Open Access. Powered by Scholars. Published by Universities.®
Other Feminist, Gender, and Sexuality Studies Commons™
Open Access. Powered by Scholars. Published by Universities.®
- Institution
- Keyword
-
- Feminism (3)
- 1600's (1)
- 1700's (1)
- Ambulance (1)
- Archetypes (1)
-
- Arthuriana (1)
- Authority (1)
- British dystopia (1)
- Camelot (1)
- Diversity (1)
- Early Modern Era (1)
- Fairy Mistress (1)
- Folklore (1)
- G.A. Henty (1)
- Gender (1)
- Gender Roles (1)
- Inclusion (1)
- Indian "Mutiny" of 1857 (1)
- Ireland (1)
- Joseph Conrad (1)
- Jung (1)
- Magic (1)
- Nineteenth-century adventure fiction (1)
- Nursing (1)
- Post-wounded women (1)
- Power (1)
- Psychology (1)
- Queer theory (1)
- Religion (1)
- Rudyard Kipling (1)
Articles 1 - 9 of 9
Full-Text Articles in Other Feminist, Gender, and Sexuality Studies
Unmade And Unmanned Men: Reading Traumatized Masculinity In Late Nineteenth-Century British Adventure Fiction Through The Lens Of The Indian “Mutiny” Of 1857, Madison A. Bettle
Unmade And Unmanned Men: Reading Traumatized Masculinity In Late Nineteenth-Century British Adventure Fiction Through The Lens Of The Indian “Mutiny” Of 1857, Madison A. Bettle
Electronic Thesis and Dissertation Repository
Unmade and Unmanned Men: Reading Traumatized Masculinity in Late Nineteenth-Century British Adventure Fiction through the Lens of the Indian “Mutiny” of 1857 examines the selected adventure fiction of George Alfred Henty, Rudyard Kipling, and Joseph Conrad through the historico-political context of India’s First War of Independence, known in Victorian Britain as the Indian “Mutiny” of 1857. Examining masculine trauma in adventure fiction reveals how British men, who were themselves colonized by the Empire’s expectations of them, sought not only to recover from the scars inflicted by imperialism, but also to expose the Empire for inflicting the psychologically damaging expectations that …
The Sea Calls: A Selkie's Liminal Existence, Frances Avery
The Sea Calls: A Selkie's Liminal Existence, Frances Avery
All Graduate Plan B and other Reports, Spring 1920 to Spring 2023
Traditionally, the selkies (or seal people) of Scottish-Irish lore exist between spaces: the land and the sea, human and animal, childbearing and childless. Their existence at sea is voluntary but their existence on land is forced. Once the selkie has left behind its sealskin and both the literal and metaphorical sealskin has been stolen, the selkie becomes subject to human will. The lenses of body, reclamation, violation, and abuse prove that the reason why selkies have faded from popularity is because the lessons are too mature for a young audience. A feminist and queer reading and interpretation of this traditional …
“It Could Have Happened To Any Of You”: Post-Wounded Women In Three Contemporary Feminist Dystopian Novels, Abby N. Lewis
“It Could Have Happened To Any Of You”: Post-Wounded Women In Three Contemporary Feminist Dystopian Novels, Abby N. Lewis
Electronic Theses and Dissertations
My goal for this thesis is to investigate the concept of (mis)labeling female protagonists in contemporary British fiction as mentally ill—historically labeled as madness—when subjected to traumatic events. The female protagonists in two novels by Sophie Mackintosh, The Water Cure (2018) and Blue Ticket (2020), and Jenni Fagan’s 2012 novel The Panopticon, are raised in environments steeped in trauma and strict, hegemonic structures that actively work to control and mold their identities. In The Panopticon, this system is called “the experiment”; in The Water Cure, it is personified by the character King and those who follow him; …
"What Camelot Means": Women And Lgbtq+ Authors Paving The Way For A More Inclusive Arthuriana Through Young Adult Literature, Jeddie Mae Bristow
"What Camelot Means": Women And Lgbtq+ Authors Paving The Way For A More Inclusive Arthuriana Through Young Adult Literature, Jeddie Mae Bristow
MSU Graduate Theses
Arthurian literature has long been regarded as the domain of “dead white men,” dominated by Thomas Malory and Lord Alfred Tennyson. However, since medieval times, women have also been producing Arthurian literature that not only treats the women characters of the story more equitably, but makes social commentary on how the marginalized of their societies are treated. More recently, women and LGBTQ+ authors (basically, authors who are not cisgender white men) have answered the call for more diverse Young Adult literature with an Arthuriana that has a place for all, both creating a more diverse and equitable Camelot and giving …
