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Feminist, Gender, and Sexuality Studies Commons™
Open Access. Powered by Scholars. Published by Universities.®
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Articles 1 - 16 of 16
Full-Text Articles in Feminist, Gender, and Sexuality Studies
Horror Stories: Oblivious Women In Luis Puenzo’S La Historia Oficial (1985) And Santiago Mitre’S Argentina 1985 (2022), Stephanie R. Orozco
Horror Stories: Oblivious Women In Luis Puenzo’S La Historia Oficial (1985) And Santiago Mitre’S Argentina 1985 (2022), Stephanie R. Orozco
The Coastal Review: An Online Peer-reviewed Journal
Adriana Cavarero's conceptualization of Medusa serves as a potent metaphor for the subtle redirection of violence of oblivious women who ignored the brutalization of pregnant victims during Argentina’s military dictatorship (1976-83). In Luis Puenzo’s La historia oficial (1985) and Santiago Mitre’s Argentina 1985 (2022), skillfully unveil the ghastly practice of torturing pregnant women, unraveling the vulnerability of both mothers and their infants, evoking a sense of disgust and repugnance that is eventually shared by oblivious women. Beyond mere storytelling, these films challenge prevailing power dynamics and discourses, shedding light on the complicit ignorance of elite women during an era marked …
"Real Women Have Bodies": A Study In Adaptation, Madison Ephlin
"Real Women Have Bodies": A Study In Adaptation, Madison Ephlin
Honors Projects
The art of adaptation is a difficult process, and is often hard to please general audiences that have a connection to the source material. As a student who studies both English Literature and Film Production, the question asked through this study is what does it take to write a “successful” adaptation? What qualifies as “successful”? How does an adaptation balance the themes, characterization, and plot of a piece of literature with the continuous momentum and visual complexity that the medium of film requires, all in 120 pages or less? This study engages with these questions by actively practicing adaptation, adapting …
Cat Person, Christopher R. Deacy
Cat Person, Christopher R. Deacy
Journal of Religion & Film
This is a film review of Cat Person (2023), directed by Susanna Fogel.
Through Tender Opalescence, Yemi A. Lawrence
Through Tender Opalescence, Yemi A. Lawrence
Senior Projects Spring 2023
Through Tender Opalescence is an documentary intimately dealing with the possibilities that unfold when one is able to hold space and fall within themselves. Broken up into sections of abstract videos of water paired with poetry, and analysis of the appropriated and re-worked horror films in popular American cinema, this piece attempts to reinterpret popular media and to highlight what that may say about how we as people have come to understand our own gender. This work finds itself being told by an unnamed narrator who has made it a ritual to go by the river to relieve themselves of …
“Try Getting A Reservation At Dorsia Now, You Fucking Stupid Bastard!” Hegemonic Masculinity In Slasher Films, Samantha Jackson
“Try Getting A Reservation At Dorsia Now, You Fucking Stupid Bastard!” Hegemonic Masculinity In Slasher Films, Samantha Jackson
Capstone Showcase
This thesis aims to analyze and address the prevalence of hegemonic masculinity in the slasher subgenre of horror films. The research consisted of a content analysis of what the internet deemed the ‘best’ ten slasher films of all time. The content analysis was based upon R.W. Connell’s (2005) theory of hegemonic masculinity which stated the existence of hierarchical standards for masculinity that men are expected to achieve. Hegemonic masculinity was categorized into four themes. The themes were sexist ideology, sexual behavior, and physical and emotional violence. The research indicated that emotional violence occurred at the highest rate among the sample …
Freeing The Black Final Girl In Postmillennial Zombie Horror: Race, Gender, And The Strong Black Woman Stereotype In 28 Days Later, The Walking Dead, & Z Nation, Makhalath Fahiym
Freeing The Black Final Girl In Postmillennial Zombie Horror: Race, Gender, And The Strong Black Woman Stereotype In 28 Days Later, The Walking Dead, & Z Nation, Makhalath Fahiym
English MA Theses
Freeing the Black Final Girl in Postmillennial Zombie Horror: Race, Gender, and the Strong Black Woman Stereotype in 28 Days Later, The Walking Dead, & Z Nation discusses the cultural image and issues of representation of the black femme within the horror genre. As the horror genre shifts in the 21st century to an era of increasingly diverse representation, examining the black Final Girl is particularly relevant. Race complicates the Final Girl concept and the black Final Girl must be analyzed within the context of the controlling images, like the Strong Black Woman stereotype, and racialized horror tropes …
How To Make A Monster: The Homosexual Experience In Horror And Thriller Cinema, Mia Lindenburg
How To Make A Monster: The Homosexual Experience In Horror And Thriller Cinema, Mia Lindenburg
The Review: A Journal of Undergraduate Student Research
Horror and thriller’s subtextual stories within cinema have been prominent across many subgenres, creating a wide-spread correlation between the homosexual and the monstruous that grew even noticeable after the start of the AIDS epidemic. Much of horror critique and analysis has been focused on the objectification of the feminine, but the unique role that the male plays in horror and thriller (both as a villain and victim) deserves equal inspection. The research done in this paper demonstrates how horror cinema skews the suggested gender roles and how fear makes us more easily let go of the societal norms held so …
Female Rage, Revenge, And Catharsis: The "Good For Her" Genre Defined In Promising Young Woman (2020), Tara Heimberger
Female Rage, Revenge, And Catharsis: The "Good For Her" Genre Defined In Promising Young Woman (2020), Tara Heimberger
English MA Theses
By analyzing relevant cultural contexts to the popularity of the “Good for Her” genre, such as the “#MeToo” movement, the Trump presidency, and the resurgence of conservatism in the United States, the development of the “Good for Her” genre and its impact can be made clear. Given the genre’s development through social discourse on social media, it has become a universal and collaborative representation of liberation from oppressive experiences under a patriarchal society. The lead women in these films give those who experience patriarchal oppression a reprieve and an opportunity for catharsis they would not typically get in a male-led, …
The Fragility Of White Masculinity: An Exploration Of The White, Heterosexual Male Fantasy Of Gender In Horror, Allison D. Clark
The Fragility Of White Masculinity: An Exploration Of The White, Heterosexual Male Fantasy Of Gender In Horror, Allison D. Clark
Chancellor’s Honors Program Projects
No abstract provided.
