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Articles 1 - 8 of 8
Full-Text Articles in Lesbian, Gay, Bisexual, and Transgender Studies
Desde El Futuro: El Archivo Lemebel, Fernando A. Blanco
Desde El Futuro: El Archivo Lemebel, Fernando A. Blanco
Faculty Journal Articles
The reflection on Pedro Lemebel’s work and public persona has been rigorous and exhaustive. Critics have analyzed his narrative, his work on radio, performances, political and media activism (Blanco 2004, 2017, 2020, Blanco y Poblete 2010, Poblete 2018, Bianchi 2018, Martínez 2021). However, not much have been written about the documentaries Pedro Lemebel. Corazón en Fuga (Quense, 2008) and Lemebel (Reposi, 2019). The goal of this article is to reflect on both films as testimonial exercises to preserve the artist-self. The paper explores this notion of self-archiving: that of documenting the future with a clear awareness of mortality and oeuvre.
Vhs Archives, Committed Media Praxis, And ‘Queer Cinema', Alexandra Juhasz
Vhs Archives, Committed Media Praxis, And ‘Queer Cinema', Alexandra Juhasz
Publications and Research
Committed media praxis is a doing as much as it is a knowing. Queerness is a manner of being as much as it is a politics, theory, or set of modish objects. This chapter about topics that are also processes—queer, media praxis, cinema—performs these across two acts: “Part 1: A Hesitant or Maybe Just Slightly Defiant Preamble,” is a creative unfolding, in the body of the text and as much so in its footnotes, of the author’s “queer feminist media praxis”: “Part 2: VHS Archives” is a demonstration of VHS Archives, a multi-sited, many-yeared project in experimental pedagogy, web-based archival …
When Are You Going To Catch Up With Me? Shu Lea Cheang With Alexandra Juhasz, Alexandra Juhasz
When Are You Going To Catch Up With Me? Shu Lea Cheang With Alexandra Juhasz, Alexandra Juhasz
Publications and Research
“Digital nomad” Shu Lea Cheang and friend and critic Alexandra Juhasz consider the reasons for and implications of the censorship of Cheang’s 2017 film FLUIDØ, particularly as it connects to their shared concerns in AIDS activism, feminism, pornography, and queer media. They consider changing norms, politics, and film practices in relation to technology and the body. They debate how we might know, and what we might need, from feminist-queer pornography given feminist-queer engagements with our bodies and ever more common cyborgian existences. Their informal chat opens a window onto the interconnections and adaptations that live between friends, sex, technology, …
The Anti-Orpheus: Queering Myth In Ducastel Et Martineau’S Théo Et Hugo Dans Le Même Bateau (Paris 05:59), Todd W. Reeser
The Anti-Orpheus: Queering Myth In Ducastel Et Martineau’S Théo Et Hugo Dans Le Même Bateau (Paris 05:59), Todd W. Reeser
Studies in 20th & 21st Century Literature
Olivier Ducastel and Jacques Martineau’s 2016 film Théo et Hugo dans le même bateau (Paris 05:59: Théo & Hugo) concludes on an Orphic note, inviting a consideration of the entire film as based on the myth of Orpheus and Eurydice. The film appropriates but also radically transforms elements of the foundational myth—including especially Orpheus’s turn to pederasty in Ovid’s Latin version—crafting a queer love story based on potentiality out of the tragedy of the heterosexual love story. In so doing, the film channels Herbert Marcuse’s idea of Orphic refusal in Eros and Civilization, opening up the myth …
Out: Exploring Space Through The Indefinability Of Queerness, Jessica Halee
Out: Exploring Space Through The Indefinability Of Queerness, Jessica Halee
Honors College Theses
Heteronormativity acts as the default. It works to systemically make itself something that is unquestionable and assumed, and standard, thus romantic and sexual relationships between men and women are the norm (Faderman). AS such, those who live on the "opposite" side of the spectrum from heterosexuality, LGBT/queer people, are often viewed as the obvious "other." This creates an entrenched binary between those who are straight and those who are not. But this binary is much more complicated. There is not just heterosexuality and then the opposite of heterosexuality , which is presumed to be gayness, queerness, or anything that functions …
Performing Que(E)Ries, Charles Busch, James Wilson
Performing Que(E)Ries, Charles Busch, James Wilson
Center for LGBTQ Studies (CLAGS)
Charles Busch, renowned New York performer, playwright, director, and drag extraordinaire, participated in the second iteration of this new CLAGS series in the Fall. He discussed his astonishing career in the theatre and on film, as well as the changes he has seen in LGBTQ performance over the last four decades in New York and beyond. The conversation was moderated by CLAGS Executive Director James Wilson.
"I Am", Sonali Gulati
"I Am", Sonali Gulati
Center for LGBTQ Studies (CLAGS)
It was the summer of 1999 in Toronto at my very first public screening of my film titled "sum total" that someone asked me what my next film project was. And I had barely formalized my ideas in my head but I spoke from my heart and spoke of this film about parents of gay and lesbian youth living in India. It had only been a year and a half since my mother had passed away and that feeling of regret of not having come out to her before she died was on my mind.
From The Scenes Of Queens: Genre, Aids And Queer Love, Alexandra Juhasz
From The Scenes Of Queens: Genre, Aids And Queer Love, Alexandra Juhasz
Publications and Research
No abstract provided.