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Articles 1 - 10 of 10
Full-Text Articles in Film and Media Studies
The Auteur As A Critic: Amy Taubin Reviews Steven Soderbergh, Maria B. Bernedo
The Auteur As A Critic: Amy Taubin Reviews Steven Soderbergh, Maria B. Bernedo
Senior Projects Fall 2023
In this project, we seek to understand the role of the film critic in the modern world through my favorite film critic: Amy Taubin. As a throughline, we use Steven Soderbergh’s most notable works: Sex, Lies, and Videotape (1989) and The Knick (2014-15)
We additionally study the role of the auteur, and what its impact is on the development of film criticism. We focus on Taubins career over the last 30 years and its impact on the concepts we have around filmmaking, criticism, and auteurism. Mostly, this is a piece about what passion for cinema will lead different creators to. …
Andy & Edie, Warhol & Sedgwick, Sabine Paris
Andy & Edie, Warhol & Sedgwick, Sabine Paris
Senior Projects Spring 2023
Senior Project submitted to The Division of Arts of Bard College.
The Familiarity Of Hapticity Overrides The Rationality Of Sight: 'Hair Aesthetics' And Photographic Seeing, Diana Ferrell Mccready
The Familiarity Of Hapticity Overrides The Rationality Of Sight: 'Hair Aesthetics' And Photographic Seeing, Diana Ferrell Mccready
Senior Projects Spring 2023
Senior Project submitted to The Division of Arts of Bard College.
Do Androids Dream Of Improvisation?, Aidan J. Samp
Do Androids Dream Of Improvisation?, Aidan J. Samp
Senior Projects Spring 2022
Senior Project submitted to The Division of Arts of Bard College.
Picturing Rights, Judging Wrongs: Photography And The Emergence Of Human Rights, Austin Dilley
Picturing Rights, Judging Wrongs: Photography And The Emergence Of Human Rights, Austin Dilley
Senior Projects Spring 2021
Senior Project submitted to The Division of Social Studies of Bard College.
Cedar Hill: A Case Study In Preservation And Education In A Digital World, Lin Barnett
Cedar Hill: A Case Study In Preservation And Education In A Digital World, Lin Barnett
Senior Projects Spring 2019
Visit Cedar Hill (now Annandale-on-Hudson) as it stood over a century ago, reconstructed in virtual reality. This interactive project retells an important aspect of Hudson Valley History, its mill communities, which do not get preserved in the archeological record and are not as closely maintained as its neighboring communities of Bard College and Montgomery Place. The project analyzes the structures' changing purposes, as well as their changing architectural qualities, to trace the story of the hamlet's decline.
Look At Where You Listen: A Study Of Commercial Music And Mediation, Thomas Walton Moore
Look At Where You Listen: A Study Of Commercial Music And Mediation, Thomas Walton Moore
Senior Projects Spring 2017
A joint senior project submitted to the divisions of arts and social studies. This project aims to reconsider the 'album' as a format of music distribution that has effects on the consumption-of and relationship-with music as commodity. This project consists of writing and recorded-music-making. Please email tom (at) dpimusic (dot) com for a link.
Film No Longer Telling A Story; Film Itself As The Story: Reflexive Constructions In Alfred Hitchcock And Jean-Luc Godard, Amy Ertie Chabassier
Film No Longer Telling A Story; Film Itself As The Story: Reflexive Constructions In Alfred Hitchcock And Jean-Luc Godard, Amy Ertie Chabassier
Senior Projects Spring 2017
Senior Project submitted to The Division of Arts of Bard College
Why Did I Marry A Sentimentalist?: Family & Domesticity In The Films Of Steven Spielberg, Emmet Dotan
Why Did I Marry A Sentimentalist?: Family & Domesticity In The Films Of Steven Spielberg, Emmet Dotan
Senior Projects Spring 2017
Senior Project submitted to The Division of Arts of Bard College.
Lifecasting & Ubiquitous Relationships, Alexis Charlotte Williams
Lifecasting & Ubiquitous Relationships, Alexis Charlotte Williams
Senior Projects Spring 2017
My subjects do not know I exist. They do not know who I am, and they do not know their lives are the center of my painting series. But I know them - at least, I think I do. My acrylic paintings depict people in domestic spaces in specific moments in time. The relationships of person-to-person, person to space, paint to canvas and voyeur to subject drives my obsession to watch and to paint what I see. What I am seeing are a collection of pixels that make up human forms, living rooms, and kitchens. These digital bodies move through …