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Articles 1 - 13 of 13
Full-Text Articles in Film and Media Studies
Silver Screen Reversals Of The Domino Theory: American Cold War Movies And The Re-Imagination Of British Experiences In Southeast Asia, Wen-Qing (Wei Wenqing) Ngoei
Silver Screen Reversals Of The Domino Theory: American Cold War Movies And The Re-Imagination Of British Experiences In Southeast Asia, Wen-Qing (Wei Wenqing) Ngoei
Research Collection School of Social Sciences
This essay examines how Hollywood was affected by the successful anticommunism of Britain and its local allies in Malaya and Singapore, victories that unfolded alongside Vietnam’s mounting crisis in the early 1960s. It shows that American movies of this era which portrayed the intertwining of US and British experiences in 1950s Malaya and 1940s Singapore conveyed an uneasy yet clear optimism about U.S. involvement in Southeast Asia.
After Great Pain: The Uses Of Religious Folklore In Kenji Mizoguchi’S Sansho The Bailiff (Jp 1954) And Kaneto Shindo’S Onibaba (Jp 1964), Teng-Kuan Ng
Research Collection College of Integrative Studies
This article studies the adaptations and applications of religious folklore in two mas-terworks of Japanese cinema: Kenji Mizoguchi’s Sansho Dayu (Sansho the Bailiff, JP 1954) and Kaneto Shindo’s Onibaba (JP 1964). While academic approaches will often draw a strict line between narrative genres and discursive forms, these films, I argue, draw creatively from Japanese tradition for both critical and constructive purposes in the postwar context. Besides mounting trenchant criticisms of Japan’s erstwhile militaristic violence and imperial ambitions, both filmmakers present their respective female protagonists as models for spiritual and sociocultural transformation in the face of anomie. Embodying humanistic compassion on …
Ten Years As Boundary Object: The Search For Identity And Belonging As 'Hongkongers', John Lowe, Espena Darlene Machell, George Wong
Ten Years As Boundary Object: The Search For Identity And Belonging As 'Hongkongers', John Lowe, Espena Darlene Machell, George Wong
Research Collection College of Integrative Studies
This article examines the complex process of symbolic boundary-making of ‘Hongkonger’ cultural identities through the lens of the controversial 2015 film Ten Years, which is a celebrated omnibus production comprised of five short segments that picture a dystopic end to Hong Kong’s cherished way of life in the year 2025. The article is premised on an interdisciplinary approach engaging with cultural studies and film studies. On one hand, it explores how Ten Years functioned as a boundary object, a vast terrain within which cultural identities of what it means to be a Hongkonger are constructed, banished, imagined, and performed under …
Screening Southeast Asia: Film, Politics, And The Emergence Of The Nation In Postwar Southeast Asia, Darlene Machell Espena
Screening Southeast Asia: Film, Politics, And The Emergence Of The Nation In Postwar Southeast Asia, Darlene Machell Espena
Research Collection School of Social Sciences
No abstract provided.
Imaginary Conquests: Folktales, Film, And The Japanese Empire In Asia, Richard M Davis
Imaginary Conquests: Folktales, Film, And The Japanese Empire In Asia, Richard M Davis
Research Collection School of Social Sciences
This article highlights three family-targeted films made under the wartime Japanese empire: Yamamoto Kajir ō ’s musical comedy Songokū (1940) and Seo Mitsuyo’s animated Momotarō films, Sea Eagles (1943) and Divine Warriors of the Sea (1945). Significantly, these films are based on two fantastical premodern stories—the Chinese novel Journey to the West and the Japanese Momotarō legend, respectively—whose quest narratives map onto Japan’s contemporaneous military expansion into mainland China and the islands of the South Pacific. Despite the films’ seeming alignment with ultranationalist ideology, I argue that the geopolitical trajectories of their narratives are rendered ambiguous by their various reception …
Now You Seaweed, Now You Don't: Photographing Rongcheng's Disappearing Seaweed Houses, Yanjing Liu
Now You Seaweed, Now You Don't: Photographing Rongcheng's Disappearing Seaweed Houses, Yanjing Liu
Social Space
This county-level city is known not only for its picturesque beauty, but also for being the site of seaweed houses— traditional homes built from natural seaweed and stones. Inhabited mainly by local fishermen, these structures are a reflection of northern Chinese marine culture and fishery customs.
