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Full-Text Articles in European Languages and Societies
Visualizing Shakespeare: Iconography And Interpretation In The Works Of Salvador Dalí, Emily A. Zbehlik
Visualizing Shakespeare: Iconography And Interpretation In The Works Of Salvador Dalí, Emily A. Zbehlik
Student Publications
Although William Shakespeare’s 16th century classical literature is rarely contextualized with the eccentricities of 20th century artist Salvador Dali, Shakespeare’s myriad of works have withstood the test of time and continue to be celebrated and reinterpreted by the likes of performers, scholars, and artists alike. Along with full-text illustrations of well-known plays, such as Macbeth (1946) and As You Like It (1953), Dali returned to the Shakespearean motif with his two series of dry-point engravings (Much Ado About Shakespeare and Shakespeare II) in 1968 and 1971. The series combine to formulate 31 depictions where Dali interprets Shakespeare’s text in a …
How European Folk Stories Have Misrepresented Indigenous Women, Jacqueline S. Marotto
How European Folk Stories Have Misrepresented Indigenous Women, Jacqueline S. Marotto
Student Publications
An examination of Rayna Green's "The Pocahontas Perplex" in reflection of course material about the role of indigenous women in North America.
“An Imperialism Of The Imagination”: Muslim Characters And Western Authors In The Nineteenth And Twentieth Centuries, Robin K. Miller
“An Imperialism Of The Imagination”: Muslim Characters And Western Authors In The Nineteenth And Twentieth Centuries, Robin K. Miller
Student Publications
This paper specifically discusses the cultural attitudes that made writing fully realized Muslim characters problematic for Western authors during the 19th and 20th centuries and also how, through their writing, certain authors perpetuated these attitudes. The discussed authors and works include William Beckford's Vathek, Lord Byron's poem “The Giaour,” multiple short stories from the periodical collection Oriental Stories, one of Hergé's installments of The Adventures of Tintin, and E.M. Hull's novel The Sheik. Three “types” of Muslim characters emerge in these works: the good, the bad, and the white. All three reflect Western attitudes towards the East as a place …