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Articles 1 - 30 of 58

Full-Text Articles in Feminist, Gender, and Sexuality Studies

Queerform/Ing, Matthew Solon-Lee Weimer May 2024

Queerform/Ing, Matthew Solon-Lee Weimer

Art Theses and Dissertations

My artwork is situated within and around vessels and the Queer Homoerotic World and explores sexuality as a Demisexual within them. This is accomplished through the two processes of my creation, Minivague and Queerform/ing: balancing sexual tension and explicit expression, while subverting traditional norms and stereotypes with queerness to distance oneself from stereotypical Gay Art. Altering/emphasizing makes the artwork more romantic, lighter, whimsical, softer, and tender than the figure/s and the situations actually are. The process is also emphasizing what one sees or wants to be seen. The Pink Boy becomes a celebration of intimacy of any form. I discuss …

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With Love, ; An Interdisciplinary And Intersectional Look At Why Creativity Is Essential, Theo Starr Gardner May 2024

With Love, ; An Interdisciplinary And Intersectional Look At Why Creativity Is Essential, Theo Starr Gardner

Whittier Scholars Program

My Whittier Scholars Program self-designed major, Teaching Creativity, is a mixture of Art, Literature, and Education classes. My research and praxis classes have been focused on the ‘how?’s and 'why?’s of creativity, so it felt only right that my project should be a constructivist, generative project. The project I have been working on throughout my time at Whittier, and that has just fully come to fruition on April 11th, 2024, was a solo art gallery/open mic event entitled ‘With Love,’. With Love, was conceptually inspired by the research I’ve conducted on creativity and creative arts education over the past few …

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Double Jointed: Gendered Flexibility And The Overextended Self, Grace A. Bromley Jan 2024

Double Jointed: Gendered Flexibility And The Overextended Self, Grace A. Bromley

Theses and Dissertations

This thesis explores compulsory domesticity and the impulse to overextend oneself, both pressures often associated with the construct of femininity. Through diving into my personal history, which includes growing up in a three-generational home of women, I explore mimesis as it functions in both the replication of identity and in terms of pictorial representation; specifically I address its relationship to gender, manifestation within the body, and the search for subjectivity through the process of making and thinking. In various forms of material explorations, I play with ideas of malleability, mimicry and “embedded” behaviors that are passed down and embodied in …

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Death Becomes Her: Rejecting The Muse And Reclaiming The Female Body In Leonor Fini’S Skeleton Women, Janna Singer-Baefsky Aug 2023

Death Becomes Her: Rejecting The Muse And Reclaiming The Female Body In Leonor Fini’S Skeleton Women, Janna Singer-Baefsky

Theses and Dissertations

This thesis is organized through the varied ways Fini incorporated death imagery, like the skeleton, into her art. I trace how she changed her interpretations of death from being a symbol in earlier works to then rendering death as the subject itself and concluding with depicting herself as death.

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Megan Brandow-Faller. The Female Secession: Art And The Decorative At The Viennese Women’S Academy. Penn State Up, 2020., Christa Spreizer Jan 2023

Megan Brandow-Faller. The Female Secession: Art And The Decorative At The Viennese Women’S Academy. Penn State Up, 2020., Christa Spreizer

Studies in 20th & 21st Century Literature

Review of Megan Brandow-Faller. The Female Secession: Art and the Decorative at the Viennese Women’s Academy. Penn State UP, 2020. 304 pp.

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Untamed: The Terrifying Beauty Behind The Works Of Woman Surrealists, Shely Calderon Benpalti Jan 2023

Untamed: The Terrifying Beauty Behind The Works Of Woman Surrealists, Shely Calderon Benpalti

MA Projects

An exhibition of work spanning the works of five late North American and Latin American born or naturalized female Surrealist artists, Frida Kahlo (1907-1954), Leonora Carrington (1917-2011), Remedios Varo (1908-1963), Leonor Fini (1907-1996) and Dorothea Tanning (1910-2012). Untamed explores themes of female existence, alchemy, astrology, dreams and symbolism through painting works on paper and photography. Between the dark years during the first world war, the second world war and postwar, Surrealism as a means of possibility to live a dream-like life were the theory behind this artist's body of work. The deception of dreams, parallel realities and profound studies into …

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Decapitated Dancers: An Investigation Of Nineteenth-Century Social Status And Class Representations In Degas’S L’Orchestre De L’Opéra, Jon E. Mcgee Jan 2023

Decapitated Dancers: An Investigation Of Nineteenth-Century Social Status And Class Representations In Degas’S L’Orchestre De L’Opéra, Jon E. Mcgee

