Feminist, Gender, and Sexuality Studies Commons^™

"It's Not The Same Anymore" (2023): A Reflection On The Creative Process Behind My Queer Coming-Of-Age Short Film, Olivia Lee

University Honors Theses

"It's Not The Same Anymore" stands as a poignant queer coming-of-age short film crafted by individuals who share the queer experience, with the intention of resonating deeply with the queer community. The narrative intimately captures the journey of a young queer woman as she navigates the realms of love, heartbreak, and the quest for self-discovery. Amidst a media landscape that frequently falls short in its representation of LGBTQ+ voices and authentic lived experiences, this film aspires to bridge the gap and bring forth a much-needed sense of belonging and recognition.

A link to the short film can be found here: …

Situating Hiv/Aids Humanitarian Film In The National Cinema Culture Of Mozambique: Historical, Contemporary And Feminist Perspectives, Sebastián Andrés Suárez Hode

University Honors Theses

The HIV/AIDS epidemic in Mozambique has enabled a new wave of humanitarian cinema to develop as it seeks to educate and empower a population that has been adversely affected by the epidemic. Colonial-era patriarchal systems that persist have resulted in Mozambican women being disproportionately impacted by the virus, and humanitarian projects in turn use film as a vehicle for the exploration of Mozambican women’s subjectivities. Thus, these films have made for an especially feminist reconditioning of Mozambican national cinema culture. This essay will explore HIV/AIDS humanitarian cinema’s place within the larger discourse of Mozambican national cinema and will demonstrate how …

"The Caucasian Persuasion Here In The 'Dale": Othering, White Normality, And Post-Racialism In Buffy The Vampire Slayer, Isaiah Lee

University Honors Theses

This thesis engages the construction of race within the television landscape of Buffy the Vampire Slayer to investigate how well-meaning, progressive media either reinvents or repudiates racial stereotype. This paper also examines the figure of the Other, as it is evoked in horror, and utilizes Hazel Carby's conception of the fantasized black subject to analyze the setting and characters of Buffy the Vampire Slayer with an eye towards the inherent assumptions the show makes about race. Ultimately, I argue that Buffy's representation of race assumes a white normality, flattening its non-white characters under the guise of inherent difference, even …