Film and Media Studies Commons^™

3rd Place Contest Entry: From Film Sets To Front Lines And Back Again: Reinventing Star Image In Post-World War Ii Hollywood, Livia Belen Lozoya

Eric M. Scandrett Graduate Library Research Prize

This is Livia Lozoya's submission for the 2024 Eric M. Scandrett Graduate Research Prize, which won third place. It contains their essay on using library resources, their bibliography, and a summary of their research project on established movie stars who voluntarily left their lives of luxury to serve in World War II and returned to a changed postwar film industry, specifically James Stewart, Robert Montgomery, Marlene Dietrich, and Myrna Loy.

Livia is a student in the Masters of Arts in Film and Media Studies program at Chapman University. Their faculty mentor is Dr. Emily Carman. Her thesis, available here, …

1st Place Contest Entry: Countering The Current: The Function Of Cinematic Waves In Communist Vs. Capitalist Societies, Maddie Gwinn

Kevin and Tam Ross Undergraduate Research Prize

This is Maddie Gwinn's submission for the 2019 Kevin and Tam Ross Undergraduate Research Prize, which won first place. It contains her essay on using library resources, a three-page sample of her research project on how the Czech New Wave and New Hollywood cinema are defined by their agency in preserving and prescribing cultural meaning across their societies while being bound to their economic systems, and her works cited list.

Maddie is a senior at Chapman University, majoring in Film Production. Her faculty mentor is Dr. Carmichael Peters.

Anime And War, Carol Sun

Honors Papers and Posters

This poster examines the growth and development of anime in Japan in post-World War II Japan, particularly its ability to make audiences question the trajectory of humanity and society and to "critique the society that relies on technology...as a means to prevent or discourage war and conflict".

French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat

Student Scholar Symposium Abstracts and Posters

The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20^th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20^th century. I discuss pre-historical …

1st Place Research Paper: Moviegoers And The Moon In 1953, Hannah E. Gary

Kevin and Tam Ross Undergraduate Research Prize

"By analyzing the complicated production of the sexually-provocative The Moon is Blue in the early 1950s, this essay seeks to isolate the perspectives of censorship groups, artistic authorities, governmental legislatures, and the Production Code Administration (PCA) in their respective appraisals of the Hollywood industry’s movie-going public. Referencing communications between studio personnel and the PCA, as well as court documents and scholarly research, this paper highlights how the various organizations’ differing conceptions are relevant with regards to their Cold War context. This period inspired containment ideology in narratives celebrating 'universal ideals and patriotic or sacred causes' through the awareness of a …

1st Place Contest Entry: Moviegoers And The Moon In 1953, Hannah E. Gary

Kevin and Tam Ross Undergraduate Research Prize

This is Hannah Gary's submission for the 2014-2015 Kevin and Tam Ross Undergraduate Research Prize, which won first place. She wrote about the industrial and cultural implications of the film The Moon is Blue during the heavily censored Cold War period. You can read the final essay that came out of her research here.

Maestros De La Manipulación: Titiriteros De La Memoria Histórica En No De Pablo Larraín Y La Niña De Tus Ojos De Fernando Trueba / Master Manipulators: Puppeteers Of Historical Memory In No By Pablo Larraín And The Girl Of Your Dreams By Fernando Trueba, Polly J. Hodge

World Languages and Cultures Faculty Articles and Research

Se exploran dos obras cinematográficas, No de Pablo Larraín y La niña de tus ojos de Fernando Trueba, en función de sus raíces literarias y el concepto de la memoria histórica. Las obras basadas en eventos históricos intensos y violentos tienen la capacidad de retratar la dialéctica entre la memoria y la amnesia histórica. De esta manera se estimula el impulso por desenmascarar los sistemas de poder y dialogar con la sociedad actual. En el proceso, se descubren soluciones alternativas a la violencia para tratar los problemas políticos.