Kentucky Journal of Undergraduate Scholarship

Edgar Degas is famous for depictions of ballet dancers. However, his earliest rendition of the subject in L’Orchestre de l’Opéra (Figure 1) is ignored for its ballerinas, who are beheaded by the pictorial frame. Despite the prevalence of dancers in his catalogue afterwards, scholarly discussion mostly focuses on L’Orchestre’s primary subject, bassoonist Désiré Dihau, and his peers, making it an innovative portrait which conveys modern life with formalist techniques. Most prior discussion contends these dancers were not beheaded for content, but for a formalist exercise in dramatic cropping. Recent discourse relegates the ballerinas to the background as erotic objects. …

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Manifesting Magic: Occultism And Feminism In The Art Of Leonora Carrington And Remedios Varo, Margaret Dirschl Jan 2023

Manifesting Magic: Occultism And Feminism In The Art Of Leonora Carrington And Remedios Varo, Margaret Dirschl

MA Theses

The artworks of Leonora Carrington and Remedios Varo are replete with
symbolism and evocations of the occult, formulating bodies of work that are charged with magic and mysticism. When studied within the context of their male contemporaries of the Surrealist group, it becomes apparent that this use of the occult operates as a compelling and historically based feminist strategy. Immediately stemming from the occult revival of the previous century and the issues for females presented by Surrealism, the foundations of this idea originate much earlier in the pagan traditions of antiquity and the witch hunts of the 15th through 18th …

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The Feminization Of Mexico City In The Late Twentieth Century: Polvo De Gallina Negra, Pola Weiss, And Lourdes Grobet, Alexis N. Corral Dec 2022

The Feminization Of Mexico City In The Late Twentieth Century: Polvo De Gallina Negra, Pola Weiss, And Lourdes Grobet, Alexis N. Corral

Theses and Dissertations

This thesis centers on select artworks in public intervention, photography and video as an exploration of female's relationship to Mexico City's social landscape and urban space during the late 1970s into the early 1990s. In three case studies, I explore historical urban planning, gender relations, and the effects of modernization.

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Queer Bodies: Homoeroticism, Sensuality, And Erotica In Postmodern Fine Art Photography, Rosa Michel Pace Aug 2022

Queer Bodies: Homoeroticism, Sensuality, And Erotica In Postmodern Fine Art Photography, Rosa Michel Pace

LSU Master's Theses

The queer body– describes the sum of assumptions and biases attributed to queer people, whereby a person’s own queer identity or expression is overshadowed by the generalizations, (mis)perceptions, and stereotypes that society imposes on that individual. Central to the scope of this thesis is the reality whereby the ostracization of queer people involves the association between the very body of the queer person with sexual acts deemed both deviant and immoral by a cis-heteronormative society. Society renders the queer body as pejoratively deviant simply on the basis of its existence alone, where any form of varied gender or sexual expression …

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Ambiguity Of Vision: Reimagining The Hypervisible Void, Kiwha Lee Blocman May 2022

Ambiguity Of Vision: Reimagining The Hypervisible Void, Kiwha Lee Blocman

Theses and Dissertations

Asking questions about what Painting is in the 21st century and the dominant narratives it can challenge, my paintings complicate the viewer’s reading of pictorial hierarchy and the projection of human relations in the world. I de-hierarchize and decentralize the compositional components that make up a painting by using patterns to create spatial depth, not European perspectival conventions. In dialogue with modernists such as Matisse who drew from the visual vocabulary of “The Orient”, my central forms derived from architecture and ornamental fragments possess a body-like presence. Further, I reinvent ancient Asian printmaking processes with oil paint. Observing the tenets …

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The Sensible Body Of The Female Reader, Anoosheh Ghaderi Jan 2022

The Sensible Body Of The Female Reader, Anoosheh Ghaderi

Tête à Tête: Journal of Francophone Studies

No abstract provided.

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Women Of The Dalit Unrest: Rewriting Bodies, Reinforcing Resistance, Suddhadeep Mukherjee Jan 2022

Women Of The Dalit Unrest: Rewriting Bodies, Reinforcing Resistance, Suddhadeep Mukherjee

Tête à Tête: Journal of Francophone Studies

The paper aims to take the scholarship on corporeal feminism and Dalit Studies forward by focusing on the Dalit woman’s body. The body is not treated as an inert surface in this paper but is considered as a transformative medium that can alter its embedded codifications and significations through transgressive performances in the face of systemic and systematized caste violence. In doing so the gendered body not only challenges to rewrite the Dalit epistemology from the vantage of resistance but also initiates a rethinking of Indian feminism. The paper begins with a discursive discussion on the importance of the gender …

