Film and Media Studies Commons^™

Consuming Beauty In The Weimar Republic: A Discussion Of Youth, Cosmetics, And Power In Vicki Baum's Play Pariser Platz 13 (1930), Victoria Vygodskaia - Rust

Studies in 20th & 21st Century Literature

Published in 1930, Vicki Baum’s play Pariser Platz 13: Eine Komödie aus dem Schönheitssalon engaged the readership with an unorthodox and thoroughly modern heroine: the successful owner of international beauty salons Helen Bross. Helen personified the wishes and dreams of Baum’s readers: Helen’s autonomy, both personal and financial, allowed her to be an active consumer of modernity and its pleasures: travel, interaction with celebrities, and luxurious lodging.

My paper studies a (fictional) beauty salon on Pariser Platz in Berlin as an enclave of female power and explores Vicki Baum’s portrayal of beauty, youth, and fashion as commodities. I place my …

Christina Gerhardt And Sara Saljoughi, Editors. 1968 And Global Cinema. Wayne State Up, 2018., Anne Cunningham

Studies in 20th & 21st Century Literature

Review of Christina Gerhardt and Sara Saljoughi, editors. 1968 and Global Cinema. Wayne State UP, 2018. 422 pp.

Tatjana Gajić. Paradoxes Of Stasis: Literature, Politics, And Thought In Francoist Spain. Lincoln: U Of Nebraska P, 2019., Nicolás Fernández-Medina

Studies in 20th & 21st Century Literature

Review of Tatjana Gajić. Paradoxes of Stasis: Literature, Politics, and Thought in Francoist Spain. Lincoln: U of Nebraska P, 2019. 219 pp.

Fall 2019, The Gist

The Gist

Fall 2019 issue of The Gist.

Pathos, Fall 2019, Portland State University. Student Publications Board

Pathos

Editor: Sadie Jordan

Statement Of Creative Practice: Creative Making And Vr Literature, Mez Breeze

Journal of Creative Writing Studies

Editor's Note
Mez Breeze authored her artist’s statement in virtual reality. You can view Mez’s artist’s statement even without a VR headset. Just click this link: https://bit.ly/2Kov372
You’ll need this password to access it: XR_PlayG

Abstract
Constructing creative writing in XR (aka Extended Reality: an umbrella term that covers Augmented Reality, Virtual Reality, Mixed Reality, and a fourth category called Synthetic Reality), and VR in particular, is an exciting and recent phenomenon in the Electronic Literature field. This proposed Statement of Creative Practice will examine the scope and reach of XR artforms while focusing in particular on the subset of …

Basho & Friends Literacy Game For Tablet, Joshua Korenblat

Journal of Creative Writing Studies

Basho & Friends is an in-progress prototype for an interactive children’s book. Here, children ages 8-13 collaborate with young Basho, the legendary founder of haiku poetry, to become poets themselves. This project exemplifies a “convivial tool,” defined by philosopher Ivan Illich as a platform designed to promote creative expression. Here, we imagine new possibilities for reading, sensemaking, and creative writing based on past forms and ideas. Through poetry, Basho promotes meaningful principles of literacy and sustainability today. Children can engage with Basho’s story in an historical context and practice haiku to see themselves as authors of their life stories.

Fanfiction As Performative Criticism: Harry Potter Racebending, Khaliah A. Petersen-Reed

Journal of Creative Writing Studies

Fanfiction anatomizes a text and in this textual nakedness fanfiction writers recognize gaps in their chosen source texts and seek to supplement these deficiencies through literary disruption. This essay focuses on the kind of fanfiction that critically disrupts through artistic cultural production—a practice that I am labeling performative criticism. I look at Racebending fanfiction that intervenes in the gaps of the Harry Potter series—specifically the gaps related to race. Using fanfiction produced by Harry Potter fans, I will show that by reading and writing fanfiction these writers are blurring demarcation between creative writing and literary criticism.

This Is (Not) A Game: The Adjunct Experience As Playable Fiction, Lee Skallerup Bessette

Journal of Creative Writing Studies

How can a never-ending running 8-bit game be a piece of protest art? In examining her own experience in a related netprov protesting the treatment of adjuncts, the artist explores issues of agency, exploitation, and the very nature of games and playing in her artist’s statement on her game, Adjunct Run: https://adjunctrun.readywriting.org/.

Machine Co-Authorship(S) Via Translative Creative Writing, Aaron Tucker

Journal of Creative Writing Studies

This paper argues that machine translation and a symbiotic ecosystem of authorship are central to the poetic works of Aaron Tucker and reveal larger ethical paths for machine-human relationships. In particular, the elements of chance alongside the intersemiotic translative acts that are the nature of human-computer relationships give space to a potential futurity that challenges a human-centric understanding of “reading” and “writing” and generates a type of literature that encourages a reader to better understand their own interactions within their daily digital environments.

