Film and Media Studies Commons^™

Witnessing Conspiracy Theories: Developing An Intersectional Approach To Conspiracy Theory Research, David Guignion

Electronic Thesis and Dissertation Repository

This dissertation proposes an intersectional approach to conspiracy theory research that engages conspiracy theories and conspiracy theorists by considering their proximity and affiliations with hegemonic power structures. Against challenges to conspiracy theories based on their lack of empirical legitimacy (Rosenblum and Muirhead 2019) and building on arguments that propound their status as “subjugated knowledges” (Bratich 2008), this dissertation argues that conspiracy theories can be vectors of anti-oppressive resistance against systemic forces that disenfranchise racial, gender, and class minorities. Conspiracy theories are not a homogenous phenomenon; they are particular instances of potentially generative suspicion against powerful forces. The dissertation deploys Kelly …

What Moves You?: Georges Didi-Huberman’S Arts Of Passage And Pittsburgh Stories Of Migration, Alexandra Irimia

Languages and Cultures Publications

Contemporary art historian, critic, and theorist Georges Didi-Huberman thinks of images not as static objects, but as movements, passages, and gestures of memory and/or desire. For the French “historian of passing images,” as he has been called, “all images are migrants. Images are migrations. They are never simply local” (D2017). His book, Passer, quoi qu'il en coûte ("To Pass at Any Price"), co-written with the Greek poet and director Niki Giannari, takes on precisely the visual dynamics of passages, passengers, and passageways in the context of contemporary migration flows. In April 2018, only several months after the launching of the …

Cheenama The Trail Maker: An Indian Idyll Of Old Ontario Indigenous Ethnographic Films Of The 20th Century, Sarah Charette

SASAH 4th Year Capstone and Other Projects: Publications

Ethnographic films of the early twentieth century, intended to document and reproduce the cultural practices, living conditions, and identities of Indigenous populations, were often rife with colonial assumptions, staged events, abnormal or uncommon practices, and the active silencing of Indigenous perspectives. Cheenama the Trailmaker: An Indian Idyll of Old Ontario, produced in 1935 by the Canadian Museum of History, attempts to recreate the day-to-day life of an Algonquin family in pre-contact North America.

Beginning with a comparative analysis of the film itself, this essay uses empirical evidence from the Algonquins of Pikwakanagan to paint a picture of the accuracy …

Still, Unfolding, Ramolen Mencero Laruan

Electronic Thesis and Dissertation Repository

Together with my Master of Fine Art thesis exhibition, still, unfolding, at Zalucky Contemporary (Toronto, Ontario), this dossier constitutes the following accompanying components: a comprehensive artist statement, documented artwork, an interview with artist Erika DeFreitas, and a curriculum vitae. These components contextualize my subject-position, and outline theoretical research, motivations, and reflections that drive my work. I expand on the diasporic experience, politics of knowledge, and the autobiographical genre as they are linked methodologies in the retrieval of immigrant histories. The fusion of autobiography and fiction becomes a hopeful approach in challenging forgotten or omitted history and confronts the expectations …

Imaginaire De La Fin, Icônes, Esthétique. (Ir)Représenter La Post-Apocalypse Dans La Bande Dessinée Et Le Cinéma Du Génocide Tutsi., Alain Agnessan

Electronic Thesis and Dissertation Repository

Cette étude sur la bande dessinée et le cinéma du génocide tutsi s’écarte de l’analyse désormais canonique des politiques mémorielles et pratiques testimoniales pour en investir le parti pris post-apocalyptique . Elle s’agence en deux volets, ou, plutôt, en deux lieux de regard. Envisageant l’imaginaire de la fin qui s’est constitué autour du génocide tutsi, le premier volet de l’étude s’attelle à décrire une scène « cross-traumatic » ou transtraumatique, appelée génoscape, sur laquelle la pensée, les images et les discours critiques lient le destin éthique, esthétique et épistémique du génocide tutsi à celui de la Shoah. Cette démarche …

Indigenous Representation In Cinema, Nathaniel Ninham

2019 Cohort

Indigenous people are underrepresented offscreen on film-sets, and misrepresented onscreen. This has always been true in cinema and progress towards proper representation has been incredibly slow.

This has effects both on Indigenous people, and how the rest of society views them. It limits career opportunities for Indigenous filmmakers, restricts Indigenous role models on film, and reinforces cultural misunderstandings in society.

Indigenous Representation In Cinema, Nathaniel Ninham

Head and Heart Posters 2019

Indigenous people are underrepresented offscreen on film-sets, and misrepresented onscreen. This has always been true in cinema and progress towards proper representation has been incredibly slow.