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The Public Bathroom: Tracing A History Of Architectural Symbolism And Social Control, Mayim Frieden Jan 2022

The Public Bathroom: Tracing A History Of Architectural Symbolism And Social Control, Mayim Frieden

Senior Projects Spring 2022

Through a cross-disciplinary analysis of New York City's urban, architectural and infrastructural histories, this thesis explores the various sociocultural beliefs, dynamics and tensions that led to the architectural typology of the public bathroom. In turn, the controversies often associated with public bathrooms are contextualized, and the demarcating and influential capabilities of architecture are made apparent. This work spans from the 19th century and into the 2010s, demonstrating how architectural and urban design and planning can contain and uphold determinations made hundreds of years prior.

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Miming Modernity: Representations Of Pierrot In Fin-De-Siècle France, Ana Norman May 2021

Miming Modernity: Representations Of Pierrot In Fin-De-Siècle France, Ana Norman

Art History Theses and Dissertations

This thesis examines the commedia dell’arte character Pierrot through the lens of gender performance in order to decipher the ways in which he complicates and expands understandings of gender and the normative model of sexuality in fin de siècle France. Beginning with a case study of a chromolithograph by Jules Chéret, the first chapter of this thesis traces the perceived relation between Pierrot and the bohemian artist, and the underlying tensions between the male dominated artistic sphere and increasingly emancipated women. In contrast, Chapter II complicates the dominant impression of Pierrot’s association with the artists of bohemian Montmartre, and instead …

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Kinstitution: A Topia Between Archive And Proposal, Christopher Lineberry May 2021

Kinstitution: A Topia Between Archive And Proposal, Christopher Lineberry

Theses and Dissertations

Situating Topher Lineberry's work, this paper offers a primer on institutional critique, preliminary developments of "kinstitutional critique," and the cultivation of family-derived art history through the work of the artist's grandmother, Helen Lineberry. Feeding into a working understanding of family-and-kin-as-institution, the paper ultimately locates Topher Lineberry's work between relations to place, historical archives, and speculative proposals.

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Art And Aids: Viral Strategies For Visibility, Stephen Baylor Pillow Apr 2021

Art And Aids: Viral Strategies For Visibility, Stephen Baylor Pillow

Honors Theses

“Art & AIDS: Viral Strategies for Visibility” examines the complex relationships between social stigma, healthcare, homophobia, and mortality, and how these impacted the lives of Western artists and manifested in their works. Most of the art discussed in this thesis was produced during the height of the AIDS crisis (late-1980s to mid-1990s). During this period, gay artists and their allies employed new strategies in their work to inspire activism, and convey intense emotions –– predominantly frustration, grief, and anxiety –– associated with HIV/AIDS. In the U.S., the inaction of the Reagan administration was largely due to widespread homophobia kindled by …

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Mexican Modernism’S Other: The Contemporáneos, Gender, And National Identity, 1920–1940, Joseph S. Shaikewitz May 2020

Mexican Modernism’S Other: The Contemporáneos, Gender, And National Identity, 1920–1940, Joseph S. Shaikewitz

Theses and Dissertations

In postrevolutionary Mexico, a group of artists known as the Contemporáneos redefined the parameters of modernism through personal expressions of otherness and difference. This thesis examines works by artists including Abraham Ángel, Julio Castellanos, María Izquierdo, and Manuel Rodríguez Lozano in relation to shifting discourses surrounding gender and national identity.

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Pleasure Is All Mine, Lola Ogbara May 2020

Pleasure Is All Mine, Lola Ogbara

Graduate School of Art Theses

One’s identity is shaped by many factors such as race, culture, physical appearance, nationality, and religion—amongst many more. As an artist, the subjugation of identity in the context of race, gender, and sexuality is a world I examine closely. Subverting myths of sexual deviancy and racial inferiority that perpetually pathologizes Black feminine sexuality, I often use and reference my own body to create avenues of power through physical and intellectual pleasure. Through material use of clay, metal, photography, and installation, I emphasize on how contemporary Black social cultures are able to write their own narratives in order to further progressions …

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Talent Against Tradition: The Art And Life Of Kate Freeman Clark, Grace Moorman May 2020

Talent Against Tradition: The Art And Life Of Kate Freeman Clark, Grace Moorman

Honors Theses

This paper explores the art of Holly Springs, Mississippi, painter Kate Freeman Clark, especially in association with the work of her teacher William Merritt Chase. Much of this paper is based on two extensive biographies: Cynthia Grant Tucker’s Kate Freeman Clark: A Painter Rediscovered, and Carolyn J. Brown’s The Artist’s Sketch: A Biography of Painter Kate Freeman Clark. Using a number of object studies, this paper explores the development of Clark’s work under the tutelage of Chase, highlighting similarities and differences that lead to the conclusion that Clark had a very real talent that she seemed reluctant to …