Run Sweetheart Run, Jodi Mcdavid
Run Sweetheart Run, Jodi Mcdavid
Journal of Religion & Film
This is a film review of Run Sweetheart Run (2020) directed by Shana Feste.
Scare Me, Jodi Mcdavid
Scare Me, Jodi Mcdavid
Journal of Religion & Film
This is a film review of Scare Me (2020), directed by Josh Ruben.
"Torture The Women": A Gaze At The Misogynistic Machinery Of Scary Cinema, Sarah Hankins
"Torture The Women": A Gaze At The Misogynistic Machinery Of Scary Cinema, Sarah Hankins
Copley Library Undergraduate Research Awards
A frightening truth remains that within horror-thriller films the experience of women is at the heart of the horrifying. This project analyses the effects of film media on the construction, fetishization, and destruction of female figures and engages with feminist critical concepts, such as Laura Mulvey’s “male gaze” and Linda Williams’ “body horror,” to evaluate Alfred Hitchcock’s film Vertigo (1958) and Satoshi Kon’s anime Perfect Blue (1997). Importantly, this essay critiques the misogynistic inner-workings of the horror-thriller genre typified in Vertigo—that evokes visual pleasure from objectification, victimization, and physical, often sexual, violence—and contrasts it with Kon’s anime. This paper finds …
Women Of Color In Speculative Fiction: An Annotated Bibliography Of Authors, Rebecca M. Marrall
Women Of Color In Speculative Fiction: An Annotated Bibliography Of Authors, Rebecca M. Marrall
A Collection of Open Access Books and Monographs
Women of Color in Speculative Fiction: An Annotated Bibliography is tertiary electronic resource which focuses upon authors who are women of color (i.e., non-Caucasian) and who write speculative fiction for adult and young adult audiences. Examples of these authors include Octavia Butler, N. K. Jemisin, Daina Chaviano, Jewelle Gomez, and Malinda Lo. For some background, “speculative fiction” is an umbrella term for science fiction, fantasy, and some horror, all of which have literary and popular merit (Urbanski 2007). Historically, this field has been dominated by male authors of largely Caucasian descent; women and/or people of color have not been equitably …
Crafting The Fever, Andrea Nikki Harlin
Crafting The Fever, Andrea Nikki Harlin
Electronic Theses, Projects, and Dissertations
The Hibiscus Snake is a collection of poetry investigating the female experience encountering danger. She explores psychic landscapes descended in the unconscious uncanny, the feminine body within the context of horror, and lyrical poems about living in working class communities in San Bernardino. The collection attempts to subvert the presentation of the female body in Horror genres, moving it from a position of victimization to empowerment. In other poems, the speaker ventures into horror-like psychic landscapes filled with images representing the anxiety experienced growing up in a city where danger is quite real. The protagonist risks these journeys to overcome …
It Wants To Get Inside Of You: Interrogating Representations Of Women In Possession Films, Ellena R. Sweet
It Wants To Get Inside Of You: Interrogating Representations Of Women In Possession Films, Ellena R. Sweet
Pell Scholars and Senior Theses
As a genre that serves to unnerve its viewers, horror often operates outside of the formal codes and narrative tropes of mainstream cinema, making it conducive to portrayals that transcend societal constructs of race, class, and gender. While numerous scholars argue that horror films offer progressive depictions of masculinity and femininity, some accuse them of perpetuating a patriarchal form by disempowering, objectifying, and punishing female characters. This thesis employed textual analysis to scrutinize depictions of femininity and its association with supernatural victimization in The Exorcist and The Conjuring by examining representational choices in the context of the films cultural and …
Sticking To The Script: Sexual Scripts In The Slasher Sub-Genre, Jennifer L. Clay
Sticking To The Script: Sexual Scripts In The Slasher Sub-Genre, Jennifer L. Clay
Theses and Dissertations--Communication
The “slasher” sub-genre has been immensely popular, even spawning television shows that invoke the familiar slasher conventions. This sub-genre has simultaneously become vilified by media researchers over the years. The slasher has received particular criticism for allegedly reinforcing regressive attitudes regarding female sexuality. This study applies sexual script theory to better understand the messages about sex found throughout the sub-genre. This study utilizes content analysis to study the more recent iterations of the slasher sub-genre including the re-make, the modern slasher film and the slasher television show. This analysis uncovered that the slasher sub-genre has evolved over time. While slasher …