Film and Media Studies Commons^™

America, Dreaming., Sarah Meftah

Masters Theses

There is a version

of America

that exists

only in dreams,

a kind of folklore,

shrouded in images,

technicolor interiors,

wrapped in plastic,

ghosts of recent past

to haunt and guide;

a constant reminder.

Wishful thinking

a constructed imaginary,

one I can hold in my hand.

Popular culture and spectacle, America and the domestic ideal, capitalism and the collective unconscious of a national identity. As an artist, I am interested in the myriad images that manifest for a viewer when they think of the spectacle of American pop culture, its domestic archetypes, and the material worship it revolves around. My …

That Way: An Examination Of Male Relationships In Film During The Hays Code, Jane Knudsen

Theses/Capstones/Creative Projects

The Hays Code (1934-1968) influenced the construct of United States masculinity and the discourse surrounding masculine presentation between the 1920s to the 1960s. The Hays Code and World War II affected the culture surrounding male/male relationships in the United States. Previous research done by David Lugowski (1999) and Jeffrey Suzik (1999) shows that both World Wars led to crises of masculinity in which the hegemonic ideal of masculinity was restructured to establish men as providers and warriors, and Code-era films reflected the discourse. To understand the gender roles in the 20^th century, I analyzed the Hays code, male bonds, …

Bedeviled Beauty: My Journey Through White American Theater Institutions, J'Aila C. Price

University of New Orleans Theses and Dissertations

Game console: Oculus Quest

World: American Theater Institutions

Player: Minority

Place: United States

Level: “Ain’t no way.”

This thesis explores the contrast between the Westernized philosophies ingrained in my education and my identity as a Black female artist. It sheds light on the difficulties of pursuing higher education in the arts and the gaps that arise from limited exposure to culturally diverse Black resources, revealing the systemic issues in Western performance education. The paper also discusses the insights gained from my journey as a Black female artist, focusing on my thesis performance of Blood at the Root, which is …

3rd Place Contest Entry: From Film Sets To Front Lines And Back Again: Reinventing Star Image In Post-World War Ii Hollywood, Livia Belen Lozoya

Eric M. Scandrett Graduate Library Research Prize

This is Livia Lozoya's submission for the 2024 Eric M. Scandrett Graduate Research Prize, which won third place. It contains their essay on using library resources, their bibliography, and a summary of their research project on established movie stars who voluntarily left their lives of luxury to serve in World War II and returned to a changed postwar film industry, specifically James Stewart, Robert Montgomery, Marlene Dietrich, and Myrna Loy.

Livia is a student in the Masters of Arts in Film and Media Studies program at Chapman University. Their faculty mentor is Dr. Emily Carman. Her thesis, available here, …

Review Of Doherty, Little Lindy Is Kidnapped, Philip M. Glende

Journal of 20th Century Media History

Review of Little Lindy is Kidnapped by Thomas Doherty

License To Spill: Credentialing In 20th Century Journalism Education, Nate Floyd

Journal of 20th Century Media History

This study begins with a war of words between industry insiders and journalism educators in 1947 regarding the establishment of the American Council on Education for Journalism (ACEJ). Although the accrediting agency for journalism education was still a year away from announcing its first list of accredited programs, discussions surrounding how to elevate the status of journalism and regulate entry into the profession had been ongoing since at least 1923, involving metropolitan newspaper editors and journalism educators. This study explores a plan formulated during the interwar period, involving metropolitan newspaper editors affiliated with the American Society of Newspaper Editors (ASNE) …

“America’S Nervous Breakdown”: Mary Hartman, Mary Hartman, Popular Psychology, And The Demise Of The Housewife In The 1970s, Kate L. Flach

Journal of 20th Century Media History

In 1976, soap opera satire Mary Hartman, Mary Hartman (MH, MH) debuted and reached an estimated 55 million households. Produced by Norman Lear, the central storyline developed during the first season involved the mental breakdown of Mary Hartman (Louise Lasser), a typical consumer housewife who Lear claimed metaphorically represented the United States. Portraying a discontent housewife with mental illness as a proxy for the nation reflects how ubiquitous popular psychology became in explaining American anxieties over the transformations of the family and politics. An analysis of tape-recorded writers meetings reveals that the show’s creators pulled from contemporary books, theories, and …