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From Spectacle To Collectible : A Reappraisal Of Katherine Dreier And Juliana Force's Pioneering Impact To Bolster The Ascendancy Of Modern Art In America, Caroline Holt Yarbrough Jan 2020

From Spectacle To Collectible : A Reappraisal Of Katherine Dreier And Juliana Force's Pioneering Impact To Bolster The Ascendancy Of Modern Art In America, Caroline Holt Yarbrough

MA Theses

My thesis analyzes the critical and pioneering role that Katherine Dreier, Juliana Force, and other New York-based female cultural promoters played in advancing the education, acceptance, and appreciation of modern art in America. By illuminating the strategies these women used to accomplish their objectives to support contemporary artists and demystify modern art to the public, as well as elucidating the barriers they overcame as women driving for change in a male-dominated society, I seek to answer the fundamental questions of how and why women were able to play such a central role in creating the canon of modern art in …

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Helen Frankenthaler : The Calculus For Gender Neutrality Within The Post Abstractionist Color Field Movement, Aelxandra H. Dodge Jan 2020

Helen Frankenthaler : The Calculus For Gender Neutrality Within The Post Abstractionist Color Field Movement, Aelxandra H. Dodge

MA Theses

In a decade marked by the omnipresence of black-and-white television, McCarthyism, the end of the Korean War and the fledgling sounds of rock n’ roll, the 1950s invited American artists to utilize color in forms and abstractions to challenge the domesticated, safe boundaries established by European masters. The 1950s perpetuated dominate male, decision–making stereotyping while subordinating females as submissive, adorned homemakers. Sandwiched between the creative genius and evolution of the U.S abstract expressionist movement of the 1940s and the emerging pop artists of the 1960s, the 1950s signaled the development and the ascendency of Helen Frankenthaler. As a woman artist …

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Beyond Nationalism? Blank Spaces At The Documenta 1955 – The Legacy Of An Exhibition Between Old Europe And New World Order, Mirl Redmann Dec 2019

Beyond Nationalism? Blank Spaces At The Documenta 1955 – The Legacy Of An Exhibition Between Old Europe And New World Order, Mirl Redmann

Artl@s Bulletin

Was the first documenta really beyond nationalism? documenta 1955 has been widely regarded as conciliation for the fascist legacy of the exhibition “Degenerate Art” (1937), and as an attempt to reintegrate Germany into the international arts community. This article employs published and archival sources in order to understand if and how documenta was impacted by the legacy of nationalism in post-fascist Germany. A biographic sketch of Antonio Corpora (1909-2004) shows how the purportedly “universalist” selection criteria employed by documenta erased cultural specificity and solidified nationalist conceptions of center and periphery.

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Women Artists Shows·Salons·Societies: Towards A Global History Of All-Women Exhibitions, Catherine Dossin, Hanna Alkema May 2019

Women Artists Shows·Salons·Societies: Towards A Global History Of All-Women Exhibitions, Catherine Dossin, Hanna Alkema

Artl@s Bulletin

The Women Artists Shows·Salons·Societies project was launched in 2017 as a collaboration between Artl@s and AWARE. Combining AWARE’s ambitions to restore the presence of 20th-century women artists in the history of art, and Artl@s’s desire to provide scholars with the data and tools necessary to question the canonical art historical narratives through quantitative and cartographic analyses, we decided to work on group exhibitions of women artists.
Our first ambition is to build a community of scholars and work together to develop a common terminology and even possibly a common and consistent methodology to study these events, because the ones used …

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Femmes Artistes Italiennes Du Xxe Siècle : Il Complesso Di Michelangelo, Rome 1977, Laura Iamurri May 2019

Femmes Artistes Italiennes Du Xxe Siècle : Il Complesso Di Michelangelo, Rome 1977, Laura Iamurri

Artl@s Bulletin

Une exposition historique de femmes artistes s’ouvrit à Rome en février 1977 : installée dans une galerie privée, la première rétrospective consacrée aux artistes italiennes du XXe siècle avait été organisée à l’occasion de la parution du livre Il complesso di Michelangelo [Le complexe de Michel-Ange], écrit par l’artiste Simona Weller. Cet ouvrage, premier essai de recensement de la présence féminine dans l’art contemporain en Italie, citait 270 artistes tout au long du siècle, la plupart d’entre elles oubliées ou inconnues ; seules les artistes professionnelles étaient prises en considération.

