Film and Media Studies Commons^™

Gentleman Death In Silk And Lace: Death And The Maiden In Vampire Literature And Film, Emily Wilson

Electronic Theses and Dissertations

This thesis contains an examination in the psychosocial significance of Hans Baldung Grien’s “Death and the Maiden” art motif, created during the Renaissance period following the Black Death, and its resurgence in the vampire fiction genre of both literature and film. I investigate the motif in Bram Stoker’s Dracula (1897) and Anne Rice’s Interview with the Vampire (1976) as well as their film adaptations by Francis Ford Coppola (1992) and Neil Jordan (1994), respectively. By examining the presence of the motif in art, literature, and film, I found that the common threads across all investigated works were the dominant social …

Cloaked Trannies On The Silver Screen: "Evolutionary Derangement" And Cronenberg's Approach To Shaping A Critical Mindset Towards Trans Bodies, John David Hunter

All Theses

This thesis engages David Cronenberg’s 2022 film, Crimes of the Future, analyzing the text through the lens of Saul Tenser (Viggo Mortensten) as a transgender allegory. Through this, the project investigates the way in which Cronenberg’s text visually creates a Deleuzian language of the body, which is the body of becoming. This queer analysis of the film does so by utilizing the perspective of the trans body, through the character of Tenser, which more clearly illustrates the human body as one which is in a continual process of evolution. Following in the footsteps of scholars such as Susan …

The Impact Of Emma: Destroying Stereotypes Through Nuanced Characters In Text And Film, Julia Mccool

English MA Theses

This paper explores Jane Austen’s Emma as a response to stereotypes in 18th century novels and moral tales, and Autumn De Wildes’s Emma. from a feminist lens. Examining both of these works reveals that Emma was originally, and still is over 200 years later, transforming stereotypes in literature and film adaptations. The novel seems to be responding to a common stereotypical female villain found in many 18th century novels. In viewing Emma as a subversion of this stereotype, it is clear that Austen was responding to the sexist notions behind the character type, and writing a heroine more in line …

Muscling Through: Athletic Women In Victorian Popular Representation, 1864–1915, Julia G. Fuller

Dissertations, Theses, and Capstone Projects

“Muscling Through” reconstructs an overlooked history of strong female bodies in the nineteenth century. It argues that popular representations of athletic women introduced a new category of identity that was distinct from women’s traditional relational and social roles. The project’s central figure is the hyper-able “Sportswoman,” who bridges the gap between two familiar versions of the Victorian woman’s body: the mid-century ideal of docile, domesticated femininity and the sturdy, capable women who enter universities, professions, and public spaces en masse just before the turn of the century. Representationally, the Sportswoman figures a range of attitudes, from anxious to aspirational, toward …

The Dark House And Its Inhabitants, Emily Bielski

MFA in Illustration & Visual Culture

From the inception of the genre, Gothic horror has been fixated on the domestic space in distress. This essay explores domestic archetypes and roles of the Gothic novel, serving as a “tour of the house”, analyzing the iconography of the dark castle, and how it externalizes and exacerbates the fears and behaviors of its inhabitants. The power dynamic of the household is starkly divided by the expectations and authority of masculine and feminine figures. In turn the “house” becomes a vehicle for the anxieties of the inhabitants—both experienced and inflicted—regarding gender, sexuality, isolation, and abuse. Exploration of the visual and …

Looking Inward, Looking Back: John Le Carré And The Spy Narrative After The Cold War, Rachel Lynn Hoag

Graduate Theses, Dissertations, and Problem Reports

The genre of spy fiction confronts a paradigm-shifting event in the 1990s with the end of the Cold War. Despite critical speculation that the genre had outlived its usefulness, spy fiction writers navigate this period of transition, and the genre remains broadly popular with the reading public. This study examines how the work of Britain’s foremost espionage writer, John le Carré, navigates the changing geopolitical landscape of the late twentieth and early twenty-first century. In mapping this terrain, one sees two distinct impulses emerge: a tendency to look inward and a tendency to look back. To look inward, the novels …

The Glass Coffin: Gothic Adaptations And The Formation Of Sexual Subjectivity., Colton T. Wilson

Electronic Theses and Dissertations

It is now an almost foregone conclusion that classic depictions of vampirism resonate with contemporary queer audiences. A sympathetic response to the monster’s persecution is often the key factor in these arguments, yet little attention is paid to the textual details that prompt such a process of identification. This study posits that the iconography used to establish a connection between monstrosity and non-normative sexuality has its origins in Victorian Gothic fiction, whose descriptions of vampirism were assimilated into the discourse of the fin-de-siècle medical field known as sexology. Theories that defined homosexuality as an illness with physical and psychological symptoms …