Cosmopolitan Cinema: Cross-Cultural Encounters In East Asian Film [Book Review], Espena Darlene Machell
Cosmopolitan Cinema: Cross-Cultural Encounters In East Asian Film [Book Review], Espena Darlene Machell
Research Collection School of Social Sciences
In this exceptional book, Felicia Chan dives deep into the complexities of cosmopolitanism and cinema, questioning the meaning of ‘foreignness’ and aspirations of ‘belonging’ in the global context. Grounded on the premise that transnational cinema, or cinema in general, is an important platform for the production, imagination, and interrogation of cosmopolitan ideals, the book focuses on East Asian cinemas from China, Hong Kong, Japan, and Singapore, challenging notions of definitive cultural boundaries. The book offers a way to understand cross-cultural encounters that emphasises the nuances and subjectivities of cultural imaginaries that cinema itself advances and challenges at the same time. …
The Weekend Effect In Television Viewership And Prime-Time Scheduling, Jung Won Yeo
The Weekend Effect In Television Viewership And Prime-Time Scheduling, Jung Won Yeo
Research Collection School Of Economics
The observed drops in the ratings of television programs on Fridays and Saturdays are likely a result of two factors: intrinsic contraction in demand for television watching and endogenous scheduling. I decompose the observed weekend effect into the effects from these two factors. To this end, I estimate a viewer choice model that uses aggregate Nielsen ratings data for prime-time network television shows over 11 years. The long span of the data enables me to control for television series qualities. The estimation results reveal that the estimated weekend effect is dampened as the empirical model accounts for variation in the …
Daniel Yun: Journey Of A Singaporean Filmmaker, Singapore Management University
Daniel Yun: Journey Of A Singaporean Filmmaker, Singapore Management University
Perspectives@SMU
A single-minded focus of being the best drove and defined the former boss of MediaCorp Raintree Pictures
Fiction As Reality: Chinese Youths Watching American Television, Yang Gao
Fiction As Reality: Chinese Youths Watching American Television, Yang Gao
Research Collection School of Social Sciences
American television fiction is gaining traction among educated urban Chinese youths. Drawing on 29 interviews with fans among college students in Beijing, this article examines a shared perception among these youths that American television is ‘‘real.’’ This perceived realism, which is essential to their viewing pleasure, has two sources: American programming’s textual quality and the Chinese context in which it is consumed. First, US television appeals to Chinese youths because they perceive its topical content and complex characterization as true to life. This perception can be explained by the higher transnational cultural capital of these youths, which renders US programming …
Chinese Cinema's Role In Moulding Chinese Culture, Singapore Management University
Chinese Cinema's Role In Moulding Chinese Culture, Singapore Management University
Perspectives@SMU
Mainland China may be an economic force, but its soft power is still lacking
Imagining “Indonesia”: Ethnic Chinese Film Producers In Pre-Independence Cinema, Charlotte Setijadi, Thomas Barker
Imagining “Indonesia”: Ethnic Chinese Film Producers In Pre-Independence Cinema, Charlotte Setijadi, Thomas Barker
Research Collection School of Social Sciences
In this paper, we aim to re-examine the roles of ethnic Chinese filmmakers in Indonesian cinematic history as a preliminary study in the reconsideration of the early years of the film industry. Here, we regard the simplification of history in the film industry as part of a broader attempt by nationalist and New Order ideologues to “appropriate” the origins of cinema and “ ” in Indonesia. On the same note, we argue that the narrative tradition that privileges “indigenous” filmmakers as the originators of asli (authentic ortrue) Indonesian culture on screen reflects the dominant yet narrow definition of nationalism as …
Questioning Proximity: East Asian Tv Dramas In Indonesia, Charlotte Setijadi
Questioning Proximity: East Asian Tv Dramas In Indonesia, Charlotte Setijadi
Research Collection School of Social Sciences
The study of transnational cultural flows has been of continuing interest among media and communication researchers, with recent studies focusing on cultural flows within geographically and culturally adjacent nations. It is often suggested that the level of “cultural proximity” that exists determines the success of cultural exchange between countries regarded to possess similar cultural traits. This notion, that local audiences will have preference for cultural commodities from countries with which they share cultural ties in recognition of their own culture, has enjoyed much intellectual currency in recent times, especially in relation to analyses of regional media markets. The danger of …