Editor's Note, Rob Rabe

Journal of 20th Century Media History

Welcome to the inaugural issue of the Journal of 20^th Century Media History. Although it has taken longer than expected to get this project underway, we are proud to see the journal go live for the first time. I think readers will agree that the three research articles and five book reviews included here are important contributions to the field of media history. We want this journal to emerge as a respected home for quality scholarship and I think we are establishing a solid foundation with our first effort. For me personally, it has been exciting to work …

Revenge Of The Nerds: Tech Masculinity And Digital Hegemony, Benjamin M. Latini

Doctoral Dissertations

Revenge of the Nerds provides a cultural history of the evolution of white nerd masculinities in American culture through interpretations of a wide variety of texts and representations using the methods of literary studies and American studies. The dissertation is organized around four overlapping stages of nerd masculinity based on changes in technology and their effects on culture, as well as white male nerds’ efforts to remain culturally relevant and gain the benefits of being close to hegemonic masculinity. The four nerd types are the computer nerd, the gamer, the gatekeeper nerd, and the maladaptive nerd which reflect the following …

The Crusading Days Of Jackie Stewart: Evaluating The Development Of Safety In Motor Racing During The 1960s., Alex Twitchen

Journal of Motorsport Culture & History

This article critically evaluates the contribution of Jackie Stewart in making motor racing a safer sport for competitors. It challenges the validity of the popular assumption that Jackie Stewart by himself developed a ‘culture of safety’ that transformed the sport. Instead, the role of other individuals are identified alongside the importance of three social processes. These processes are identified as the changing balance of power between different masculine identities, the development of commercial sponsorship and a growth in the coverage of the sport on television.

The development of motor racing from the 1960s onwards as a safer sport in which …

Book Review: I Was A Nascar Redneck: Recollections Of The Transformation Of A Yankee Farm Boy To A Southern Redneck In The Golden Era Of Nascar And Beyond., Quinn Beekwilder, Daniel Dean

Journal of Motorsport Culture & History

No abstract provided.

Historical Trauma: Literary And Testimonial Responses To Hiroshima, Mariam Ghonim

Theses and Dissertations

The concept of trauma is controversial in literature. While one may be able to come up with ways to describe trauma in fiction, representing historical trauma is a hard task for writers. Some argue that trauma can not be described through those who did not experience it, while others claim that, provided some elements are added, one can represent trauma to the reader. This thesis focuses on twentieth-century historical traumas related to a nuclear catastrophe and explores the different literary and testimonial responses to the catastrophic man-made event of Hiroshima (1945). In this thesis, Kathleen Burkinshaw’s historical fiction The Last …

The Gray Area: Sexuality And Gender In Wartime Reevaluated, Natalie Pendergraft

War, Diplomacy, and Society (MA) Theses

These three works, two academic papers and one screenplay, challenge traditional notions of gender and sexuality during wartime. Queer Vietnam service members did not all experience oppression, all the time, but rather carved out a space for themselves amongst their peers. Female nurses in the early cold war could keep their careers in the medical field due to its unique gendered history despite demobilization efforts across the country in different industries. Finally, through the medium of historical fiction, a Civil War soldier’s fears and desires are questioned as he experiences the phenomenon of the Angel’s Glow, a blue light that …

Georgia, Lesley Brian Bargo

Master of Arts in Professional Writing Capstones

The Vietnam War cast a massive shadow, both home and abroad. Relationships, morality, and humanity hang in the balance.

Alvin York: Life Of A Peacemaker, Katherine Larson

Liberty University Research Week

Undergraduate

Creative and Artistic

Audio Activism: A Discussion Of Mother Country Radicals, Zayd Dohrn

RadioDoc Review

This article is a transcript of a speaking event at Northwestern University, USA, in which producer Sarah Geis interviewed writer Zayd Dohrn and podcast producer Misha Euceph about their recent podcast Mother Country Radicals, which concerns the history of the Weather Underground, as well as Black Liberation more broadly, from the perspective of Dohrn, who grew up as a child of radicals from that period. Dohrn and Euceph explain the process and thinking they brought to the project and explore a few key moments that shaped the podcast, reflecting on the complicated relationship between family and activism.

