Feminist, Gender, and Sexuality Studies Commons^™

Three Women, Two Spheres, And A Contract: A Comparative Study Of Mary Astell And Mary Wollstonecraft Through The Lens Of Carole Pateman's "The Sexual Contract", Robyn Burke Dabora

Dissertations, Masters Theses, Capstones, and Culminating Projects

This project examines the writings of Mary Astell (1666-1731) and Mary Wollstonecraft (1759-1797) regarding women in light of ideas articulated by Carole Pateman (1940- ) in her book, The Sexual Contract (1988). In her work, Pateman critiques the prescriptions for the management of society suggested by classic contract theorists such as Thomas Hobbes (1588-1679) and John Locke (1632-1704) and cites that their solutions focus solely on men in the public sphere of society. Pateman illuminates the condition of women in the private sphere of the home, and asserts that this realm operates by mechanisms radically different from those of the …

Revolutionary Every Day: A Dramatic Exploration Of Women And Their Agency In The Black Panther Party., Kristen Michelle Walker

Master of Arts in American Studies Capstones

This capstone project is centered around Black Panther women and explores what it means to be a revolutionary black woman dealing with politics surrounding gender in both private and public spaces during the late 1960’s and beyond. In addition, the project includes an original fictional play based on the experiences of Panther women around the world. In addressing the social conditions that impacted female Panther activism and agency, together the capstone project and play operate as a commentary on power, gender relations, and society in and around the Black Panther Party.

Women In The Late Nineteenth Century: Involvement In The 1893 Chicago World’S Fair, Maria Miller

Undergraduate Research and Scholarship Symposium

The Columbian Exposition of 1893, also known as the Chicago World’s Fair, was a clear example of the women’s rights movement in nineteenth century America. It exemplified the inclusion of women in male-dominated fields by establishing a Board of Lady Managers. This group of women held executive authorities over the establishment of a Woman’s Building. The Woman’s Building was a space dedicated to displaying the achievements of women throughout the world. This Building also gave female visitors hope for a future of expanded rights. Despite this, the Woman’s Building isolated women’s work into a distinct section within the Exposition. The …

Writings: Miscellaneous Jacksonville Women’S Network Speeches, Edna Louise Saffy

Saffy Collection - All Textual Materials

Speeches: Jacksonville Women’s Network and its history, it includes a letter from the Tampa Athena Society, Inc. No date.

Writings: Compiled Speeches Fccj, Edna Louise Saffy

Saffy Collection - All Textual Materials

Speeches: Various speeches pertaining to Florida Community College Jacksonville.

Women In Labor: How Birthing Practices Reflect Society's View Of Women, Catherine Hill

Honors Senior Capstone Projects

An analysis of the shift from midwifery to doctor/hospital births in the American South, from 1900 to present.

America Through Rose-Colored Glasses: How American Girl Dolls Shape American Girlhood And Identity, Kelly M. Vaughan

Senior Theses and Projects

This thesis examines the contributions that American Girl dolls make to the development of girlhood, as well as doll and toy culture. I argue that the BeForever collection of historically centered dolls both informs consumers of United States history while instructing them of what it means to be a wholesome, virtuous girl. American Girl provides timeless stories about overcoming hardship in various periods of U.S. history while utilizing common themes in children’s literature to construct an attractive narrative. These dolls and their stories contribute to consumers’ understanding of girlhood, their sense of self, and broad comprehension of history. Recent developments …

Writings: Speech On Marjorie Kinnan Rawlings Version 1, Edna Louise Saffy

Saffy Collection - All Textual Materials

Speeches: Marjorie Kinnan Rawlings.

Writings: Speech On Marjorie Kinnan Rawlings Version 2, Edna Louise Saffy

Saffy Collection - All Textual Materials

Speeches: Marjorie Kinnan Rawlings.

Writings: Speech On Marjorie Kinnan Rawlings Version 3, Edna Louise Saffy

Saffy Collection - All Textual Materials

Speeches: Marjorie Kinnan Rawlings.

Roxana: A Contemporary Analysis To An Eighteenth Century Voice For Women’S Rights, Kendra Gardner

Toyon: Multilingual Literary Magazine

n/a

P28. Canadian Jewish Women And Girls On The Homefront, 1939-1945, Jennifer Shaw

Western Research Forum

Background: The following presentation explores the roles and experiences of Canadian Jewish women on the Canadian homefront during World War Two. Despite knowing much about the lives of women in this time period in general, we do not know much about the experiences of particular groups, and how they differed from the majority of women.

Methods: Using first-hand accounts gathered from Canadian Jewish women, as well as archival materials, this presentation explores the different ways Jewish women and girls participated in the war effort and experienced the war years.