The Many Authors Of The Several Houses Of Brian, Spencer, Liam, Victoria, Brayden, Vincent, And Alex: Authorship, Agency, And Appropriation, Zach Whalen

Journal of Creative Writing Studies

The Several Houses of Brian, Spencer, Liam, Victoria, Brayden, Vincent, and Alex is a computer-generated children’s book of 53,651 words and 350 unique illustrations arranged over 800 pages. The text is a cumulative poem in the style of the nursery rhyme “This is the House that Jack Built,” but with a house for each of the eponymous seven individuals, and with each of their houses containing many more types of things. These houses, these things, and these words were chosen by a Python script that I wrote, and the resulting novel--which can be viewed on my Github repository--is …

Atari, Creative Making & Zombie Computers: Robbo. Solucja., Piotr Marecki

Journal of Creative Writing Studies

In 1989, Janusz Pelc wrote the game Robbo on an 8-bit Atari, one of the first personal computers, which enjoyed a cult-like status in Poland before the fall of the Berlin Wall in 1989. Robbo, a small robot, collects screws and has to get through 56 planets. The game has achieved cult status, spawning hundreds of remixes and modifications. Beginning in the 1980s, fans (once mainly young boys, today adult men) played this game, collecting screws and running away from enemies such as bats, flying eyes, devils etc., while drinking beer, smoking cigarettes, eating crisps and telling jokes. One …

Digital Participatory Poetics And Civic Engagement In The Creative Writing Classroom, Liza D. Flum, Emily Oliver

Journal of Creative Writing Studies

This article explores the ways a team-taught course, “Public Poetry in a Digital World,” supported community-building through participatory action and digital creative making. Using digital texts responding to current events, this course fostered students’ civic imagination and invited them to make connections among their own lives, their communities and poetic civic media. This class facilitated critical community engagement through digital pedagogy and final projects in which students performed public scholarship. Ultimately, this course serves as a case study of how teaching born-digital texts with digital tools can expand the capacity of the creative writing classroom.

Toward Disruptive Creation In Digital Literature Instruction, Michael D. Clark

Journal of Creative Writing Studies

Given the multimodal and collaborative nature of digital literature along with the ways it often embodies the theories informing its artistic production, approaches to exploring both the creation and study of the form must abandon legacy pedagogies in favor of disruptive, student-driven course experiences. This work must further include explorations of digital culture, means of production, multimodal literacies, and connections with various definitions of literature ranging from print to auditory to visual forms. To accomplish this, instructors must move from more traditional hierarchical roles to those of facilitator and participant, committing consistently to returning decision-making work to the students.

Creative Writing Across Mediums And Modes: A Pedagogical Model, Saul B. Lemerond Phd

Journal of Creative Writing Studies

This is a creative practice (pedagogy) paper outlining the current formulation of my multimodal introduction to creative writing course. In this paper, I describe the course in detail, address the tensions, tradeoffs, and workarounds inherent in abandoning the traditional workshop model, describe instances of student engagement and success to illuminate this process, and endeavor to explain why high amounts of engagement and enthusiasm I get from my students concerning the content of my course is justified. My multimodal course is a generative course where my students are required to produce work in different creative modes on a near weekly basis. …

Introduction: What Is “Creative Making As Creative Writing”?, Kathi Berens

Journal of Creative Writing Studies

This special issue of the Journal of Creative Writing Studies centers on how creative writing changes when writers actively engage computers as nonhuman collaborators in “creative making.” Using examples from McGurl’s The Program Era, Emily Dickinson, and the crowdsourced “translation” of Melville’s classic into Emoji Dick, Berens suggests that creative writing methods have long been procedural and technologic.

There are many forms of creative making. This special issue features creative writers that

• Write code to output novels
• Redefine how we think of writing’s “container”
• Demonstrate aspects of the digital-first, multimodal writing classroom
• Modify or remix existing artworks

Berens supplies three …

Window Shopping With Duchamp: Commodity Aesthetics Delayed In Glass, J. Brandon Pelcher

Studies in 20th & 21st Century Literature

While Marcel Duchamp’s readymades are consistently framed as a challenge to the art world and the concept of art itself, they also challenge the world from which they were taken, the world of commodities. Readymades subject the commodity to the world of aesthetics in order to more fully investigate the commodity aesthetics of both the commodity form itself and it presentation in shop window displays. This critical investigation complicates the role of commodity aesthetics and consumption as well as their formation of the consumer-subject in Fordist capitalism. The readymade can be seen both as an important forerunner to the theories …

Infidelity As Reality: Re-Staging The Global South With Abbas Kiarostami’S Close-Up, Sinan Richards