This has effects both on Indigenous people, and how the rest of society views them. It limits career opportunities for Indigenous filmmakers, restricts Indigenous role models on film, and reinforces cultural misunderstandings in society.

Indigenous Representation In Cinema, Nathaniel Ninham

Learning with your Head & Heart

Indigenous people are underrepresented offscreen on film-sets, and misrepresented onscreen. This has always been true in cinema and progress towards proper representation has been incredibly slow.

This has effects both on Indigenous people, and how the rest of society views them. It limits career opportunities for Indigenous filmmakers, restricts Indigenous role models on film, and reinforces cultural misunderstandings in society.

The Fear And Biopolitical Control Of The ‘Terrorist Other’, Percy Percy Sherwood

Western Research Forum

“I think Islam hates us,” Donald Trump said as a presidential candidate in a CNN interview in March 2016, conflating the religion with ‘radical Islamic terrorism.’ Trump’s statement exemplifies the prevailing fabricated enemy and resulting Islamophobia in the context of the ‘global war on terror.’ Since 9/11, powerful actors are using abstractions, ideologies, and narratives—that are usually defined along racial lines—to conjure up a fear so permeable that it serves to legitimize massive levels of violence in the name of self-righteousness. How do the racist abstractions, ideologies, and narratives that are associated with Islam and Muslims produce fear and insecurity …

Un/Dead Animal Art: Ethical Encounters Through Rogue Taxidermy Sculpture, Miranda Niittynen

Electronic Thesis and Dissertation Repository

Beginning in 2004, the Minnesota Association of Rogue Taxidermists began an art movement of taxidermied animal sculptures that challenged conventional forms of taxidermied objects massively produced and displayed on an international scale. In contrast to taxidermied ‘specimens’ found in museums, taxidermied ‘exotic’ wildlife decapitated and mounted on hunters' walls, or synthetic taxidermied heads bought in department stores, rogue taxidermy artists create unconventional sculptures that are arguably antithetical to the ideologies shaped by previous generations: realism, colonialism, masculinity. As a pop-surrealist art movement chiefly practiced among women artists, rogue taxidermy artists follow an ethical mandate to never kill animals for the …

Representation Of Settler Colonial Violence In Palestine, A Thesis In Support Of The Multi-Media Exhibition Choreographies Of Resistance, Rehab Nazzal

Electronic Thesis and Dissertation Repository

This project-based dissertation emerges from my engagement with theories of representation, settler colonialism, and genocide, as well as involvement with direct engagement through embodied experience of the Palestinian reality in the colonized West Bank during 2015–2017. The artworks and written components of this project seek to represent shards of the multilayered Western-Zionist settler colonial project in Palestine through a focus on the struggle and resilience of the Palestinian people and the endurance of their land. Land seizing as the aim of settler colonialism and the colonised bodies as sites of oppression and sites of resistance are central to the various …

Supernova: Performing Race, Hybridity And Expanding The Geographical Imagination, Raheleh Saneie

Electronic Thesis and Dissertation Repository

This thesis attempts to explore the many socio-political, temporal and spatial factors that contribute to the formation of cultural identity. Through my video work, SuperNova, I examine how race is performed and the discursive structures that contribute to the process of racialization. The core question that is central to this thesis is how race is performed and the potential benefits and drawbacks of this performance. In chapter one, I explore how whiteness is performed and how racial hierarchies are maintained through performance. I critique the Aryan race discourse that is a part pf Iranian nationalist discourse of identity. In …

Settler Colonial Ways Of Seeing: Documentary Governance Of Indigenous Life In Canada And Its Disruption, Danielle Taschereau Mamers

Electronic Thesis and Dissertation Repository

Settler colonialism in Canada has and continues to dispossess Indigenous nations of their lands and authority. Settler Colonial Ways of Seeing argues that a politics of visibility has been central to these structures of invasion and dispossession. In an effort to transform sovereign Indigenous nations into “Indians”, the state has used techniques of bureaucratic documentation to naturalize the classification of Indigenous bodies as racially inferior and thus subject to a range of violent interventions. This politics of visibility fails to see Indigenous people as people who matter.

