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Full-Text Articles in European Languages and Societies
Parallels Of Morality: Wilde And Nietzsche’S Challenge To Social Obligation, Amzie A. Dunekacke
Parallels Of Morality: Wilde And Nietzsche’S Challenge To Social Obligation, Amzie A. Dunekacke
Honors Theses
This thesis explores Irish author Oscar Wilde’s The Picture of Dorian Gray in relation to a selection of texts by the German philosopher Friedrich Nietzsche. To demonstrate the similarities between Wilde and Nietzsche’s challenges to European morality, this work considers these themes, which are present in the ideologies of both Wilde and Nietzsche: the body and sensual pleasure, social construction, and the hypocrisy of altruism. Both radical thinkers castigate Platonic notions of the body as ignoble and weak, and they mock European propriety’s shyness of the body. In addition, Wilde and Nietzsche offer similar criticisms of social laws, adopting a …
Sebald Beham And The Augsburg Printer Niclas Vom Sand: New Documents On Printing And Frankfurt Before 1550, Alison Stewart
Sebald Beham And The Augsburg Printer Niclas Vom Sand: New Documents On Printing And Frankfurt Before 1550, Alison Stewart
School of Art, Art History, and Design: Faculty Publications and Creative Activity
This essay makes known two unpublished documents from the last years of the life of Sebald Beham (1500 Nuremberg–1550 Frankfurt) and uses them as a means to explore Beham’s relationship to printing, the town of Frankfurt, and the Augsburg printer Niclas vom Sand, who remains an unwritten part of the history of the period. The essay is organized as an autobiographical retrospective by an older man forced in prior decades to move from Nuremberg and seek employment and a new life elsewhere. The end of the essay evaluates the documents and aspects of them.
Sins, Sex, And Secrets: The Legacy Of Confession From The Decameron To The Heptaméron, Nora Martin Peterson
Sins, Sex, And Secrets: The Legacy Of Confession From The Decameron To The Heptaméron, Nora Martin Peterson
Department of Modern Languages and Literatures: Faculty Publications
A quick digital search for the term ‘confession’ in Boccaccio’s Decameron yields 75 results (Decameron Web). Confession in Boccacio’s text is conspicuously present and, I argue, not coincidental: it highlights the increased attention to the sacrament after the Fourth Lateran Council made annual confession mandatory in 1215. Decameron 1.1 depicts a false confession performed by a wicked man on his deathbed. His confessor follows the protocol of confession manuals, which began to appear in increasing number following 1215, but his interpretive skills do not extend beyond the questions he is bound by protocol to ask. In Boccaccio’s world, …