Feminist, Gender, and Sexuality Studies Commons^™

A Woman With A Phd., Lydia Shaw

AWE (A Woman’s Experience)

No abstract provided.

Conversación Con La Curie, Amanda Galán Vintimilla

AWE (A Woman’s Experience)

No abstract provided.

Within Reach, Catherine Marcheschi

AWE (A Woman’s Experience)

No abstract provided.

Beautiful Wreckage, Sydney Springer

AWE (A Woman’s Experience)

No abstract provided.

Revolution. Every Piece Of You, Sydney Springer

AWE (A Woman’s Experience)

No abstract provided.

I Wanna Get Better, Sydney Springer

AWE (A Woman’s Experience)

No abstract provided.

Nv, Sydney Springer

AWE (A Woman’s Experience)

No abstract provided.

I’M Wide Awake, Sydney Springer

AWE (A Woman’s Experience)

No abstract provided.

Mightier Than The Men, Sydney Springer

AWE (A Woman’s Experience)

No abstract provided.

October, Sydney Springer

AWE (A Woman’s Experience)

No abstract provided.

On The Inside: A Small Collection Of Poems, Lauren Moss

AWE (A Woman’s Experience)

No abstract provided.

Ana (A Work In Progress), Amanda Hellewell

AWE (A Woman’s Experience)

No abstract provided.

I Don’T Surrender: An Anthem For Survivors Of Sexual Violence, Brittan Wawro

AWE (A Woman’s Experience)

No abstract provided.

Grasses, Groves, And Gardens: Aphra Behn Goes Green, Heidi Laudien

ABO: Interactive Journal for Women in the Arts, 1640-1830

Laudien argues in “Grasses, Groves and Gardens: Aphra Behn Goes Green” that Behn moves beyond the stylized and artificial backdrops of most pastoral to explore the unique ways the landscape can be manipulated to investigate gender difference and the dynamics of desire and representation. Laudien suggests that in prioritizing the pastoral as political allegory in Behn, we overlook the descriptions of nature and the importance she places on the natural environments she creates. Through close readings of several of her pastoral poems, Laudien reveals that Behn’s landscapes destabilize existing notions of the pastoral space as an idealized and organized place …

Who Are You?, Luma Balaa

Journal of International Women's Studies

On August 4, 2020, Lebanon witnessed a second Hiroshima-like explosion of 2,750 tons of ammonium nitrate. It killed and injured thousands of people, destroying most of Beirut. Compounding Lebanon’s misery, the coronavirus has taken its toll, as in the rest of the world, with thousands of deaths. There are no more vacant hospital beds and not enough medical supplies. For the last two years, Lebanon has been experiencing economic and political instability. The country is badly in debt and the banks have gone bankrupt and confiscated people’s life savings. The Lebanese Lira is pegged to the dollar and two years …

A New Poem By Anna Letitia Barbauld, Scott Krawczyk, William Mccarthy

ABO: Interactive Journal for Women in the Arts, 1640-1830

This short discovery article presents information pertaining to a previously unknown poem of four lines by Anna Letitia Barbauld. The poem is housed at Duke University in the David M. Rubenstein Rare Book & Manuscript Library.

The Boy In The Text: Mary Barber, Her Son, And Children's Poetry In Poems On Several Occasions, Chantel M. Lavoie

ABO: Interactive Journal for Women in the Arts, 1640-1830

The Boy in the Text: Mary Barber, Her Son, and Children’s Poetry in Poems on Several Occasions

This paper reconsiders the work of Dublin poet Mary Barber, whose collection of poems appeared in 1733/34. There she acknowledges the assistance of Jonathan Swift, and frames her poetry as a pedagogical aid to her children’s education—particularly that of her eldest son, Constantine. Barber’s relationship with Swift has received much critical attention, as has her focus on her own motherhood—sometimes in critiques that suggest both of these hampered the quality and scope of her work. This paper asks readers to look at her …

“No Roses, White Nor Red, Glow Here”: The Motif Of The Garden In Two Proserpine Poems By A. Swinburne And D. Greenwell, Cristina Salcedo González

CLCWeb: Comparative Literature and Culture

In this article, I discuss Algernon Swinburne’s and Dora Greenwell’s engagement with the myth of Proserpine through an analysis of the motif of the garden, which takes central stage in both accounts. The examination will illustrate how the authors’ outlined images of the garden challenge the dominant representation of the motif within Western literary tradition, offering a re-interpretation of the myth as social commentary.

A Covid Calendar, In Twelve Animals, Dana Medoro

Animal Studies Journal

This poem reflects upon the year 2020, the death of an animal-activist in Canada, and the murderous effects of COVID-19 on non-human animals

Movement Upstream, Downstream: A Lyric Essay, Mong- Lan

Asian American Literature: Discourses & Pedagogies

Early on, without knowing I was part of a movement, I was part of the movement of the Asian American cultural and literary phenomenon.

Because it was necessary to bear witness, to tell my story, my stories, our stories, the collective story, my observations, which keeps on unravelling, I began to write.

The Importance Of The Physical: Lucille Clifton's Poetry About Bodies, Kaitlin Hoelzer

AWE (A Woman’s Experience)

No abstract provided.

Feminist Friendship As An Affective Engagement Through The Arts: A Decolonial And Posthuman Becoming-With Rebeca Lane's Alma Mestiza, Miguel Ángel Blanco Martínez, Paola Mendoza Téllez-Girón

disClosure: A Journal of Social Theory

This paper considers friendship as an affective terrain of feminist alliance among subjects that belong to territories with a colonial record responding to the colonial/modern gender system (Lugones 2007) through the arts. Friendship is here conceptualized as an engagement of feminist solidarity unfolding within theoretical and practical models of change and resistance against the logics of cultural imperialism (Lugones and Spelman 1983). Turning friendship into a polyphonic feminist reaction, this work is conducted by acknowledging the need to foster dialogues where different authorial voices and feminist positionalities meet, reflect, and speak. The paper settles the encounter between its authors in …

“Blessed Within My Selves”: The Prophetic Visions Of Our Lorde, Flávia Santos De Araújo

Wagadu: A Journal of Transnational Women's & Gender Studies

This essay discusses the intellectual and poetic work of Audre Lorde and its significance for contemporary global movements for liberation. My discussion considers Lorde’s theorizing of difference and power, as well as her poetic work, as prophetic interventions within the context of the 1960s to the early 1990s. I argue that Lorde’s intellectual and literary work is the result of a black woman’s embodied experiences within the intersections of many struggles—notably, the ones against racism, sexism, and homophobia. This strategic positionality becomes, as I discuss, the centrality of Lorde’s prophetic vision of collective and inclusive liberation: one that permeates past …

Giiwe, Skyler Kuczaboski

I2

No abstract provided.

Displaced, Charlene Browne

I2

No abstract provided.

The Anti-Yellow Agenda, Karen Zheng

I2

No abstract provided.

Elders Talkin’, Lizzie Nova

Comparative Woman

No abstract provided.

“Blood Moon”, Carmela Lanza

Comparative Woman

No abstract provided.

If Everything Was Perfect, Courtney A. Brown

Comparative Woman

No abstract provided.

Saying Goodbye To Grandma, Courtney A. Brown

Comparative Woman

No abstract provided.