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Excavation Of Silenced Voices: (Re)Visiting Menka Shivdasani’S Frazil Through The Modern Feminist Discourse Of Indian Writing In English, Rangnath Thakur, Binod Mishra

Journal of International Women's Studies

The postmodernist phase of Indian English writing is characterized by the voices of many strong women expressing a feminist exploration of alternative discourses in women’s writing which are distinguished from the patriarchal framework of literary discourse. Along with Kamala Das, Meena Alexander, Imtiaz Dharkar, and Eunice de Souza, Menka Shivdasani is an active voice in contemporary Indian English poetry. Shivdasani is a prolific poet who has written poetry on various social, cultural, religious, and personal issues. Her four poetry collections include Nirvana at Ten Rupees (1990), Stet (2001), Safe House (2015), and Frazil (2018). Through her poetry, she has endeavored …

Assertion Or Transgression: A Critical Study Of Surpankha As An Unwelcomed Girl Child In Kavita Kané’S Lanka’S Princess, Nancy Sharma, Smita Jha

Journal of International Women's Studies

Kavita Kané’s Lanka’s Princess is the retelling of Ramayana3 from the perspective of the often misrepresented and misunderstood character of Surpankha,4 the daughter of rishi (sage) Vishravas and rakshasi (monster) Kaiskesi. Kavita Kané uses myths as a pretext to defy the idea of an ideal femininity in her book. Kané’s representation humanizes the character of Surpankha (translation: woman with sharp fingernails) who was born as the beautiful princess Meenakshi, but her defiant demeanor caused her brother Ravan to give her the name of Surpankha. Kané’s work exhibits the inner thought process of an unwelcome girl child in the family who …

Draupadi’S Polyandry: A Study In Feminist Discourse Analysis, Saumya Sharma

Journal of International Women's Studies

Draupadi serves as a crucial link between warring characters in the Mahabharata (an ancient Indian Sanskrit epic), particularly through her polyandry. Born of fire, personifying purity, yet bound by a matrimonial covenant, she is caught in a complex marital relationship with five husbands that completely changes her life and also theirs. In consonance with the aims of gyno- criticism, literary depictions of women seek not only to reconstruct but also to critique patriarchal conventions. Drawing on the perspective of feminist critical discourse analysis (Lazar, 2005), with its tools of speech acts, presupposition, vocabulary, and modality, this paper seeks to examine …

Reinventing Marginalized Voices: A Study Of Volga’S The Liberation Of Sita And Yashodhara, Kumari Ruchi, Smita Jha

Journal of International Women's Studies

The corpus of Indian women’s literature has the power to define the borders of community, class, and gender. Challenging the existing patriarchal set-up, writers from all corners of the nation speak not only to subvert the patriarchy but also to claim their authority and bring subdued voices to the fore. In Volga’s gynocentric retellings of the ancient epic “Ramayana,” Volga’s The Liberation of Sita and Yashodhara deconstruct the traditional epic by recentering female characters that were marginalized in the original. The Liberation of Sita and Yashodhara tell the story of Buddha’s wife after his unexpected departure, and they exemplify an …

Introduction To The Special Issue: Celebrating Unheard Voices Of Charismatic Women In Indian Writing In English, Smita Jha, Bhushan Sharma, Aruni Mahapatra

Journal of International Women's Studies

No abstract provided.

The Structures Of Intra-National Class Divisions In Neoliberalism: The Women Of “Light” And “Dark” In The White Tiger, Sneha Madimi

Theses and Dissertations

Aravind Adiga’s novel, The White Tiger, represents gender hierarchies and the class struggle of India’s neoliberal present. Adiga uses elements of satire and allegory to teach us something about how women are differently positioned in the neoliberal system. David Harvey in A Brief History of Neoliberalism defines neoliberalism as “a theory of political economic practices that proposes that human well-being can best be advanced by liberating individual entrepreneurial freedoms and skills within an institutional framework characterized by strong private property rights, free markets, and free trade” (2). I will consider the novel, alongside Chandra Mohanty’s “Under Western Eyes” …

Dutiful Daughters (Or Not) And The Sins Of The Fathers In Iqbalunnisa Hussain’S Purdah And Polygamy, Teresa Hubel

Faculty Publications

Poet and editor Eunice De Souza has described the neglect of 19th and 20th century writing by women as a “distortion” of “the history of Indian writing in English which is far more rich and varied than the accounts in these histories would suggest.” Iqbalunnisa Hussain's 1944 novel Purdah and Polygamy , though superbly clever in its irony and always brave in its depiction of injustice, is one such piece of literature that has fallen away from history. Against the historical representation of Muslim women as followers of the minority politics of their men, this essay situates Hussain within a …

Charting The Anger Of Indian Women Through Narayan's Savitri, Teresa Hubel

Teresa Hubel

From the introduction: Written in the late 1930s, when a new irascibility crept into the largely female-produced discourse on the status of women in India, The Dark Room is about a particular woman's indignation and revolt. Savitri is a Hindu wife following in the glorified footsteps of other Hindu wives, such as her namesake from the Mahabharata and Sita of the Ramayana. Although she lives up to the ideals of servitude and devotion implicit in these powerful feminine figures, Savitri of The Dark Room is betrayed by a patriarchal system that allows her husband the freedom of infidelity but denies …

A Mutiny Of Silence: Swarnakumari Devi's Sati, Teresa Hubel

Teresa Hubel

Aim:To discuss how Swarnakumari Devi's family connections as much as her sex contributed to why her work faded from the memory of nationalist India.Introduction: The historical context that helped to produce the writing of Swarna-kumari Devi Ghosal also gives us a glimmer into some of the possible reasons why her work faded from the literary memory of nationalist India. Some of that context is hinted at in the back pages of her collection of short stories in English, published in 1919 by Ganesh and Co., Madras. Reminding us of the inescapable connection between capitalism and knowledge, these back pages are …

A Mutiny Of Silence: Swarnakumari Devi's Sati, Teresa Hubel

Department of English Publications

Aim:
To discuss how Swarnakumari Devi's family connections as much as her sex contributed to why her work faded from the memory of nationalist India.

Introduction:

The historical context that helped to produce the writing of Swarna-kumari Devi Ghosal also gives us a glimmer into some of the possible reasons why her work faded from the literary memory of nationalist India. Some of that context is hinted at in the back pages of her collection of short stories in English, published in 1919 by Ganesh and Co., Madras. Reminding us of the inescapable connection between capitalism and knowledge, these back …

Charting The Anger Of Indian Women Through Narayan's Savitri, Teresa Hubel

Department of English Publications

From the introduction:

Written in the late 1930s, when a new irascibility crept into the largely female-produced discourse on the status of women in India, The Dark Room is about a particular woman's indignation and revolt. Savitri is a Hindu wife following in the glorified footsteps of other Hindu wives, such as her namesake from the Mahabharata and Sita of the Ramayana. Although she lives up to the ideals of servitude and devotion implicit in these powerful feminine figures, Savitri of The Dark Room is betrayed by a patriarchal system that allows her husband the freedom of infidelity but denies …