explores sexuality as a Demisexual within them. This is accomplished through the two processes of my creation, Minivague and Queerform/ing: balancing sexual tension and explicit expression, while subverting traditional norms and stereotypes with queerness to distance oneself from stereotypical Gay Art. Altering/emphasizing makes the artwork more romantic, lighter, whimsical, softer, and tender than the figure/s and the situations actually are. The process is also emphasizing what one sees or wants to be seen. The Pink Boy becomes a celebration of intimacy of any form. I discuss …
Masculinity In American Movie-Musical Films, Christopher Sparks
Masculinity In American Movie-Musical Films, Christopher Sparks
Spring Showcase for Research and Creative Inquiry
My presentation explores the relation between American masculinity and film musicals. I demonstrate how the dominance of the musical at the box office in the middle of the 20th century reflects historical events and technological change. Drawing on both scholarly and popular criticism, I show how the images of masculinity that Americans once encountered on the silver screen have transformed as musicals became marginal to popular culture in the United States. My research considers both classic 20th century musicals, such as Wizard of Oz (1939) and 42nd Street (1933), and more recent experiments with the genre, including …
Seeing And Interpreting Visions Of The Next Age In Interstellar, Nancy Wright
Seeing And Interpreting Visions Of The Next Age In Interstellar, Nancy Wright
Journal of Religion & Film
Christopher Nolan’s Interstellar (2014) uses multiple styles of cinematography – documentary, painterly and expressionistic – to guide interpretation of its apocalyptic review of history. Within the prologue and epilogue of the science fiction film, clips from interviews originally filmed for Ken Burns’s The Dust Bowl (2012) invite questions about how to interpret documentary, revisionist and eschatological reviews of history. Cinematography functions as a self-reflexive cue to spectators within and outside the mise-en-scène to engage in eschatological interpretation. The representation of spectatorship and vision reveals the challenge of interpreting prophetic visions of the last things and the next age, which are …
Age Of Exploitation: Teen Sex Comedy Films Of The 1980s, Thyra Chaney
Age Of Exploitation: Teen Sex Comedy Films Of The 1980s, Thyra Chaney
The Downtown Review
The teen sex comedy film genre is representative of dominant cultural factors which influenced the film industry in the 1980s. Films in this genre have been traditionally described as mindless, dumb, and exploitative. This article seeks to understand the distinction between teen sex comedy and traditional teen films, as well as the social and cultural influences which lead to the development and popularity of the teen sex comedy genre. Teen sex comedies are a document of mainstream society and popular culture in the 1980s.
Playing At The Crossroads Of Religion And Law: Historical Milieu, Context And Curriculum Hooks In Lost & Found, Owen Gottlieb
Playing At The Crossroads Of Religion And Law: Historical Milieu, Context And Curriculum Hooks In Lost & Found, Owen Gottlieb
Articles
This chapter presents the use of Lost & Found – a purpose-built tabletop to mobile game series – to teach medieval religious legal systems. The series aims to broaden the discourse around religious legal systems and to counter popular depiction of these systems which often promote prejudice and misnomers. A central element is the importance of contextualizing religion in period and locale. The Lost & Found series uses period accurate depictions of material culture to set the stage for play around relevant topics – specifically how the law promoted collaboration and sustainable governance practices in Fustat (Old Cairo) in twelfth-century …
Time Machine Research And Approach, Tarek Bouraque
Time Machine Research And Approach, Tarek Bouraque
Theses and Dissertations
Time Machine is a hybrid documentary that explores the logics of enslavement, colonialism, eurocentrism and their interconnectedness in our globalized world. Mustapha Azemmouri, born in 1502, undertakes a journey to the 21st century to recount his own story of enslavement and exploration, and reflects on a collective puzzle of 500 years of hidden history.
