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Full-Text Articles in Lesbian, Gay, Bisexual, and Transgender Studies

Benedetta, Richard S. Ascough Sep 2022

Benedetta, Richard S. Ascough

Journal of Religion & Film

This is a film review of Benedetta (2021), directed by Paul Verhoeven.


Feder, S. (Director). (2020). Disclosure: Trans Lives On Screen [Film]. Netflix., Galen D. Bunting Aug 2022

Feder, S. (Director). (2020). Disclosure: Trans Lives On Screen [Film]. Netflix., Galen D. Bunting

Feminist Pedagogy

Sam Feder’s documentary Disclosure: Trans Lives on Screen (2020) braids together an overview of trans cinema through the voices of transgender actors, alongside clips from classic and current cinema, and commentary from trans academics. Featuring commentary from an impressive array of voices, including actress Laverne Cox and historian Susan Stryker, the film offers a variety of perspectives on film and representation. Beginning with an impressive timeline of trans representation from the earliest representations of gender crossing in silent movies and ending upon the debut of Pose, in which trans people represent themselves, this Netflix Original offers a comprehensive visual history …


Not Like Other Girls - Victor/Victoria Reviewed From A Trans Perspective, Authen Katinas Jul 2022

Not Like Other Girls - Victor/Victoria Reviewed From A Trans Perspective, Authen Katinas

Consensus

No abstract provided.


How To Make A Monster: The Homosexual Experience In Horror And Thriller Cinema, Mia Lindenburg Apr 2022

How To Make A Monster: The Homosexual Experience In Horror And Thriller Cinema, Mia Lindenburg

The Review: A Journal of Undergraduate Student Research

Horror and thriller’s subtextual stories within cinema have been prominent across many subgenres, creating a wide-spread correlation between the homosexual and the monstruous that grew even noticeable after the start of the AIDS epidemic. Much of horror critique and analysis has been focused on the objectification of the feminine, but the unique role that the male plays in horror and thriller (both as a villain and victim) deserves equal inspection. The research done in this paper demonstrates how horror cinema skews the suggested gender roles and how fear makes us more easily let go of the societal norms held so …