A Man Not A Monster : Reimagining Disability In Hollow Crown's Richard Iii, Taylor E. Uphus

Honors Theses

Traditional portrayals of William Shakespeare’s Richard III (1592) in film interpret Richard’s physical disability as an outward reflection of his evil. In recent years, disabilities studies scholars have reconsidered the historic association of Richard’s physical deformity with immorality. Unlike previous Richard III films, the BBC’s Hollow Crown: Richard III (Dominic Cooke, 2016) highlights Richard’s mental abuse and trauma. While the film does not shy away from Richard’s villainy, its more empathic depiction of Richard contests the one-dimensional stage and film representation of him as a conniving monster. Ultimately, this film presents Richard III to critique society’s treatment of disabled individuals.

How Apocalypse Now Adapts Heart Of Darkness’S Imperialist Critique To A New Medium And A Different Culture, Samuel Battle

Undergraduate Projects

Francis Ford Coppola’s 1979 film Apocalypse Now affirms the key message of its source material, Joseph Conrad’s 1899 novella Heart of Darkness, to suggest that the imperialist mindset continues to significantly affect international interactions even in modern times. While the original novella reflects and criticizes contemporary British imperialism in Africa, the adaptation shifts the setting to Vietnam in 1968 and primarily satirizes the American army’s actions during the war. While the subject of the story’s critique is different, Coppola preserves the core message of the novella – that all humans are capable of falling into their inner darkness and …

‘Not Shap’D For Sportive Tricks:’ Representations Of Disability In Film And Digital Broadcast Cinema Adaptations Of Early Modern Drama, Grace Mccarthy

Theses and Dissertations (Comprehensive)

In films that feature disability, we see the recursive and discussion-limiting impulse to say “this representation is negative. Therefore, the representation should not be seen,” based on critical theories and methodologies outside the purview of film studies. Unfortunately, the overlay of an English, narratological, sociological, or medical methodology and terminology onto a film representation of disability is ultimately recursive and self-limiting; critical and advocate calls for accuracy to the lived experience of people with disabilities in on-screen representations decline to engage with the visual construction of cinematic representations of disability and the often fascinating cinematographic and thematic patterns that emerge …

Immortal Melancholia: A Psychoanalytical Study Of Byronic Heroes, Kathryn Frazell

Dissertations, Masters Theses, Capstones, and Culminating Projects

This culminating project examines Byronic heroes using psychoanalytic theory across four case studies in media, including classic literature, theater, film, and television. The Byronic hero is a literary archetype inspired by the poet George Gordon, Lord Byron (1788-1824). Typical characteristics include angst, arrogance, cunning intelligence, criminality, desire, passion, dominance, and otherness. The characters I have chosen to study include Mr. Rochester from Jane Eyre (1847), the Phantom from the 2004 film The Phantom of the Opera, James Bond from the 2012 film Skyfall, and Damon Salvatore from the hit television series The Vampire Diaries (2009-2017). Through examining the …

Recording Angels: Examining Female Narrators In Vampire Fiction And Film, Jacqueline T. Bashaw

College Honors Program

Authors of vampire fiction often grapple with the shifting gender norms of the late nineteenth century. They explore these shifting tensions through the creation of complex narrative structures, some of which incorporate female narrators. By making these women narrators, these authors carefully consider female perspectives and the authority women can wield, both as narrators in their respective texts, and as women in late nineteenth-century British society who were confined to rigid gender roles. The narrative tension that arises between the narrator and the text then allows these authors to use literature to explore and theorize about broader societal tensions.

This …

Charles Dickens In Cinema And The Loss Of His Message, Elliot Staatz

All Master's Theses

The collected works of Charles Dickens have garnered countless critiques, not the least of which involve their social and political meaning, but what about the films based on these works? There are few nineteenth century authors who have been adapted to film more than Dickens. However, these cinematic works are often left under-analyzed; there is much to be said about Dickensian adaptations. Adaptations can be critically compared with the original, possibly showing changing societal values. So, by focusing on Dickens and his adaptations, we can expose societal values which have changed. Specifically, I will focus on the increased societal acceptance …

Moving Words/Motion Pictures: Proto-Cinematic Narrative In Nineteenth-Century British Fiction, Kara Marie Manning

Dissertations

In the broadest sense, this project is about nineteenth-century narrative texts and optical toys, or those devices that were originally created to demonstrate scientific knowledge related to vision but that would also become popular for home and public consumption. I argue that nineteenth-century British writers borrowed and adapted the visual effects of such toys, making fiction as participatory as the toys themselves in the development of image culture and the viewing practices that would become necessary for the production and dissemination of cinema in the early twentieth century. Narrative fiction, then, should be considered along with the other precursors of …