From Fashion, To Violence, To A Forgotten Era: The Zoot Suit And Mexican-American Youth Culture In 1940’S America, Adelaide Iris Ord Treadwell

Senior Projects Spring 2023

Senior Project submitted to the Division of Social Studies of Bard College.

Sheriffs, Outlaws, And No Good Cowboys: An Analysis Of The Violent Struggle For Power In Eastern California Borderlands, Brennan Krebs

History | Senior Theses

As the United States continued to expand during the nineteenth century, the creation of new states and acquisition of foreign territory posed many problems for the people living or attempting to live within these territories. On paper, the borders of these lands were clearly defined. However, the infant United States was still a vast array of “borderlands” that many groups, especially indigenous peoples, refused to believe were legitimate. California is no stranger to such conflicts that perpetuate the disregard for borders and the law for one's personal gain. The advent of ranchers and miners in the Owens Valley created a …

Who Lives, Who Dies, Who Sings Which Story?: Narrative Production And Race In The Curriculum Of Film Musicals, Joanna Batt, Michael Joseph

Northwest Journal of Teacher Education

Film musicals serve as a tool to infuse historical and cultural content into social studies curricula towards greater student engagement—for example, Lin Manuel-Miranda's Hamilton has become a celebrated classroom piece due to its ability to blend history with hip-hop and pop culture. Yet beyond language and content scans, teachers rarely examine or utilize musicals for how their narratives (mis)represent racial communities. This critical film analysis of three film musicals, using the theoretical framework of history production, reveals themes of historical morality, romantic relationship and race, and implicit/explicit racial messaging. Although troubling in their overall contribution to racial projects, film musicals …

Comic Literature And Graphic Novel Uses In History, Literature, Math, And Science, James O. Barbre Iii, Justin Carroll, Joshua Tolbert

SANE journal: Sequential Art Narrative in Education

Graphic novels and comics have a rich history and have long served as a medium for both education and entertainment. Although we live in an increasingly technology-rich era which offers abundant visual stimulation to compete with comics, graphic literature is arguably a more immediate and robust resource than ever before. The following paper highlights specific applications of graphic literature to pedagogical purposes, including implications for the use of comics in teaching history, world languages, English as a new language, science, and mathematics. Across these areas, a wide degree of application exists for teachers, in both K-12 and post-secondary settings. In …

Life In The Multiverse: Bringing Chaos Out Of Order?, John C. Lyden

Journal of Religion & Film

This paper was given as the opening keynote address at the International Conference on Religion and Film at Vrije Universiteit, Amsterdam, the Netherlands, on June 8, 2022, and is here presented in that form.

My thanks go to those who organized the conference for Vrije Universiteit, notably Professor Johan Roeland and Miranda van Holland.

It Always Ends In A Fight: How A Vietnam Veteran Is Allegorized By Marvel’S “Winter Soldier”, Eirian Waldron

Summer Community of Scholars Posters (RCEU and HCR Combined Programs)

No abstract provided.

Panic At The Picture Show: Southern Movie Theatre Culture And The Struggle To Desegregate, Susannah L. Broun

Swarthmore Undergraduate History Journal

This paper explores the complex desegregation process of movie theatres in the southern United States. Building off of historiography that investigates regulations of postwar teenage sexuality and recent scholarly work that acknowledges the link between sexuality and civil rights, I argue that movie theatres had a uniquely delayed desegregation process due to perceived sexual intrigue of the dark, private theatre space. Through analysis of drive-in and hardtop theatres, censorship of on-screen content, and youth involvement in desegregation, I contend that anxieties of interracial intimacy and unsupervised teenage sexuality produced this especially prolonged integration process.

Cinema Exhibition In St. Louis, 1920: A Thriving Business, Sarah E. Boslaugh

Undergraduate Research Symposium

In 1920, St. Louis was the 6th largest city in the United States, with a population of 772,897, and density of 11,684/square mile (twice today's density). The population was primarily (90.9%) white, with 14.7% of the white population foreign born. The city had a dense trolley network, while private ownership of automobiles was relatively rare (15.8 residents per car). Cinema exhibition was a thriving business in the city, with 120 cinemas and 29 film exchanges (as compared to, for instance, 12 live theatres in the same year).