Results: While acknowledging that some of their experiences …

Sexy Robots: A Perpetuation Of Patriarchy, Ashlyn Des Roches

Communication Studies

This feminist critique looks into the way that gender, specifically females, are portrayed in some of Hollywood's top films involving Artificial Intelligence: Blade Runner, Her, and Ex Machina. These movies work as a perpetuation of patriarchal ideologies while maintaining the objectification and hypersexuality of women as normalized behaviors. Additionally, while some forms of empowerment are conveyed, the features illustrate women merely on a spectrum of extreme behavior; due to Heuristics and Cultivation Theory, these misrepresentations can be associated with women outside the surrealist realm of the depicted artificially intelligent worlds.

Letter From Mollie Lee Clifford To Daughter Margaret ("Marty")., Mollie Lee Clifford

Sincerely Yours, Letters From The Maine Women Writers Collection (Multi-Page Items)

Handwritten letter from Mollie Lee Clifford to her daughter Margaret ("Marty"), in which she discusses Nana's health, visiting plans, and other happenings.

Fourth Time’S A Charm, Ardennes Vickery

Calvert Undergraduate Research Awards

The sources I used to create my short story, Fourth Time’s A Charm, were essential for all aspects of its development. My story concerns the awkward first meeting of King Henry VIII and his fourth wife, Anne of Cleves. As with all historical fiction stories, striving for period appropriate details and accurate representations of historical events was crucial. The resources that I was able to access through the UNLV University Libraries not only assisted me throughout my project by streamlining the research process, but proved indispensable for obtaining various primary sources that I may not have been unable to access …

Creating A Female Athlete: The Power Of Societal Reimaging And Advertising In The All American Girls Professional Baseball League, Kaitlyn M. Haines

Theses, Dissertations and Capstones

The All American Girls Professional Baseball League introduced an acceptable form of female sport to the United States during World War II. The All American Girls Professional Baseball League’s feminine image and high standards of the league provided a new quality team sport that the ever popular softball diamonds of industrial recreation had failed to reach. One of the reasons for their success was the attention to detail in the visual representation of the baseball league. Appearing in a time of heightened advertising and branding, a visual representation of the League was created to fit within the societal norms of …

Not Mine Alone, Nor Mine To Own: Some Reflections On The Young Girl, Jacqueline Mabey

Journal of Feminist Scholarship

This essay looks at the role of the young girl in the curatorial practice of Jacqueline Mabey. Mabey reckons with the young girl as the signifier of a spectrum of mutable cultural signifieds and young girls as subjects on their own terms in the two exhibitions under review, Miss World and Utopia Is No Place, Utopia Is Process. In doing so, she recognizes a shift in motivations from an interest in what the young girls mean as a narcissistic reflection to how she could work in service of the development of young girls.

A Delicate Knot: Photographing Black Girlhood And Womanhood, Nakeya Brown

Journal of Feminist Scholarship

No abstract provided.

Leisure/Crime, Immaterial Labor, And The Performance Of The Teenage Girl In Harmony Korine’S Spring Breakers (2012) And Sofia Coppola’S The Bling Ring (2013), Maryn Wilkinson

Journal of Feminist Scholarship

Harmony Korine’s Spring Breakers (2012) and Sofia Coppola’s The Bling Ring (2013) introduced audiences to girls exploring criminal behavior both for and as leisure. The films introduce an idea of leisure/crime: criminal acts that appear to develop as natural, fruitful extensions of leisure activities, circumnavigating conventional laws of capitalism, yet still allow its actors to access, attain, and consume goods, money, value, and status. Through close analysis of the films’ style and character performances, this article proposes that the films and their enactments of leisure/crime in fact offer complex critical commentary on contemporary relations between the representation of teenage girls, …

Introduction: A Gun For Every Girl: Girlhood In Contemporary Visual Culture, Jen Kennedy, Trista E. Mallory, Angelique Szymanek

Journal of Feminist Scholarship

No abstract provided.

Más Rudas Collective, 2009-2016 (An Archival Epilogue To An Epic Pachanga), Josh T. Franco

Journal of Feminist Scholarship

Contemporary artists Más Rudas Collective (MRC) were active in San Antonio, Texas, from 2009 to 2016. This essay looks to primary source documents from preceding decades and keystone exhibitions of Chicana/o art to articulate MRC’s position in a network of art production and curatorial activity that takes Chicana/o identity as a conceptual framework and/or departure point. Specific examples of MRC members’ reappropriations of Mexican, Mexican American, and Chicana/o cultural elements are analyzed and considered as “weaponizations” against cultures of body shaming and misogyny. Their approach is compared to that of other artists and curators in order to highlight the variety …

Nonconsensual Collaborations, 2012-Present: Notes On A Shared Condition, Aliza Shvarts