Artl@s Bulletin

In this article, we contend that, in the fields of art and visual culture, the Global South is both an elaborate lie and a radical opportunity for transformation. We investigate Kiarostami’s Close-up alongside Lacan’s psychoanalysis to show how Close-up’s filmic narrative evokes the same ‘polyvalence’ and ‘slipperiness’ as the notion of the Global South. We argue that Kiarostami’s Close-up retroactively changed Sabzian’s fate, and in so doing, Kiarostami’s re-staging actively overwrites History itself. We read the same narrative move in the concept of the Global South to suggest that the Global South adopts the Kiarostamian strategy of infidelity as reality …

Katya Krylova. The Long Shadow Of The Past: Contemporary Austrian Literature, Film, And Culture. Camden House, 2017., Laura Mclary

Studies in 20th & 21st Century Literature

Review of Katya Krylova. The Long Shadow of the Past: Contemporary Austrian Literature, Film, and Culture. Camden House, 2017.

Arthur Rose. Literary Cynics: Borges, Beckett, Coetzee. Bloomsbury, 2017., Peter Faziani

Studies in 20th & 21st Century Literature

Review of Arthur Rose. Literary Cynics: Borges, Beckett, Coetzee. Bloomsbury, 2017. 190 pp.

Debjani Ganguly. This Thing Called The World: The Contemporary Novel As Global Form. Duke Up, 2016., Evan Torner

Studies in 20th & 21st Century Literature

Review of Debjani Ganguly. This Thing Called the World: The Contemporary Novel as Global Form. Duke University Press, 2016. 300 pp.

Ina Batzke, Eric C. Erbacher, Linda M. Hess, And Corinna Lenhardt, Eds. Exploring The Fantastic: Genre, Ideology, And Popular Culture. Transcript Verlag, 2018., Annabelle Dolidon

Studies in 20th & 21st Century Literature

Review of Ina Batzke, Eric C. Erbacher, Linda M. Hess, and Corinna Lenhardt, eds. Exploring the Fantastic: Genre, Ideology, and Popular Culture. Transcript Verlag, 2018. 294 pp.

David Weir. Decadence: A Very Short Introduction. Oxford Up, 2018., Patrick Moneyang

Studies in 20th & 21st Century Literature

Review of David Weir. Decadence: A Very Short Introduction. Oxford UP, 2018. 132 pp.

Alessandro Rocco. Gabriel García Márquez And The Cinema. Tamesis, 2014., Silvio Gaggi

Studies in 20th & 21st Century Literature

Review of Alessandro Rocco. Gabriel García Márquez and the Cinema. Tamesis, 2014

Nina Schmidt. The Wounded Self: Writing Illness In Twenty-First-Century German Literature. Camden House, 2018., Erika M. Nelson Mukherjee

Studies in 20th & 21st Century Literature

Review of Nina Schmidt. The Wounded Self: Writing Illness in Twenty-First-Century German Literature. Camden House, 2018. 235 pp.

Rielle Navitski. Public Spectacles Of Violence: Sensational Cinema And Journalism In Early Twentieth-Century Mexico And Brazil. Duke Up, 2017., Ernesto R. Acevedo-Muñoz

Studies in 20th & 21st Century Literature

Review of Rielle Navitski. Public Spectacles of Violence: Sensational Cinema and Journalism in Early Twentieth-Century Mexico and Brazil. Duke UP, 2017. xiv + 344pp.

Jennifer Evans, Paul Betts, And Stefan-Ludwig Hoffmann, Eds. The Ethics Of Seeing: Photography And Twentieth-Century German History. Berghahn Books, 2018., Richard Bodek

Studies in 20th & 21st Century Literature

Review of Jennifer Evans, Paul Betts, and Stefan-Ludwig Hoffmann, eds. The Ethics of Seeing: Photography and Twentieth-Century German History. Berghahn Books, 2018. xii + 293 pp.

Clara Guillén Marín. Migrants In Contemporary Spanish Film. Rouledge, 2018., Alfonso Bartolomé

Studies in 20th & 21st Century Literature

Review of Clara Guillén Marín. Migrants in Contemporary Spanish Film. Rouledge, 2018.

Special Focus Introduction. Set Up And Shut Out: Immigration And Criminality In Contemporary Spanish Fiction, Diana Aramburu, Jeffrey K. Coleman

Studies in 20th & 21st Century Literature

The beginning of the twenty-first century has seen mass immigration from the Global South to the Global North. Unfortunately, the geopolitical and racial dynamics of this migration flow often lead to a purported nexus between immigration and criminality. In immigrant-receiving nations, this is especially the case, where sometimes the government, the media, and even the population support a xenophobic perspective based on the interconnection between immigration and criminality. Spain serves as an interesting case study for understanding how cultural productions reflect and/or critique that tendency because between 2000 and 2010 it had the world's second largest net immigration rate. The …

Letter From The Editor: Upcoming Changes To Sttcl, Necia Chronister

Studies in 20th & 21st Century Literature

Letter from the Editor regarding upcoming changes to STTCL