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Full-Text Articles in Feminist, Gender, and Sexuality Studies

Unraveling Paradise: Colonialism And Disguise In German Language Literature, Brigita Kant Jan 2022

Unraveling Paradise: Colonialism And Disguise In German Language Literature, Brigita Kant

Honors Projects

For centuries, the Pacific Islands have been disguised by Europeans through the trope of “island paradise." Despite Europe’s role in bringing colonization and racial oppression to Oceania, the dominant narrative has been that Pacific Islanders lead simple lives, untouched from the complicated aspects of the “modern world.” This narrative has enabled White outsiders to fantasize about the Pacific Islands as a place for personal denial of Western social conventions, simultaneously allowing White European men to fetishize and possess Pacific Island culture and identity. My honors project will closely examine three fictional German language texts- Haimotochare (1819), Der Papalagi (1920) …


Little Germans On The Prairie: Colonial Thought And German Settlement Of The United States In Wilhelmine Youth Literature, Maureen Gallagher Sep 2011

Little Germans On The Prairie: Colonial Thought And German Settlement Of The United States In Wilhelmine Youth Literature, Maureen Gallagher

Maureen O. Gallagher

In German youth literature set on the North American frontier, authors construct a claim to a German America. In these texts Germans are presented as most worthy citizens and the ideal colonizers: moral and tolerant, racially superior, disinterested, establishing a colonial claim to the Americas, in particular to the North American West.


The Cultural-Historical Origins Of The Literary Vampire In Germany, Heidi Crawford Jan 2005

The Cultural-Historical Origins Of The Literary Vampire In Germany, Heidi Crawford

Journal of Dracula Studies

Before British authors began writing vampire literature, culminating in 1897 with Bram Stoker’s Dracula, eighteenth-century German poets, most significantly Heinrich August Ossenfelder, Gottfried August Bürger, and Johann Wolfgang von Goethe, had begun to adapt the curious phenomenon of vampirism from Central Europe for the creative literature they were producing in the enlightened West. Possibly the most striking observation about the origins of the vampire figure in German poetry is that the German poets seem to have drawn more on Central European than German folklore. The reason for this is that the literary vampire was introduced into eighteenth-century German ballad poetry …