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Articles 1 - 5 of 5
Full-Text Articles in Feminist, Gender, and Sexuality Studies
Bodies In Transit: Women, War, And Violence In Select Fiction From Nepal, Lakhipriya Gogoi
Bodies In Transit: Women, War, And Violence In Select Fiction From Nepal, Lakhipriya Gogoi
Journal of International Women's Studies
The figures of women in conflict zones have been presented in South Asian literature chiefly as torn and battered bodies/souls, usually carrying an irremediable suffering and sense of loss that they bear as wives, mothers, and daughters while their male compatriots participate in the zone of war. The twentieth century surge in identity movements and political conflicts in South Asia, however, offers us new figures of women as “warriors” or direct participants in the zones of violence. The usurpation of such new bodies, on the one hand, defies the hegemonic feminization of women’s bodies as caregivers, and on the other …
Mothers And Daughters: Reclaiming The Besieged Body Of Woman In Ashapurna Debi’S Trilogy, Subhadeep Ray, Goutam Karmakar
Mothers And Daughters: Reclaiming The Besieged Body Of Woman In Ashapurna Debi’S Trilogy, Subhadeep Ray, Goutam Karmakar
Journal of International Women's Studies
This paper offers a close reading of the intergenerational trilogy by Ashapurna Debi, one of the first-canonized women-novelists of post-independence India: Pratham Pratisruti (The First Promise), 1965, Subarnalata, 1967, and Bakul Katha (Bakul’s Story), 1974. Reconstituting a history of almost two centuries and countering the colonial/postcolonial grand narratives, these novels act as a saga of Bengali Hindu lower and middle-class women’s plight under and resistance against a patriarchal social order operating at the most intimate levels of domestic relationships. Ashapurna Debi’s treatment of the intricacies of gender inequality and a woman’s response to the violence …
From Protecting To Performing Privacy, Garfield Benjamin
From Protecting To Performing Privacy, Garfield Benjamin
The Journal of Sociotechnical Critique
Privacy is increasingly important in an age of facial recognition technologies, mass data collection, and algorithmic decision-making. Yet it persists as a contested term, a behavioural paradox, and often fails users in practice. This article critiques current methods of thinking privacy in protectionist terms, building on Deleuze's conception of the society of control, through its problematic relation to freedom, property and power. Instead, a new mode of understanding privacy in terms of performativity is provided, drawing on Butler and Sedgwick as well as Cohen and Nissenbaum. This new form of privacy is based on identity, consent and collective action, a …
The Sin Of Pride In Dressing Bodies In Spanish And Anglo-American Ballads, Ana Belén Martínez García
The Sin Of Pride In Dressing Bodies In Spanish And Anglo-American Ballads, Ana Belén Martínez García
CLCWeb: Comparative Literature and Culture
In her article "The Sin of Pride in Dressing Bodies in Spanish and Anglo-American Ballads" Ana Belén Martínez García argues that trying to decipher the reasons for characters to dress in a certain way may help discover the underlying sociocultural mechanisms that prevail. The author aims to reveal the gender divide associated to clothing through a comparative approach towards popular literature in Spanish and English. She uses Judith Butler's theory of performative acts in order to conduct the text analysis. Clothes-related acts feature prominently in the case of popular balladry. Spanish "romances" and Anglo-American ballads are poems that were and …
Gendered Performance Performing Gender In The Diy Punk And Hardcore Music Scene, Naomi Griffin
Gendered Performance Performing Gender In The Diy Punk And Hardcore Music Scene, Naomi Griffin
Journal of International Women's Studies
This article considers the relevance of geographical theories about gender roles and how gender is performed, to the situated context of a local DIY (‘Do It Yourself) punk scene. It draws on an auto-ethnographic study carried out by the author between September 2008 and May 2009, which explored the themes of the body, gendered performativity and gendered spatialities. The study was based on the author’s observations, reflections and conversations with other participants at live music events (‘shows’) in a particular region of the UK, but also revealed how DIY punk offers an example of an imagined community, crossing temporal, spatial …