Using Indigenous feminist critique, discourse analysis, and aesthetics to analyze federal legislation, …

Let Me Tell You What It Means: Reading Beyond Humor In Selected Iranian-American Memoirs, Stand-Up Comedy, And Film In The Post-9/11 Era, Reza Ashouri Talooki

Electronic Thesis and Dissertation Repository

ABSTRACT

Since the tragic events of September 11, 2001, Muslims in America have continued to remain the subject of cultural and political debates. In their artistic endeavours, Muslim artists have tried to rectify the negative and mediated images attributed to Islam, Muslims, and their cultures. In this dissertation, I look at Iranian works from the diaspora that not only represent Iranian culture and attempt to raise public awareness in America, but also extensively wade into humor as their linking theme. It is humor embedded in socio-cultural and political implications along with cultural representations that constitute my analysis in this dissertation. …

Les Passerelles De La Réécriture: Des Transpositions De "Soundjata" Aux Autoadaptations D'Ousmane Sembène, Elhadji Moustapha Diop

Electronic Thesis and Dissertation Repository

Le présent travail porte sur une série de questions liées au transfert de formes narratives et expressives, d’un médium à un autre, d’un texte ou contexte à un autre. On suit un parcours se déclinant en deux mouvements : parti d’une discussion des théories de l’adaptation, de la réécriture, et des recherches sur la littérature orale, on en arrive à l’étude des pratiques effectives de la transposition et de l’autoadaptation. La Première Partie, « Discussions Théoriques », est consacrée à la littérature critique sur l’adaptation, y compris ses récents prolongements postmodernes et postcoloniaux. Dans la Deuxième Partie, « Études …

Digital Refuse: Canadian Garbage, Commercial Content Moderation And The Global Circulation Of Social Media’S Waste, Sarah T. Roberts

Media Studies Publications

The story of a rogue Canadian garbage barge attempting to offload illegal garbage in the Philippines opens this article on techno-trash, in order to underline both the relationships between countries of the Global North with countries of the Global South in matters of waste, as well as to reframe discussions of techno-trash as one fundamentally tied to material things. The definition of techno-trash is then expanded, to cover digital detritus created through an entirely digital set of practices I term “Commercial Content Moderation.” The attempt to offload mounds of e-waste and the similar ways in which a great deal of …

Through Google-Colored Glass(Es): Design, Emotion, Class, And Wearables As Commodity And Control, Safiya Umoja Noble, Sarah T. Roberts

Media Studies Publications

This chapter discusses the implications of wearable technologies like Google Glass that function as a tool for occupying, commodifying, and profiting from the bio- logical, psychological, and emotional data of its wearers and those who fall within its gaze. We argue that Google Glass privileges an imaginary of unbridled exploration and intrusion into the physical and emotional space of others. Glass’s recognizable esthetic and outward-facing camera has elicited intense emotional response, partic- ularly when “exploration” has taken place in areas of San Francisco occupied by residents who were finding themselves priced out or evicted from their homes to make way …

Happiest People Alive: An Analysis Of Class And Gender In The Trinidad Carnival, Asha L. St. Bernard

Electronic Thesis and Dissertation Repository

Many of the marketing strategies inherent to the modern version of the Trinidad Carnival include texts that represent Trinidadians as young, fit, bikini-wearing, party enthusiasts. In these advertisements, Trinidadians are often characterized as carefree and welcoming to anyone participating in the much-anticipated annual festival. However, dominant narratives highlight certain groups and cultural aspects of the island while frequently masking several inequalities. They cleverly conceal other narratives and therefore marginalize groups and individuals from the very festival that is understood by many as a national symbol. Through informal participant-observation, and an analysis of some of the main promotional material, in particular …

Impassioned Objects And Seething Absences: The Olympics In Canada, National Identity And Consumer Culture, Estee Fresco

Electronic Thesis and Dissertation Repository

This dissertation critically analyzes the commercial practices and products of the 1976 Montreal, 1988 Calgary and 2010 Vancouver Olympics. The central questions I ask are: how did the Olympics in Canada become a platform for the intersection of patriotism and consumption? What were the key ideas about Canadian identity, history, and citizenship that Olympic organizers and corporate sponsors promoted? How did commodities symbolize these ideas? Finally, how do these ideas relate to political policies and practices?

