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Articles 1 - 10 of 10
Full-Text Articles in Film and Media Studies
Witnessing Conspiracy Theories: Developing An Intersectional Approach To Conspiracy Theory Research, David Guignion
Witnessing Conspiracy Theories: Developing An Intersectional Approach To Conspiracy Theory Research, David Guignion
Electronic Thesis and Dissertation Repository
This dissertation proposes an intersectional approach to conspiracy theory research that engages conspiracy theories and conspiracy theorists by considering their proximity and affiliations with hegemonic power structures. Against challenges to conspiracy theories based on their lack of empirical legitimacy (Rosenblum and Muirhead 2019) and building on arguments that propound their status as “subjugated knowledges” (Bratich 2008), this dissertation argues that conspiracy theories can be vectors of anti-oppressive resistance against systemic forces that disenfranchise racial, gender, and class minorities. Conspiracy theories are not a homogenous phenomenon; they are particular instances of potentially generative suspicion against powerful forces. The dissertation deploys Kelly …
Depicting Absence: Thematic And Stylistic Paradoxes Of Representation In Visual And Literary Imagery, Alexandra Irimia
Depicting Absence: Thematic And Stylistic Paradoxes Of Representation In Visual And Literary Imagery, Alexandra Irimia
Languages and Cultures Publications
The article draws up an inventory of, and compares strategies for, the theoretical and critical treatment of the absence–presence interplay at stake in the literary and visual representations of absence. This brings to our attention a multiplicity of heterogeneous and, to a greater or lesser degree, marginal signify-ing phenomena that have in common patterns of disrupting and deviating from the standard conventions of creating and conveying meaning through figures of absence. Lacking a name for these disparate yet similar instances where meaning is created from empty signifiers, we have chosen to call them figural voids. This attempt to produce a …
What Moves You?: Georges Didi-Huberman’S Arts Of Passage And Pittsburgh Stories Of Migration, Alexandra Irimia
What Moves You?: Georges Didi-Huberman’S Arts Of Passage And Pittsburgh Stories Of Migration, Alexandra Irimia
Languages and Cultures Publications
Contemporary art historian, critic, and theorist Georges Didi-Huberman thinks of images not as static objects, but as movements, passages, and gestures of memory and/or desire. For the French “historian of passing images,” as he has been called, “all images are migrants. Images are migrations. They are never simply local” (D2017). His book, Passer, quoi qu'il en coûte ("To Pass at Any Price"), co-written with the Greek poet and director Niki Giannari, takes on precisely the visual dynamics of passages, passengers, and passageways in the context of contemporary migration flows. In April 2018, only several months after the launching of the …
Toward A Fluid Cinematic Spectatorship And Desire: Revisiting Laura Mulvey’S Psychoanalytic Film Theories, Taylor Ashton Mcgoey
Toward A Fluid Cinematic Spectatorship And Desire: Revisiting Laura Mulvey’S Psychoanalytic Film Theories, Taylor Ashton Mcgoey
Electronic Thesis and Dissertation Repository
This thesis project re-evaluates Laura Mulvey’s film theories regarding psychoanalysis and the “male gaze,” first found in her essay “Visual Pleasure and Narrative Cinema” (1975). By re-evaluating the limitations of Mulvey’s use of the Freudian and Lacanian psychoanalytic model this project seeks to understand the desires and processes of identification of cinematic spectators who reject the ideological imperative of the “male gaze”. As many critics have noted, Mulvey’s initial examination of cinema does not account for LGBTQ+ spectators and/or black spectators who occupy looking relations that reject cis-normative and heteronormative white Hollywood cinematic conventions. From this standpoint, we begin the …
The Amphibian, Melioristic Agenda For Dividuals: Tropological Oscillations Versus Tropological Settlements, Donatas Sinkunas
The Amphibian, Melioristic Agenda For Dividuals: Tropological Oscillations Versus Tropological Settlements, Donatas Sinkunas
Electronic Thesis and Dissertation Repository