Crime And Culture : A Thematic Reading Of Sherlock Holmes And His Adaptations., Britney Broyles

Electronic Theses and Dissertations

This dissertation focuses on the adaptation of Arthur Conan Doyle’s Sherlock Holmes character and stories into the television shows Sherlock and Elementary on air today. The project will consider three central questions: 1) Why is this Victorian detective hero still popular in the twenty-first century and what has remained constant and still resonates with modern audiences? 2) Both television shows transport Holmes in time by setting their narratives in the present day; therefore, what has been changed in this process of adaptation? 3) How do these changes represent shifts in our cultural thinking about important aspects of humanistic inquiry? The …

“Deliberate Voluptuousness”: The Monstrous Women Of Dracula And Carmilla, Judith Bell

Graduate Theses and Dissertations

Vampire women play a culturally significant role in films and literature by revealing the extent to which deviation from Socially accepted behavior is tolerated. In this thesis, I compare the vampire women of Bram Stoker’s Dracula and J. Sheridan Le Fanu’s Carmilla to their depictions in recent adaptations. In Stoker’s Dracula, the vampire sisters are representative of the shortcomings of 19th century gender roles, especially in regard to women’s communities. In recent adaptations, the vampire sisters’ revealing clothing, promiscuity, and lack of characterization are still closely connected with villainy, and as in Stoker’s novel, the women’s violent deaths in the …

Transforming The Mundane: Juxtaposing Maria Friedman’S "High Society" With George Cukor’S "The Philadelphia Story" As An Emphasis On The Importance Of Theatre, Dana T. Speight Ms.

Undergraduate Honors Theses

The subjects of film and theatre belong to an extensive hierarchical debate that has remained prominent within the realm of performing arts since the introduction of cinema in the late nineteenth century. A plethora of scholars choose to argue in favor of the former, suggesting that film surpasses theatre as superior in both aesthetics and overall execution of naturalism; however, the argument is purely subjective and cannot be applied to all films and their corresponding plays. As a counterclaim, theatre continues to thrive as a prominent source of artistic entertainment globally, not only offering a contemporary twist to preexisting texts, …

The Value Of Attending University: An Analysis On The Novels Of Evelyn Waugh And Their Adaptations, Evan J. Molineux

CMC Senior Theses

An analysis on Evelyn Waugh's novels: Brideshead Revisited, Decline and Fall, and Vile Bodies as well as their film and television adaptations. The paper relates all of these works to Waugh's idea that the true value and reason why students should attend university is not because their degree will earn them a massive salary, but because it allows for another four years of sequestered development away from adult society. Waugh stated that the true value of his time as an undergraduate at Oxford was because it provided him with the opportunity to drink, throw parties, discover art, etc...which therefore …

“Inhumanly Beautiful”: The Aesthetics Of The Nineteenth-Century Deathbed Scene, Margo Masur

English Theses

Death today is hidden from our everyday lives so it cannot intermingle with the general public. So when a family member dies, their body becomes an object in need of disposal; no longer can they be recognized as the familiar person they once were. To witness death is to force individuals to confront the truths of human existence, and for most of us seeing such a sight would fill us with an emotion of disgust. Yet during the nineteenth century, the burden of care towards the sick or dying was shared by a community of family, neighbors, and friends; the …

“The Bedroom And The Barnyard: Zoomorphic Lust Through Territory, Procedure, And Shelter In ‘The Miller’S Tale’” & Haunchebones, Danielle N. Byington

Undergraduate Honors Theses

“The Bedroom and the Barnyard: Zoomorphic Lust Through Territory, Procedure, and Shelter in ‘The Miller’s Tale’” is an academic endeavor that takes Chaucer’s zoomorphic metaphors and similes and analyzes them in a sense that reveals the chaos of what is human and what is animal tendency. The academic work is expressed in the adjunct creative project, Haunchebones, a 10-minute drama that echoes the tale and its zoomorphic influences, while presenting the content in a stylized play influenced by Theatre of the Absurd and artwork from the medieval and early renaissance period.

Intersectionality In Jane Eyre And Its Adaptations, Laurel Loh

Graduate Theses and Dissertations

During the almost 170 years since Jane Eyre was published, there have been numerous adaptations in many different mediums and genres, such as plays, films, musicals, graphic novels, spin-off novels, and parodies. The novel has been read in many different critical traditions: liberal humanist, historicist, feminist, and postcolonial approaches dealing with topics such as the problem of female authorship and consciousness. In addition, it has been read in terms of an ideological struggle based on race, class, and gender; xenophobia and imperialism; female labor politics; and genre issues, to just name a few. As literary critics have explored numerous themes …

Hamlet #Princeofdenmark: Exploring Gender And Technology Through A Contemporary Feminist Re-Interpretation Of Hamlet, Allegra B. Breedlove

Scripps Senior Theses

Exploring the process of designing, producing, directing and starring in a multimedia feminist re-interpretation of Shakespeare's Hamlet set in a contemporary social media landscape.