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Se Rendre Visible Dans L’Espagne De Franco: Le Salón Femenino De Arte Actual (1962-1971), Maria Lluïsa Faxedas, Isabel Fontbona, Patricia Mayayo May 2019

Se Rendre Visible Dans L’Espagne De Franco: Le Salón Femenino De Arte Actual (1962-1971), Maria Lluïsa Faxedas, Isabel Fontbona, Patricia Mayayo

Artl@s Bulletin

The paper examines the history and the critical reception of the Salón femenino del arte actual, an annual all-female exhibition organized by a group of women artists in Barcelona between 1962 and 1971. Unique at the time, the Salón challenged the traditional role attributed to women under Franco's dictatorship, managing at the same time to obtain support from local authorities. The paper argues that it was the ability of the organisers to take advantage of political ambivalence, to find a delicate balance between complicity and resistance, which allowed the exhibition to survive for a decade.

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Women's Art Club And Women’S Group Exhibitions In Zagreb From 1928 Until 1940, Darija Alujević, Dunja Nekić May 2019

Women's Art Club And Women’S Group Exhibitions In Zagreb From 1928 Until 1940, Darija Alujević, Dunja Nekić

Artl@s Bulletin

In 1927 painters Nasta Rojc and Lina Crnčić Virant, inspired by their British colleagues founded the Women's Art Club in Zagreb. From 1928 until 1940 the Club organized group exhibitions of its members. The main idea of the Club was to improve arts and crafts, to organize female exhibitions and to collaborate with other international women associations. The Club took part in the organisation of the exhibition of Bulgarian women artists and the exhibition of the Little Entente of Women held in 1938 in Zagreb. Women`s Art Club was an important factor of the female artists' emancipation – organizing the …

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The Exhibitions Of The Femmes Artistes Modernes (Fam), Paris, 1931-38, Paula J. Birnbaum May 2019

The Exhibitions Of The Femmes Artistes Modernes (Fam), Paris, 1931-38, Paula J. Birnbaum

Artl@s Bulletin

The Société des Femmes Artistes Modernes (FAM) opened up a productive space for women artists who were active in Paris during the 1930s through annual multigenerational exhibitions and international collaborations. I argue that FAM embodied a paradox: on the one hand, it supported artists wishing to question stereotypes of gender, race, class, and nation; on the other, its institutional structure and leadership did not challenge patriarchal assumptions about women’s subordinate role in society. The paper explores this tension by comparing the work and critical reception of several artists in the group who represented the theme of motherhood.

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L'Esposizione Internazionale Femminile Di Belle Arti (Torino, 1910-1911; 1913). Note Su Genere, Arte E Professione In Italia All'inizio Del Xx Secolo, Francesca Lombardi May 2019

L'Esposizione Internazionale Femminile Di Belle Arti (Torino, 1910-1911; 1913). Note Su Genere, Arte E Professione In Italia All'inizio Del Xx Secolo, Francesca Lombardi

Artl@s Bulletin

Il contributo intende ricostruire la vicenda delle Esposizioni Internazionali Femminili di Belle Arti (1910-11; 1913), prima manifestazione artistica di taglio internazionale riservata esclusivamente alle donne organizzata in Italia. Promosse a Torino dalla rivista La Donna, le due rassegne si svolsero in un momento storicamente determinante per l'affermazione di un nuovo status delle artiste, contribuendo a dare visibilità e legittimità al fenomeno della produzione artistica femminile. La ricerca ripercorre, sulla scorta soprattutto di documenti d'epoca e fonti d'archivio, la storia e gli esiti di questa innovativa esperienza, evidenziando la complessità delle reti istituzionali, sociali, di patronage e matronage che concorsero …

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Dance Of Exile: The Sakharoffs’ Visual Performances In Montevideo (1935–1948), Pablo Munoz Ponzo May 2019

Dance Of Exile: The Sakharoffs’ Visual Performances In Montevideo (1935–1948), Pablo Munoz Ponzo

Dissertations, Theses, and Capstone Projects

This thesis explores the life-work chronology of the dancers and choreographers Clotilde von Derp (whose surname then was Sakharoff) and Alexander Sakharoff, who were exiled in Montevideo, Uruguay, and Buenos Aires, Argentina, between 1941 and 1948. During their stay in the Rio de la Plata region, the Sakharoffs stirred up the art scene by performing extremely detailed dances with great attention to costume design. This thesis begins with a review of the reception of the dancers’ performances by the artistic and cultural circles in Montevideo, arguing that the Sakharoffs’ “queer” trajectory resonated with the Uruguayan artistic community, influencing the creation …

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