Some people often identify themselves too strongly with one particular belief system. Others, throughout their lives, travel from one belief system to another without necessarily weaving their experiences and gained bodies of knowledge in a complementary manner. This thesis discusses different frequencies and principles of this sort of settlements or oscillations. I argue that it is impossible to believe in perfectly purist ideologies that would not deviate from their putative, pre-established, holistic inner order. Through multiple literary, cinematic, and philosophical examples it is shown that people are of dividual (not individual) nature. That is to say, potentially we contain multiple …
Imaginaire De La Fin, Icônes, Esthétique. (Ir)Représenter La Post-Apocalypse Dans La Bande Dessinée Et Le Cinéma Du Génocide Tutsi., Alain Agnessan
Imaginaire De La Fin, Icônes, Esthétique. (Ir)Représenter La Post-Apocalypse Dans La Bande Dessinée Et Le Cinéma Du Génocide Tutsi., Alain Agnessan
Electronic Thesis and Dissertation Repository
Cette étude sur la bande dessinée et le cinéma du génocide tutsi s’écarte de l’analyse désormais canonique des politiques mémorielles et pratiques testimoniales pour en investir le parti pris post-apocalyptique . Elle s’agence en deux volets, ou, plutôt, en deux lieux de regard. Envisageant l’imaginaire de la fin qui s’est constitué autour du génocide tutsi, le premier volet de l’étude s’attelle à décrire une scène « cross-traumatic » ou transtraumatique, appelée génoscape, sur laquelle la pensée, les images et les discours critiques lient le destin éthique, esthétique et épistémique du génocide tutsi à celui de la Shoah. Cette démarche …
Un/Dead Animal Art: Ethical Encounters Through Rogue Taxidermy Sculpture, Miranda Niittynen
Un/Dead Animal Art: Ethical Encounters Through Rogue Taxidermy Sculpture, Miranda Niittynen
Electronic Thesis and Dissertation Repository
Beginning in 2004, the Minnesota Association of Rogue Taxidermists began an art movement of taxidermied animal sculptures that challenged conventional forms of taxidermied objects massively produced and displayed on an international scale. In contrast to taxidermied ‘specimens’ found in museums, taxidermied ‘exotic’ wildlife decapitated and mounted on hunters' walls, or synthetic taxidermied heads bought in department stores, rogue taxidermy artists create unconventional sculptures that are arguably antithetical to the ideologies shaped by previous generations: realism, colonialism, masculinity. As a pop-surrealist art movement chiefly practiced among women artists, rogue taxidermy artists follow an ethical mandate to never kill animals for the …
Viral Possibilities: Media, The Body, And The Phenomenon Of Infection, Daniel Mcfadden
Viral Possibilities: Media, The Body, And The Phenomenon Of Infection, Daniel Mcfadden
Electronic Thesis and Dissertation Repository
This thesis examines how the concept of virality is articulated in popular culture, and the connection that this articulation shares with notions of the virus in philosophical thought. The first chapter traces the emergence of a new wave of virus media following the geopolitical changes following the end of the Cold War, and the further shifts that have occurred in how the virus is culturally considered. The second chapter examines the politics of a phenomenological encounter with media depicting viruses. The third and final chapter discusses how understandings of the virus shape the notion of community as both a material …
Mobilizing Insurgent Pasts Toward Decolonial Futures, Patrick Crowley
Mobilizing Insurgent Pasts Toward Decolonial Futures, Patrick Crowley
Electronic Thesis and Dissertation Repository
This project is an inquiry into modes of decolonial resistance that mobilize alternative relationships to the past against the modern/colonial writing of history from a Eurocentric perspective taken as universal. I contend that knowledges and memories rooted in non-Western cultural traditions have formed the epistemological basis for ongoing opposition to the hegemonic conception of history as the unfolding of global structural transformations on a single, homogenous timescale. I examine works by Frantz Fanon, Dipesh Chakrabarty, and Zapatista videomakers that expressly reject a Eurocentric, monotopic perspective of history. My objective is to demonstrate the decolonial efforts of intellectuals and ordinary people …
Pasolini's Laugh: Joyful Ignorance In The Decameron, Andrea Privitera
Pasolini's Laugh: Joyful Ignorance In The Decameron, Andrea Privitera
Modern Languages and Literatures Annual Graduate Conference
In this paper, I discuss Giovanni Boccaccio's The Decameron and its 1971 film adaptation by Pier Paolo Pasolini. To be more precise, I focus on the fifth novella of the sixth day, the one about Giotto and Forese, and its audiovisual re-elaboration, which can be seen as a very brief and at the same time very vivid example of Pasolini’s ideas on society, language and communication.