This work contributes to an understanding of how branded commodities shape Canadian identity and citizenship norms by arguing that the objects sold during the …

"More Or Less" Refugee?: Bengal Partition In Literature And Cinema, Sarbani Banerjee

Electronic Thesis and Dissertation Repository

In this thesis, I problematize the dominance of East Bengali bhadralok immigrant’s memory in the context of literary-cultural discourses on the Partition of Bengal (1947). By studying post-Partition Bengali literature and cinema produced by upper-caste upper/middle-class East Bengali immigrant artists, such as Jyotirmoyee Devi’s novel The River Churning (Epar Ganga Opar Ganga 1967, Bengali) and Ritwik Ghatak’s film The Cloud-Capped Star (Meghe Dhaka Tara 1960, Bengali), I show how canonical artworks have propounded elitist truisms to the detriment of the non-bhadra refugees’ representations. To challenge these works, I compare them with perspectives available in Other refugee writers’ …

Yaari With Angrez: Whiteness For A New Bollywood Hero, Teresa Hubel

Department of English Publications

This chapter comments on the relative insignificance of whiteness to Hindi film narratives, with white characters turning up, when they do, often as peripheral figures to create the effect of historical accuracy. It argues that in Hindi cinema, whiteness cannot function as it does in the West, where the legacy of imperialism has made it an unmarked category, whose invisibility allows it to function as a norm against which the aberration of racial others may be measured. In Indian films, whiteness is marked; and it is, increasingly, markedly white—to be resisted, or desired, or dismissed.

Media Literacy And The English As A Second Language Curriculum: A Curricular Critique And Dreams For The Future, Clara R. Madrenas

Electronic Thesis and Dissertation Repository

This thesis investigates whether or not the Ontario English as a Second Language/English Literacy Development (ESL/ELD) curriculum imparts the critical literacy skills necessary for students to deconstruct the multimedia messages with which the contemporary world is saturated, in order to function as informed, agentic citizens of Ontario society. Using foundations of cultural theory, radical critical pedagogy, and critical race theory, particularly the work of James Paul Gee, Henry A. Giroux, Paulo Freire and Michael Apple, this thesis explores the ways in which the current ESL/ELD curriculum can be found lacking due to its enforcement of the banking model of education, …

Mobilizing Insurgent Pasts Toward Decolonial Futures, Patrick Crowley

Electronic Thesis and Dissertation Repository

This project is an inquiry into modes of decolonial resistance that mobilize alternative relationships to the past against the modern/colonial writing of history from a Eurocentric perspective taken as universal. I contend that knowledges and memories rooted in non-Western cultural traditions have formed the epistemological basis for ongoing opposition to the hegemonic conception of history as the unfolding of global structural transformations on a single, homogenous timescale. I examine works by Frantz Fanon, Dipesh Chakrabarty, and Zapatista videomakers that expressly reject a Eurocentric, monotopic perspective of history. My objective is to demonstrate the decolonial efforts of intellectuals and ordinary people …

Moving Beyond The “Mosqueteria:” A Critical Analysis Of The Media’S Coverage Of Religious Accommodation At An Ontario Public School, Aruba Mahmud

Electronic Thesis and Dissertation Repository

This qualitative case study considers the weekly congregational Muslim prayers held at an Ontario public middle school and the widespread media and public reaction to them. Drawing primarily from the work of Said (1997, 2003), this research questions how and why the prayers became the source of controversy nearly four years after they commenced, and what, if any, impact this media and public reaction has had on the school community. Eight interviews were conducted, along with a critical analysis of the news coverage of the prayers. The results reveal the persistence of post-colonial discourse and prejudice towards Muslims and Islam …

Architectures Of The Veil: The Representation Of The Veil And Zenanas In Pakistani Feminists' Texts, Amber Fatima Riaz

Electronic Thesis and Dissertation Repository

My dissertation, which works at the intersections of feminist theory, architectural theory and postcolonial literary theory, examines the spatiality of the zenana and the burqa as represented in Pakistani literary and cultural texts. I propose that the burqa creates a portable closet, an interstitial, liminal, “third space” that allows Pakistani (secluded and veiled) women to not only traverse the borders between the private (female, domestic) and public (male) spaces, but to also signal chastity and religiosity while in the public, and semi-public spaces of the cities and villages of Pakistan. I argue that the dupatta, the chador and the hijab …

Alternative Be/Longing: Modernity And Material Culture In Bengali Cinema, 1947-1975, Suvadip Sinha

Electronic Thesis and Dissertation Repository

Engaging in a dialogue with the recent body of scholarship on alternative/multiple modernities, postcolonial studies, Marxism and thing theory, this thesis has two main objectives: first, to examine how the transition of post-colonial India from a primarily feudal to a capitalist form of economy facilitated a historical-materialist relationship with things, objects and commodities; and second, to explore how this relationship challenges and ruptures the singularly hegemonic narrative of modern capital. Spanning a historical and political period from late-colonial India to the urban modernity of 1970s’, Satyajit Ray’s Jalsaghar (1958) and Pratidwandi (1971), Riwik Ghatak’s Ajantrik (1958), Tapan Sinha’s Harmonium (1963), …