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Full-Text Articles in European Languages and Societies

The Gracioso In The Plays Of Don Pedro Calderón De La Barca, Helen Wilborn Nov 1953

The Gracioso In The Plays Of Don Pedro Calderón De La Barca, Helen Wilborn

Spanish and Portuguese ETDs

The gracioso in Calderón is a result of a logical development of the comic element in drama. Humor was introduced early in the history of Spanish literature to represent an underlying trait in the character of the Spanish people, and the humorous element was centralized in a certain type of figure by process of a development in which dramatists and novelists for several centuries took part.


Traidor, Inconfeso Y Mártir By José Zorrilla Y Moral, Clara M. Arretche Sep 1953

Traidor, Inconfeso Y Mártir By José Zorrilla Y Moral, Clara M. Arretche

Spanish and Portuguese ETDs

Students of Spanish on both high school and college levels are often troubled with terms based on historical, geographical and cultural patterns and with the vocabulary peculiarities and syntax of the language of the nineteenth century. in order to permit a more complete understanding and keener appreciation of the play this edition of the drama, Traidor, Inconfeso y Mártir has been prepared.


The Poetic Technique Of Gil Vicente, Peter John Lunardini May 1953

The Poetic Technique Of Gil Vicente, Peter John Lunardini

Spanish and Portuguese ETDs

The important problem at present, however, is the critical analysis of the lyrics found in Vicentine drama. This analysis is two-fold: that of the strophe patterns employed by the poet as well as that of the lyric content of the poems themselves. An analysis of the structure of the songs is of utmost importance since reiteration and rhythm are essential features of popular songs.


A Topical Index, Including Proper Names, To Vecente Espinel's Vida De Marcos De Obregón, Edwin H. Leupold Jr. May 1953

A Topical Index, Including Proper Names, To Vecente Espinel's Vida De Marcos De Obregón, Edwin H. Leupold Jr.

Spanish and Portuguese ETDs

The edition in which is here indexed is that of Samuel Gili Gaya in Clásicos Castellanos, Volume 43 and 51, published in Madrid in 1940.

All entries are listed the first time they appear in the novel and subsequent references to the same entry are included only if additional information is given. Entries are listed in Spanish followed by a translation or note of explanation of parentheses...Only page references are made to entries such as the adventures of Obregón or the numerous moralizing digressions since most of these cover more than one page.


The Metaphorical Image In The Poetic Tragedy Of Federico García Lorca, Jack Edward Tomlins Mar 1953

The Metaphorical Image In The Poetic Tragedy Of Federico García Lorca, Jack Edward Tomlins

Spanish and Portuguese ETDs

Admittedly, to present another study on Lorca appears at first to be a futile task. Critics in Spain, Latin America, England, and the United States have in no way allowed the poet to fall into oblivion; quite the contrary, in numberless articles and critical analyses, Lorca has been praised, applauded, and very nearly deified--often by those who obviously were striving to make political capital of his untimely death. This voluminous output of Lorquian criticism--which is many times composed on an elegiac note and based on high-sounding generalities--prompts the present investigation. This study will explore the reputation which Lorca has earned …


The Concept Of The Renaissance In Modern Historical Fiction, Elizabeth A. Stone Jan 1953

The Concept Of The Renaissance In Modern Historical Fiction, Elizabeth A. Stone

Theses & Honors Papers

No abstract provided.