Journal of Feminist Scholarship

"Nonconsensual Collaborations, 2012-present: Notes on a Shared Condition" is an extended performance text. It investigates the unmarked gendered dynamics of artistic collaboration, documenting a series of “nonconsensual collaborations”—that is, performances with other artists who did not agree to their participation. Presented here as written narratives, these nonconsensual collaborations frame everyday occurrences of violation, erasure, and misrecognition, exploring how discourses of consent arise from the raced and gendered histories of property relations. They call into question the politics of representation, the status of the document, the formation of evidentiary truth, and the interpenetration of sexual and aesthetic economies. These nonconsensual collaborations …

Acting Objects/Objecting Girls: Ann Hirsch’S Playground, Jen Kennedy

Journal of Feminist Scholarship

This paper identifies and explores an oscillation between subjectivization and objectification in young girls’ participation in digital culture as a site of self-exploration and sexual experimentation. Using media artist Anne Hirsch’s performance Playground (2013) as a case study, it examines how the ways that adolescent girls use the internet not only complicate the subject/object opposition at the crux of many Western feminist critiques of representation but may even suggest forms of agency that think beyond this binary.

The Transgressive Girl, Nicole Killian

Journal of Feminist Scholarship

This paper imagines the Internet as a potentially utopian girl-space by looking at how girls, and pop-cultural depictions of girls, use the language, signs, and symbols of the Internet, an inherently patriarchal system, in transgressive ways. I propose the 1990s media representations as the touchstone moment when the conditions of possibility for imagining the hacker as a weaponized girl emerged visually in popular culture. The girl, exemplified by various figures within popular television and film culture, is a precursor to and postulates an entry point into the ways Internet today is used in transgressive nature.

Women's Hit Cheating Songs: Country Music And Feminist Change In American Society, 1962-2015, Madeline Rachel Morrow

Electronic Theses and Dissertations

This thesis examines songs about cheating performed by women in country music that appeared on year-end country songs charts in Billboard magazine from 1962 through 2015. The study of a total of fifty qualifying songs included a focus on their lyrical and musical content, the performers' personae and careers, and the way the particular outside factors of feminism and changing gender relations in American society may have influenced them. These songs do not show a purely linear progression of or emphasis on social change, in spite of country music's pride in conveying the truth about the lives of its songwriters, …

The Rhetoric Of Transgression: Reconstructing Female Authority Through Wu Zetian's Legacy, Rachael Rothstein-Safra

Honors Undergraduate Theses

This study examines representations of Wu Zetian in the biographical tradition of the tenth, eleventh, and twelfth centuries, as well as within the subsequent vernacular literature of the Ming and Qing periods. I analyze the traditional use and construction of female stereotypes (and female-oriented flaws and vices) in the rhetoric of official histories and fictional narratives and their application to representations of Wu Zetian. I argue that authors, anxious of discord engendered and caused by women occupying positions of political authority, sought to delegitimize Wu Zetian’s reign and subsequently cultivated a “rhetoric of female transgression.” I further argue that the …

Design-Based Research Mobile Gaming For Learning Jewish History, Tikkun Olam, And Civics, Owen Gottlieb

Articles

How can Design-Based Research (DBR) be used in the study of video games, religious literacy, and learning? DBR uses a variety of pragmatically selected mixed methods approaches to design learning interventions. Researchers, working with educators and learners, design and co-design learning artifacts and environments. They analyze those artifacts and environments as they are used by educators and learners, and then iterate based on mixed methods data analysis. DBR is suited for any "rich contextualized setting in which people have agency." (Hoadley 2013) such as formal or informal learning environments.

The case covered in this chapter is a mobile Augmented Reality …

Sentimentality Has Its Place In Human Rights Activism: Nadia Murad Basee Taha’S Testimony And The Yazidi Story, Miranda Rose Shulman

Senior Projects Spring 2017

This project tells the story of Nadia Murad and the Yazidi genocide of 2014 through analysis of her own testimony and considers the success and the intricacies of her approach to aiding the Yazidis who suffer to this day. It discusses the power of using sentimentality and emotion in human rights activism.

Naturalized Women And Womanized Earth: Connecting The Journeys Of Womanhood And The Earth, From The Early Modern Era To The Industrial Revolution, Maggie Rose Berke

Senior Projects Spring 2017

Senior Project submitted to The Division of Social Studies of Bard College.

The Parton Paradox: A History Of Race And Gender In The Career Of Dolly Parton, Lindsey L. Hammers

Electronic Theses and Dissertations

With a career that has spanned over five decades, country music artist Dolly Parton has continually redefined her image and her music to remain relevant. By incorporating the musical and lyrical stylings of disco and other popular music genres into her songs, Parton moved beyond music’s color line to increase her popularity as an artist. This thesis shows how Parton established a distinct career that catered to different audiences as she traversed the musical color line and repackaged what feminism looked like to country music fans during the Women’s Movement of the 1960s. Placing Parton’s actions in conversation with music’s …