Feminist, Gender, and Sexuality Studies Commons^™

"It's Not The Same Anymore" (2023): A Reflection On The Creative Process Behind My Queer Coming-Of-Age Short Film, Olivia Lee

University Honors Theses

"It's Not The Same Anymore" stands as a poignant queer coming-of-age short film crafted by individuals who share the queer experience, with the intention of resonating deeply with the queer community. The narrative intimately captures the journey of a young queer woman as she navigates the realms of love, heartbreak, and the quest for self-discovery. Amidst a media landscape that frequently falls short in its representation of LGBTQ+ voices and authentic lived experiences, this film aspires to bridge the gap and bring forth a much-needed sense of belonging and recognition.

A link to the short film can be found here: …

"The Caucasian Persuasion Here In The 'Dale": Othering, White Normality, And Post-Racialism In Buffy The Vampire Slayer, Isaiah Lee

University Honors Theses

This thesis engages the construction of race within the television landscape of Buffy the Vampire Slayer to investigate how well-meaning, progressive media either reinvents or repudiates racial stereotype. This paper also examines the figure of the Other, as it is evoked in horror, and utilizes Hazel Carby's conception of the fantasized black subject to analyze the setting and characters of Buffy the Vampire Slayer with an eye towards the inherent assumptions the show makes about race. Ultimately, I argue that Buffy's representation of race assumes a white normality, flattening its non-white characters under the guise of inherent difference, even …

Situating Hiv/Aids Humanitarian Film In The National Cinema Culture Of Mozambique: Historical, Contemporary And Feminist Perspectives, Sebastián Andrés Suárez Hode

University Honors Theses

The HIV/AIDS epidemic in Mozambique has enabled a new wave of humanitarian cinema to develop as it seeks to educate and empower a population that has been adversely affected by the epidemic. Colonial-era patriarchal systems that persist have resulted in Mozambican women being disproportionately impacted by the virus, and humanitarian projects in turn use film as a vehicle for the exploration of Mozambican women’s subjectivities. Thus, these films have made for an especially feminist reconditioning of Mozambican national cinema culture. This essay will explore HIV/AIDS humanitarian cinema’s place within the larger discourse of Mozambican national cinema and will demonstrate how …

Reviews Of Thunder: A Film About Ferron, Sarabah, And The Punk Singer: A Film About Kathleen Hanna, Sarah Dougher

University Studies Faculty Publications and Presentations

Sarah Dougher reviews three films in this issue of Films for the Feminist Classroom: Thunder: A Film about Ferron. Directed by Bitch and Billie Jo Cavallaro; Sarabah. Directed by Maria Luisa Gambale & Gloria Bremer; and The Punk Singer: A Film About Kathleen Hanna. Directed by Sini Anderson.

Learning To Read (Gender): Children’S Animation And The New Heterosexism, Kaelyn Flowerday

Anthós

This paper examines and compares two American animated productions targeting elementary and middle school children, and in doing so aims to elucidate the handling of gender in similar television programs and feature films of the past three decades. These animated works are treated here as a Foucauldian apparatus, one predicated on the force of systematically structured observation, which functions to manipulate power relations in the favor of hetero- and cis-male order. The Disney feature Beauty and the Beast supplies a case for investigating the heterosexist discourses of these contemporary animated media. However, as will be shown, comparatively feminist animated works …