The [Ftaires!] To Remembrance: Language, Memory, And Visual Rhetoric In Chaucer's House Of Fame And Danielewski's House Of Leaves, Shannon Danae Kilgore

Honors Program Theses

Geoffrey Chaucer's dream poem The House of Fame explores virtual technologies of memory and reading, which are similar to the themes explored in Danielewski's House of Leaves. "[ftaires!]", apart from referencing the anecdotal (and humorous) misspelling of "stairs" in House of Leaves, is one such linguistically and visually informed phenomenon that speaks directly to how we think about, and give remembrance to, our own digital and textual culture. This paper posits that graphic design, illustrations, and other textual cues (such as the [ftaires!] mispelling in House of Leaves] have a subtle yet powerful psychological influence on our reading and …

Through The Eyes Of The Present: Screening The Male Homoerotics Of Shakespearean Drama In Anglophone Cinema, 1936-2011, Anthony Guy Patricia

UNLV Theses, Dissertations, Professional Papers, and Capstones

This is an analysis of representations of male homoeroticism in Anglophone Shakespeare film. Using the strategies made available by close reading, gay and lesbian studies, queer theory, and presentism, critical attention is directed to a corpus of fourteen movies, ranging from Max Reinhardt and William Dieterle's 1936 production ofA Midsummer Night's DreamPrivate Romeo, Alan Brown's 2011 homoerotic appropriation ofRomeo and Juliet. The overall purpose of the project is both to map and to interpret how Anglophone filmmakers have dealt with - or not dealt with, as the case may be - the male homoerotic elements Shakespeare wove into the textual …

The Persistence Of Vengeance From Early Modern England To Postmodern New York, Dominic M. Sevieri

University of New Orleans Theses and Dissertations

As a passing glance at the popular texts of any given period reveals, the subject of vengeance is nearly inescapable; on billboards, websites, and year end lists, revenge represents a curious constant even amid disparate media. This study explores the cultural commonalities that align revenge texts of the English Renaissance and exploitation films of late 20th century America. As in-depth inquiry reveals, numerous ideas and narrative tropes popularized during the Early Modern period are pushed to their logical extremes in these films. The central factor that aligns London during the Renaissance and New York at the cusp of the 1990s …

Mediums Change, Fears Stay The Same, Lucy Wilhelms

Honors Theses

Although generally dismissed by scholars as being overly sentimental or superstitious, the gothic genre has survived for over four centuries and maintained significant cultural appeal, outlasting the sentimental novel and the travelogue as popular literature. What, then, makes this genre different? What is so special about the gothic?

In my thesis, I examine the evolving cultural appeal of the gothic genre that keeps it attractive and relevant for readers by tracing the gothic text, The Woman in Black by Susan Hill, through its initial inception and its subsequent adaptations. As a novel, The Woman in Black both repeats and revises …

Framing Jane: Film Adaptation And Jane Eyre, 1934-2006, Joy Wohlman Boyce

Masters Theses

No abstract provided.

To Speak Or Not To Speak: The Implications Of Silence In Shakespeare's Hamlet, Margaret Rose Jones

Theses Digitization Project

This thesis explores the function and importance of silence throughout William Shakespeare's play Hamlet. Along with analysis of Shakespeare's text, this thesis also reviews and analyzes three film versions of the play: Laurence Olivier's 1948 production, Kenneth Branagh's 1996 production, and Michael Almereyda's 2000 production. All of these showcase various depictions of silence while working with the same Shakespearian text and plotline. Throughout the text and film analyses this thesis explores three areas in which silence plays an important role: refusal to join a conversation, emotional distress rendering someone silent, and societal limitations placed on the individual. This thesis attempts …

"Not For An Age, But For All Time": Shakespeare's Romantic Comedies On Film, Kelly A. Rivers

Doctoral Dissertations

From Sam Taylor’s 1929 Taming of the Shrew to Kenneth Branagh’s 2000 Love’s Labour’s Lost, nine comedies have been filmed and released for the mainstream film market. Over the course of the twentieth century a filmic cycle developed. By the late 1990s, the films of Shakespeare’s romantic comedies included cinematic allusions to films produced and distributed in the 1930s. This cycle indicates an awareness of and appreciation for the earlier films. Such awareness proves that the contemporary films’ meaning and entertainment value are derived in part from the consciousness of belonging to a larger tradition of Shakespeare comedy on film. …