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Articles 1 - 3 of 3
Full-Text Articles in Lesbian, Gay, Bisexual, and Transgender Studies
The Loving Analogy: Race And The Early Same-Sex Marriage Debate, Samuel W D Walburn
The Loving Analogy: Race And The Early Same-Sex Marriage Debate, Samuel W D Walburn
The Purdue Historian
In the early same-sex marriage debates advocates and opponents of marriage equality often relied upon comparing mixed-race marriage jurisprudence and the Loving v Virginia decision in order to conceptualize same-sex marriage cases. Liberal commentators relied upon the analogy between the Loving decision in order to carve out space for the protection of same-sex marriage rights. Conservative scholars, however, denounced the equal protection and due process claims that relied on the sameness of race and sexuality as inexact parallels. Finally, queer and black radicals called the goal of marriage equality into question by highlighting the white supremacist and heterosexist nature of …
"A Most Disgraceful, Sordid,Disreputable, Drunken Brawl": Paul Cadmus And The Politics Of Queerness In The Early Twentieth Century, Samuel W D Walburn
"A Most Disgraceful, Sordid,Disreputable, Drunken Brawl": Paul Cadmus And The Politics Of Queerness In The Early Twentieth Century, Samuel W D Walburn
The Purdue Historian
This paper examines the work of Paul Cadmus from 1930 to 1948. Over the span of nearly three decades, Cadmus's art evolved from covert depictions of queer culture to an explicit depiction of the politics of queerness in immediate postwar America. Cadmus’s legacy is unique because his art documents the shifting conceptualizations of gender and sexuality in the first half of the twentieth century. He is also notable because he so masterfully maneuvered the liminal space between private and public, painting subversive images immersed in covert queerness early in his career and later using queer art as a tool of …
The Representation Of Instinctive Homosexuality And Immoral Narcissism In Gide’S The Immoralist (1902) And Mann’S Death In Venice (1912), Louise Willis
CLCWeb: Comparative Literature and Culture
In her article "The Representation of Instinctive Homosexuality and Immoral Narcissism in Gide’s The Immoralist (1902) and Mann’s Death in Venice (1912)" Louise Willis examines two early literary representations of homosexuality in André Gide's The Immoralist (1902) and Thomas Mann's Death in Venice (1912). She reads them with fin-de-siècle sexological theory, mainly Freud's Three Essays on the Theory of Sexuality (1905). Willis argues that the texts reflect the reconception of homosexuality as a latent instinct with pathological expression, rather than a sinful act of free will. The article explains that visual imagery conveys homoerotic desire, by incorporating Nietzsche's concept of …