Film and Media Studies Commons^™

Imaginaire De La Fin, Icônes, Esthétique. (Ir)Représenter La Post-Apocalypse Dans La Bande Dessinée Et Le Cinéma Du Génocide Tutsi., Alain Agnessan

Electronic Thesis and Dissertation Repository

Cette étude sur la bande dessinée et le cinéma du génocide tutsi s’écarte de l’analyse désormais canonique des politiques mémorielles et pratiques testimoniales pour en investir le parti pris post-apocalyptique . Elle s’agence en deux volets, ou, plutôt, en deux lieux de regard. Envisageant l’imaginaire de la fin qui s’est constitué autour du génocide tutsi, le premier volet de l’étude s’attelle à décrire une scène « cross-traumatic » ou transtraumatique, appelée génoscape, sur laquelle la pensée, les images et les discours critiques lient le destin éthique, esthétique et épistémique du génocide tutsi à celui de la Shoah. Cette démarche …

Saints, Mediation, And Miracle-Talk: The Señor De Los Milagros In Lima, Peru, Kristin Norget, Margarita Zires Roldán

Journal of Global Catholicism

No abstract provided.

Introduction: Mediating Catholicisms: Studies In Aesthetics, Authority, And Identity, Eric Hoenes Del Pinal, Marc Roscoe Loustau, Kristin Norget

Journal of Global Catholicism

No abstract provided.

Overview & Acknowledgements, Mathew Schmalz

Journal of Global Catholicism

No abstract provided.

Are Postmodernism And #Metoo Incompatible?, Seo-Young J. Chu

Publications and Research

If postmodernism renders the replicant Rachael legible as a glossy simulacrum, then #MeToo renders her brutally legible as a victim of sexual violence.

Superhero Movies And Politics: The Moral Obligations Of Film Makers According To Virtue Ethics, Russell Hendrickson

Senior Theses

The theory of virtue ethics implies that filmmakers have a moral obligation to explore political themes within superhero films. My thesis is comprised of four main sections. I begin by discussing the general theory of virtue ethics and what moral obligations are placed upon someone who subscribes to this moral theory. From there, I establish my argument for why film can be used as a tool of moral education, and I outline a framework for how artists can work to cultivate virtue in themselves through the use of Arnold Berleant’s Artists and Morality: Toward an Ethics of Art as a …

Course Syllabus (W19 Online) Coli 331t--Television Culture: "Lens, Mirror, Screen: Orwell's Nineteen Eighty-Four", Christopher Southward

Comparative Literature Faculty Scholarship

Course Description:

Or a conjuncture of three moments in the dialectic of television as technical apparatus and cultural practice. In this course, we will read George Orwell’s 1984, view Michael Radford’s filmic adaptation of the novel, and consider a number of critical texts in order to think the psychological and social implications of television as an instrument of control, manipulation, and knowledge production. What, we ask, are the implications, in both 1984 and concrete experience, of light-speed communication capabilities for sense perception, consciousness, language, and awareness? In its dissemination of images and information, how does television impede and/or facilitate politics …