Apocalypse And Eschatology In John Ford's The Grapes Of Wrath (1940), Nancy Wright
Apocalypse And Eschatology In John Ford's The Grapes Of Wrath (1940), Nancy Wright
Journal of Religion & Film
John Ford’s The Grapes of Wrath (1940) visualizes conventions of the apocalypse genre to represent not simply a particular historical setting, the Great Depression, but also a vision of history to be interpreted in terms of eschatology. Expressionistic photography transforms the characters’ experiences into enigmatic visions that invite and guide interpretation. A comparison of montage sequences in Ford’s The Grapes of Wrath and Pare Lorentz’s The Plow That Broke The Plains (1936), a Farm Security Administration documentary, clarifies how Ford’s narrative film aligns spectators within and outside the mise-en-scène.
Photo Synthesis: The Expatriate Family Album As Historiography, Kamayani Sharma Ms
Photo Synthesis: The Expatriate Family Album As Historiography, Kamayani Sharma Ms
Proceedings from the Document Academy
I want to look at the expatriate family album as a site of history-writing.
Through an examination of three photographs from my childhood in West Asia, I try to think about the idea of historical space and time through the visual narratives available to me of my own family.
This essay will be an exploration of the way in which nostalgia for a personal past gets imbricated within the shared experience of a bygone cultural moment.
I am interested in how an encounter with visual material from private archives initiates memory work and how these traces from the past can …
Buster Keaton's Comedic Innovations, Tyler P. Templeton
Buster Keaton's Comedic Innovations, Tyler P. Templeton
Symposium Of University Research and Creative Expression (SOURCE)
A brief examination of Buster Keaton's contributions to cinematic comedy starting circa 1920, and specifically his progressive fusion of comedy with dramatic narrative. Keaton's innovations in the genre have allowed for his work to influence many contemporary filmmakers today, one of the most prominent examples being Wes Anderson.
Imaging Her Selves: Black Women Artists, Resistance, Image And Representation, 1938-1956, Heather Zahra Caldwell
Imaging Her Selves: Black Women Artists, Resistance, Image And Representation, 1938-1956, Heather Zahra Caldwell
Doctoral Dissertations
This dissertation focuses specifically on dancer Katherine Dunham (1909-2006), pianist Hazel Scott (1920-1981), cartoonist Jackie Ormes (1911-1985), singer Lena Horne (1917-2010), and graphic artist, painter, and sculptor Elizabeth Catlett (1915-2012). It explores the artistic, performative, and political resistance deployed by these five African-American women activists, artists, and performers in the period between 1937 and 1957. The principal form of resistance employed by these women was cultural resistance. Using a mixture of archival research, first person interview, biography, as well as other primary and secondary sources, I explore how these women constructed personas, representations, and media images of African-American women to …
Mdocs Newsletter-2015-02-06, 1.7, Jordana Dym, Maggie Clark
Mdocs Newsletter-2015-02-06, 1.7, Jordana Dym, Maggie Clark
MDOCS Publications
No abstract provided.
Mdocs Newsletter-2014-12-09, 1.6, Jordana Dym, Lisa Fierstein, Jennifer Hoffer
Mdocs Newsletter-2014-12-09, 1.6, Jordana Dym, Lisa Fierstein, Jennifer Hoffer
MDOCS Publications
No abstract provided.
Mdocs Newsletter-2014-11-03, 1.4, Jordana Dym
Mdocs Newsletter-2014-11-03, 1.4, Jordana Dym
MDOCS Publications
No abstract provided.
Gilded Age Visual Media As The Impetus For Social Change: Jacob Riis’S Reform Photography And The Antecedents Of Documentary Film, Denitsa Yotova
Gilded Age Visual Media As The Impetus For Social Change: Jacob Riis’S Reform Photography And The Antecedents Of Documentary Film, Denitsa Yotova
Graduate Research Symposium (GCUA) (2010 - 2017)
This study examines the birth and evolution of the social documentary genre in visual media. It suggests that a mixture of ideology, technology, and social awareness are necessary for a successful social reform. It finds that despite the limitations of technology during the nineteenth century, social documentaries were produced long before they were part of the genres of photography and film. By focusing on the work of Danish photographer Jacob Riis and tracing the emergence of film, this study demonstrates a connection between documentary film and Riis’s social documentary photography and public slide exhibitions. The study concludes that in order …