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Feminist, Gender, and Sexuality Studies Commons™
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Articles 1 - 5 of 5
Full-Text Articles in Feminist, Gender, and Sexuality Studies
Consumption And Education In Recent Uruguayan Cinema: Between Sobriety, Joy, And Excess, Cristina Miguez
Consumption And Education In Recent Uruguayan Cinema: Between Sobriety, Joy, And Excess, Cristina Miguez
Dissidences
Altering our physical and mental states through practices of consumption has formed a basis of our daily habits for hundreds of years. By the eighteenth century, consumption of stimulants such as alcohol, tobacco, coffee, tea, sugar, opiates, cannabis, coca, and other substances was widespread and democratized. Drug consumption was mirrored by a new universality of leisure reading of travel accounts and maps, sentimental novels, and pornographic works. Psychotropic mechanisms transformed not only habits and economies, but also affected the fantasies of millions of people, and changed existing ecosystems over the last few centuries. (Baghdiantz 2015; Baumann 2007; Courtwright 2001; Herlinghaus …
Female Artists And The Spanish Pavilion In The International Exhibition In 1937, Carmen Gaitán Salinas
Female Artists And The Spanish Pavilion In The International Exhibition In 1937, Carmen Gaitán Salinas
Dissidences
This article aims to elucidate why the majority of Spanish female artists did not participate in the Spanish Pavilion of the International Exhibition in 1937. Only two of them took part in this event. However, there were a lot of female artists in that period. In fact, some artists had a promising career, but it seems that they did not dare to be involved in this exhibition in the Spanish Pavilion. In some cases, the no participation of some female artists could have been a simple coincidence, although it should be pointed out that there could be other reasons related …
Evocación Y Reivindicación De Las Vanguardias Artísticas En La Arquitectura Moderna Con Ambición Social En Las Novelas Catálogo De Formas, De Nicolás Cabral, Y La Trabajadora, De Elvira Navarro, María-José Furió Sancho
Evocación Y Reivindicación De Las Vanguardias Artísticas En La Arquitectura Moderna Con Ambición Social En Las Novelas Catálogo De Formas, De Nicolás Cabral, Y La Trabajadora, De Elvira Navarro, María-José Furió Sancho
Dissidences
Dos novelas publicadas en 2014 parecen dialogar en torno al tema de la función social de la arquitectura y del papel del artista –el creador, el escritor— en el seno de la sociedad en la que vive. Son Catálogo de formas, del argentino afincado en México, Nicolás Cabral (1975), y La trabajadora, de la sevillana instalada en Madrid Elvira Navarro (1978). La primera, una biografía ficcionalizada del arquitecto y pintor mexicano Juan O’Gorman, plantea una reivindicación de las vanguardias artísticas mientras La trabajadora describe los efectos psicológicos de la precarización laboral en una joven escritora española …
Sobre Género Y Trayectorias De Transformación Social En Amor, Curiosidad, Prozac Y Dudas (1997) Y La Eva Futura (2000) De Lucía Etxebarria, Javier Sánchez Dr.
Sobre Género Y Trayectorias De Transformación Social En Amor, Curiosidad, Prozac Y Dudas (1997) Y La Eva Futura (2000) De Lucía Etxebarria, Javier Sánchez Dr.
Dissidences
Este estudio muestra que los textos literarios de Lucía Etxebarria como Amor, curiosidad, prozac y dudas (1997) y su ensayo teórico La Eva futura (2000) pertenecen dentro de una tradición feminista en España que ya fue decantada por autoras, filósofas y feministas anteriores como Carmen de Burgos, La mujer moderna y sus derechos, y Amelia Valcárcel, La política de las mujeres. Feminismos. Aunque silenciada en ciertos momentos de nuestra historia, especialmente después de la guerra civil española (1936-39), pero no por ello ausente, la trayectoria feminista literaria y ensayística de estas pensadoras siempre ha buscado la igualdad de …
Vindicating The Femme Fatale In Manuel Antín’S 'Circe', Daria Cohen
Vindicating The Femme Fatale In Manuel Antín’S 'Circe', Daria Cohen
Dissidences
Vindicating the Femme Fatale in Manuel Antín’s Circe
The present article analyzes a classic Argentine film noir, Circe, to explore its representation of a powerful, autonomous female protagonist ahead of the historical moment of 1964. The director Manuel Antín creates a film adaptation that departs from the source text by Julio Cortázar by focalizing the motivations and actions of a female character that flouts societal expectations and mores. The article is theoretically grounded in feminist, subjectivity and film adaptation theory. The article contributes to the fields of Latin American Studies, Global Film and Media Studies, Argentine Cultural and Literary Studies, …