Film and Media Studies Commons^™

Here To Win, Not Here To Settle, Sarah Kaino

Student Scholar Symposium Abstracts and Posters

Ethnic representation goes beyond color blind casting, the diversity of actors, or non-stereotypical casting choices. It is not just a matter of minorities being included in mainstream storylines, but minorities being able to tell their own stories as well. The relevance and relatability of storytelling in film and theatre transcends culture, which is in part the beauty of these mediums. But the impact of Asian Americans seeing stories from their own culture cannot be exchanged for anything less because there is no substitute for visibility. Movies are the source of inspiration for many. Movies can also reinforce a transparent ceiling …

Schizophrenia In Film: The Missing Narrative, Art Thomas

Media and Communication Studies Summer Fellows

Film characters with schizophrenia are most often depicted as (1) violent and threatening or (2) extraordinary and talented. As a result of these cinematic representations, audiences have false assumptions about the reality of schizophrenia. Films give the impression that people with schizophrenia should be separated from society in some way by being placed in a mental institution or on a pedestal to show that even a sick brain can be marvelous.

I studied films that portray schizophrenic characters in order to identify a story that is not being told by Hollywood. By looking at the romantic, platonic, and familial relationships …

It's Me, Sarah, Fabiola Y. Andrade Chinchilla

University of New Orleans Theses and Dissertations

This paper describes the making of It’s Me, Sarah, a University of New Orleans thesis film. It explores the process of creating the film in three parts. Part one will examine the pre-production, including the writing and preparation for the shoot. Part two will detail the production, including the shooting affairs. Part three will cover the post-production process, which will include the editing. The document will then reference these three segments regarding the film’s theme and will conclude by evaluating whether the final film achieves its intended conception.

Past The Darkness, Kathleen M. Vieira

University of New Orleans Theses and Dissertations

This paper will discuss the making of my thesis film, Past the Darkness. I will describe the entire process including story conception, film production, and post-production stages. I will also evaluate the merits, flaws, and outcome of this project.

Dinesh Sabu Interview, Mitch Buangsuwon

Asian American Art Oral History Project

Bio: Dinesh Sabu made his first feature documentary Unbroken Glass with Kartemquin Film. It played at numerous film festivals and was broadcast on America ReFramed’s 5th Season in May 2017. Dinesh was awarded “Best Director” at the Los Angeles Asian Pacific Film Festival in 2017 for his debut feature. Before Unbroken Glass, Dinesh shot parts of American Arab and The Homestretch with Kartemquin filmmakers. He also shot and is co-producing the forthcoming How to Build a School in Haiti with director Jack C. Newell. He is currently attending Stanford University’s Documentary Film and Video MFA program.

A Mellow Night For Memories, Angelo Ilya Raphael Chammah

Senior Projects Fall 2019

Senior Project submitted to The Division of Arts of Bard College.