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Articles 1 - 9 of 9
Full-Text Articles in Lesbian, Gay, Bisexual, and Transgender Studies
T. Jackie Cuevas. Post-Borderlandia: Chicana Culture And Gender Variant Critique. New Brunswick: Rutgers Up, 2018., Caroline E. Tracey
T. Jackie Cuevas. Post-Borderlandia: Chicana Culture And Gender Variant Critique. New Brunswick: Rutgers Up, 2018., Caroline E. Tracey
Studies in 20th & 21st Century Literature
Review of T. Jackie Cuevas. Post-Borderlandia: Chicana Culture and Gender Variant Critique. New Brunswick: Rutgers UP, 2018. xiii + 169 pp.
Katie Sutton. Sex Between Body And Mind: Psychoanalysis And Sexology In The German-Speaking World, 1890s-1930s. U Of Michigan P, 2019., Elizabeth Bridges
Katie Sutton. Sex Between Body And Mind: Psychoanalysis And Sexology In The German-Speaking World, 1890s-1930s. U Of Michigan P, 2019., Elizabeth Bridges
Studies in 20th & 21st Century Literature
Review of Katie Sutton. Sex between Body and Mind: Psychoanalysis and Sexology in the German-speaking World, 1890s-1930s. U of Michigan P, 2019. 347 pp.
Meera Atkinson. The Poetics Of Transgenerational Trauma. Bloomsbury, 2017., Katie Lally
Meera Atkinson. The Poetics Of Transgenerational Trauma. Bloomsbury, 2017., Katie Lally
Studies in 20th & 21st Century Literature
Review of Meera Atkinson. The Poetics of Transgenerational Trauma. Bloomsbury, 2017.
Addressing Diversity And Difference In Contemporary Spanish Lesbian Literature: Reading Illy Nes’S El Lago Rosa And Cristina Cuesta’S “Zoe Y Haydee”, Megan Sheldon
Studies in 20th & 21st Century Literature
Illy Nes’s novel El lago rosa (The Pink Lake, 2004) and Cristina Cuesta’s short story “Zoe y Haydee” (Zoe and Haydee, 2007) depict travel and cross-cultural queer relationships that call attention to racial and class differences as well as ethnic and cultural divides. Both narratives raise questions concerning the representation of queer women of color in Spanish fiction of the new millennium. This article focuses on the diverse cultural, political and personal struggles that surround the formation and negotiation of sexual identity, emphasizing the fact that LGBTQ identity is not necessarily cross-culturally or universally constructed around identical interests, desires, or …
Jarrod Hayes. Queer Roots For The Diaspora: Ghosts In The Family Tree. Ann Arbor: U Of Michigan P, 2016., Annie De Saussure
Jarrod Hayes. Queer Roots For The Diaspora: Ghosts In The Family Tree. Ann Arbor: U Of Michigan P, 2016., Annie De Saussure
Studies in 20th & 21st Century Literature
Review of Jarrod Hayes. Queer Roots for the Diaspora: Ghosts in the family tree. Ann Arbor: University of Michigan Press, 2016. 325 pp.
Denis Provencher. Queer Maghrebi French: Language, Temporalities, Transfiliations. Liverpool: Liverpool Up, 2017., Alvaro Luna
Denis Provencher. Queer Maghrebi French: Language, Temporalities, Transfiliations. Liverpool: Liverpool Up, 2017., Alvaro Luna
Studies in 20th & 21st Century Literature
Review of Denis Provencher. Queer Maghrebi French: Language, Temporalities, Transfiliations. Liverpool: Liverpool UP, 2017. 314 pp.
Michèle Anne Schaal. Une Troisième Vague Féministe Et Littéraire: Les Femmes De Lettres De La Nouvelle Génération. Leiden/Boston: Brill, 2017., Anna Rocca
Studies in 20th & 21st Century Literature
Review of Michèle Anne Schaal. Une troisième vague féministe et littéraire: les femmes de lettres de la nouvelle génération. Leiden/Boston: Brill, 2017. xv + 344 pp.
Emilio Peral Vega. Pierrot/Lorca: White Carnival Of Black Desire. London: Tamesis, 2015., Enrique Álvarez
Emilio Peral Vega. Pierrot/Lorca: White Carnival Of Black Desire. London: Tamesis, 2015., Enrique Álvarez
Studies in 20th & 21st Century Literature
Review of Emilio Peral Vega. Pierrot/Lorca. White Carnival of Black Desire. London: Tamesis, 2015.
The Anti-Orpheus: Queering Myth In Ducastel Et Martineau’S Théo Et Hugo Dans Le Même Bateau (Paris 05:59), Todd W. Reeser
The Anti-Orpheus: Queering Myth In Ducastel Et Martineau’S Théo Et Hugo Dans Le Même Bateau (Paris 05:59), Todd W. Reeser
Studies in 20th & 21st Century Literature
Olivier Ducastel and Jacques Martineau’s 2016 film Théo et Hugo dans le même bateau (Paris 05:59: Théo & Hugo) concludes on an Orphic note, inviting a consideration of the entire film as based on the myth of Orpheus and Eurydice. The film appropriates but also radically transforms elements of the foundational myth—including especially Orpheus’s turn to pederasty in Ovid’s Latin version—crafting a queer love story based on potentiality out of the tragedy of the heterosexual love story. In so doing, the film channels Herbert Marcuse’s idea of Orphic refusal in Eros and Civilization, opening up the myth …