Flipping The Castle: Evolution Of Gothic Spaces In The Domestic Sphere, Kate Lucas
Flipping The Castle: Evolution Of Gothic Spaces In The Domestic Sphere, Kate Lucas
Undergraduate Honors Theses
"Flipping the Castle" explores topics of domesticity in Gothic literature over the course of three centuries. The Gothic is a genre with roots in 18th century British literature, but more broadly, it can be described as horror that has a social function, and it is the birthplace of some of the most successful narratives in horror fiction. The aspects of the Gothic this research is concerned with is its themes of unchecked masculine aggression versus repressed femininity, its ability to adapt over time, and its preoccupation with setting, specifically the home, whether that be a medieval castle, a haunted house, …
I Am Woman: The Complicated Relationship Between Fairy Mistresses, Virgin Martyrs, And The Medieval Patriarchy, Katherine A. Haire
I Am Woman: The Complicated Relationship Between Fairy Mistresses, Virgin Martyrs, And The Medieval Patriarchy, Katherine A. Haire
Masters Theses
While modern scholars cannot expect medieval authors to live up to our expectations of feminism, we can still reflect upon the ways in which they both circumvented and upheld the typical patriarchal discursive structure which dominated the Middle Ages. A cross-genre examination of virgin martyred saints and fairy mistresses will illuminate significant overlap in the treatment of magic and divine intervention and the typical female portrayal in these circumstances. Saint’s Lives and Medieval Romances occupy significantly distinct spaces in the popular literary consciousness of the High and Late Middle Ages; however, both genres offer moral instruction for the women who …
Women And World War One: Perspectives On Women's Role In Wwi Literature, Rachel Michelle Brown
Women And World War One: Perspectives On Women's Role In Wwi Literature, Rachel Michelle Brown
All Master's Theses
This thesis analyzes the changing gender roles of British women who served as caretakers in World War One. Often overlooked for their contributions, the women who worked on the frontlines of the war defined the changing role of women during and after the war in several crucial ways: 1) the general expectations of women’s gender role, 2) how women perceived and acted in motherhood, and 3) how women constructed and maintained heterosexual, homosocial, and platonic relationships. Using a gender theory approach, this thesis analyzes two semi-autobiographical fictional texts, Evadne Price’s Not So Quiet: Stepdaughters of War, published in 1930, and …
Monstrous And Beautiful: Jungian Archetypes In Wilde’S Salomé, Nayana Rajnish
Monstrous And Beautiful: Jungian Archetypes In Wilde’S Salomé, Nayana Rajnish
English (MA) Theses
The subject of my research is the 1891 play Salomé, by Oscar Wilde and my thesis addresses the modern psychological implications of the cultural truths revealed by Wilde's re-vision of the myth of that biblical femme fatale. I argue that in fashioning a tragic heroine out of a female monster figure of “Immortal Vice”, Oscar Wilde created a document that captures two contradictory narratives: one in which Salomé plays the heroine of a tragedy and another in which she performs the role and functions of a villain. By employing Carl Jung's psychology of the archetypes, I am enabled …
Witch Pamphlets, Tsea M. Francisconi
Witch Pamphlets, Tsea M. Francisconi
Graduate Student Theses, Dissertations, & Professional Papers
The witch hysteria that overtook Christian Europe during the Early Modern era inspired a mass paranoia over the conspiratorial belief that the Abrahamic religion’s personification of the world’s evils, also known as Satan, the Devil, demons, or Lucifer interchangeably, was attempting to rise up and cause harm to Christian communities during this time period. It was believed that in order to achieve this goal the Christian version of the Devil had been recruiting humans within Christian communities and turning these chosen humans into witches by granting them the ability to wield magical powers to spread their destruction, murder, and terror …