Cinemas were located throughout the city, primarily on or near trolley lines. This …

Isocrates's Place In Postmodern Advertising, Christopher Barkley

Electronic Theses and Dissertations

This study in communication and rhetoric seeks to ascertain constructive applications for distinct advertising practices by examining Isocrates’s work and place in postmodern advertising. The focus uses 5 principles known to Isocrates which are: 1) commonwealths of households, 2) integration of reputation, elegance, substance and style, 3) education and public discourse, 4) phronesis and praxis, and 5) truth and verisimilitude. These 5 principles can form a constructive and practical advertising approach. This study is important. It examines Isocrates through the lens of advertising and extends the research done about him by leading Isocrates scholars who have looked primarily at his …

Uncovering The Domesticated Spectator: Film Exhibition And Spectatorship In The Home, 1920-1950, Patrick Brame

Theses and Dissertations

This dissertation builds on recent historical scholarship that adds complexity to apparatus theory from the 1970s by examining the experience of film exhibition and spectatorship in the American home from 1920 to 1950. While the screen, projector, and content of home exhibition influenced the spectator’s experience, so too did the domestic environment: blurring private and public spaces loaded with sociocultural tensions of gender, sexuality, race, and class. Through my investigation of amateur filmmaking magazines, primarily Movie Makers, Home Movies, industry journals such as The Journal of the Society of Motion Picture Engineers, and more widely read magazines like Popular Mechanics, …

0875: Mike Jones President Barack Obama Media Collection, 2008-2013, Marshall University Special Collections

Guides to Manuscript Collections

This collection is predominantly newspapers from 2008-2011 and magazines from the same time period. Other items include campaign paraphernalia such as a t-shirt, campaign signs (one covered in anti-Obama graffiti), campaign buttons, bumper stickers, and an advertisement for the coverage of the 2008 election by Arizona Daily Star, and VHS recordings of the election, inauguration of President Obama, and President Obama’s first 100 days in office

As Seen On Screen: American Ambivalence Shown Through Death Penalty And Vigilante Films, Lisette Donewald

Honors Scholar Theses

The United States is one of the last western nations still practicing capital punishment. A history of and commitment to vigilantism and its ideals offers an explanation of America’s retention of capital punishment. Employing scholarship on law and popular culture and vigilantism, this thesis finds that pro-death penalty frames are prevalent in vigilante films while anti-death penalty frames are prevalent in films that focus specifically upon capital punishment. Since the 1960’s however, there has been a gradual shift towards anti-death penalty frames and away from pro-death penalty frames as well as changes in the themes presented in the two genres …

'The Street Scene Prologue': Holocaust Survivors, The American Nazi Party, And Exodus, Jason Van

University of New Orleans Theses and Dissertations

During the early 1960s when the American Civil Rights movement was beginning to gain momentum, another movement across the world was taking place to solidify the newly formed country of Israel as a sovereign state. To commemorate the foundation of Israel, American director Otto Preminger created the film Exodus, adapted from a book of the same name by Leon Uris. George Lincoln Rockwell, leader of the American Nazi Party, decided to take action by traveling throughout the country with his closest members to protest the film. Rockwell and his group of Nazis were outraged by the pro-Zionist depictions and the …

The Making Of Everyday Hollywood: 1930s Film Influence On Everyday Women’S Fashion In Nebraska, Anna Naomi Kuhlman

Department of Textiles, Merchandising, and Fashion Design: Dissertations, Theses, and Student Research

This research examines the influence of film fashions on middle-class, Nebraskan women’s dress during the Great Depression (1932-1940). The Great Depression challenged the middle class: while standards of living remained high, the economic means to achieve those standards diminished. Despite the crisis, women strove to keep up with current fashion trends. While previous literature has examined how Hollywood directly affected trends and styles of the 1930s in major American metropolitan contexts, the manifestation of trends in the dress of middle to lower socio-economic classes in Middle America remains under-examined. Against the backdrop of Depression-era hardships specific to Nebraska’s agricultural economy, …