Open Access. Powered by Scholars. Published by Universities.®
Lesbian, Gay, Bisexual, and Transgender Studies Commons™
Open Access. Powered by Scholars. Published by Universities.®
- Keyword
-
- Adaptation (1)
- Adaptation Studies (1)
- Affect (1)
- African American (1)
- Asian American (1)
-
- Brother to Brother (1)
- Cinema (1)
- David Henry Hwang (1)
- Harlem Renaissance (1)
- M. Butterfly (1)
- Madame Chrysanthéme (1)
- Materialism (1)
- Multiethnic (1)
- Native American (1)
- POC (1)
- Performativity (1)
- Pierre Loti (1)
- Queer (1)
- Queer theory (1)
- Richard Bruce Nugent (1)
- Rodney Evans (1)
- Sherman Alexie (1)
- The Business of Fancydancing (1)
Articles 1 - 2 of 2
Full-Text Articles in Lesbian, Gay, Bisexual, and Transgender Studies
Adaptive Acts: Queer Voices And Radical Adaptation In Multi-Ethnic American Literary And Visual Culture, Michael M. Means
Adaptive Acts: Queer Voices And Radical Adaptation In Multi-Ethnic American Literary And Visual Culture, Michael M. Means
Theses and Dissertations
Adaptation Studies suffers from a deficiency in the study of black, brown, yellow, and red adaptive texts, adaptive actors, and their practices. Adaptive Acts intervenes in this Eurocentric discourse as a study of adaptation with a (queer) POC perspective. My dissertation reveals that artists of color (re)create texts via dynamic modes of adaptation such as hyper-literary allusion, the use of meta-narratives as framing devices, and on-site collaborative re-writes that speak to/from specific cultural discourses that Eurocentric models alone cannot account for. I examine multi-ethnic American adaptations to delineate the role of adaptation in the continuance of stories that contest dominant …
(And I Can't Stress This Enough) In My Mouth: Extradiegetic Affect As Material, C. Klockner
(And I Can't Stress This Enough) In My Mouth: Extradiegetic Affect As Material, C. Klockner
Theses and Dissertations
(and i can’t stress this enough) in my mouth: Extradiegetic Affect as Material is a non-linear exploration into the structures of feeling that exist in relation to cinema in its role as a technology for generating subjectivity. In the development of this research, a proposal of cinema’s likeness to the ecological circulation of microplastics is drawn in order to illustrate cinema’s materiality and nearly invisible ubiquity. The notion of extradiegetic affect is outlined as a post-cinematic condition in which lived experience becomes secondary to cinematic representation and which, simultaneously, becomes directly shaped by engaging with these representations.