European Languages and Societies Commons^™

Veiled Victorian Vampires: What Literary Antagonists Reveal About Societal Fears Of 19th Century England, Jenna Harford

Honors Theses

In my thesis paper I look at three primary texts, Charlotte Brontë’s Jane Eyre, Charles Dickens’ Great Expectations, and Oscar Wilde’s The Picture of Dorian Gray to analyze their main antagonists through a vampiric lens. I explain how the characters of Bertha Mason, Miss Havisham, and Dorian Gray are all written with veiled vampiric traits that revolve around themes of sexuality, secrecy and seclusion, and unbridled physical and emotional violence. Although none of these texts is obviously a “vampire novel”, the authors lean into vampire tropes including eerie physical description, doubled relationships, and other vampire lore that can be best …

Une Politique Laïque: L’Utilisation De La Laïcité Dans Les Discours Politiques Français, Zachary Holmes

Honors Theses

La politique française est fortement liée avec la laïcité, comme on peut voir avec son utilisation dans les discours des politiciens. Elle a la capacité d’unifier les gens sous un idéal commun, mais elle peut aussi faire des divisions dans la société. Donc, il faut considérer comment on veut traiter l’idée en France. Il est impossible de dire comment elle va faire partie du futur, mais il est clair que, pour le moment, elle est un outil important pour les politiciens qui veulent avancer leurs programmes différents. Il est probable qu’elle continuerait à être une idée puissante dans les prochaines …

Václav Havel At The End Of The Cold War: The Invention Of Post-Communist Transition In The Address To U.S. Congress, February 21, 1990, Timothy Barney

Rhetoric and Communication Studies Faculty Publications

A mere three months after the peaceful Velvet Revolution in Czechoslovakia, and less than a year after his last imprisonment under the communist regime, playwright-turned-president Václav Havel stood before a joint session of U.S. Congress in February of 1990. In his address, Havel marked, for his American audience, the new freedoms being established at home. More than just a victory lap, however, Havel’s visit articulated the importance of the invention of post-communism, as the end of the Cold War had to be constructed for his global audience. Havel’s version of invention in the speech used temporality and embodiment as key …

[Introduction To] Almost Eternal: Painting On Stone And Material Innovation In Early Modern Europe, Piers Baker-Bates, Elena Calvillo

Bookshelf

Almost Eternal: Painting on Stone and Material Innovation in Early Modern Europe gathers together an international group of ten scholars, who offer a novel account of the phenomenon of oil painting on stone surfaces in Northern and Southern Europe. This technique was devised in Rome by Sebastiano del Piombo in the early sixteenth century and was practiced until the late seventeenth century. This phenomenon has attracted little attention previously: the volume therefore makes a significant and timely contribution to the field in the light of recent studies of materiality and the rise of technical Art History.

Learning To Live With The Other Germany In The Post-Wall Federal Republic, Kathrin M. Bower

Languages, Literatures, and Cultures Faculty Publications

After forty years of separation, neither the West Germans nor the East Germans were prepared for the impact of reunification. But had the peoples of the two countries developed separate cultural identities to such an extent that the dissolution of the border represented merely the illusion of a return to sociocultural community? Since the collapse of the East German state in 1989 and the subsequent suturing of divided Germany in 1990, scores of books and articles have been published on the economic and political conditions that led inexorably, or less so, to the demise of the GDR, as well as …

Made In Germany: Integration As Inside Joke In The Ethno-Comedy Of Kaya Yanar And Bülent Ceylan, Kathrin M. Bower

Languages, Literatures, and Cultures Faculty Publications

As the largest “foreign” population in Germany, Turkish immigrants have been the primary target for concerns about integration and the impact of immigration on German culture. Since the founding of the first Turkish German cabaret in 1985 by Şinasi Dikmen and Muhsin Omurca, the misconceptions and one-sided expectations associated with integration have been played, parodied, and satirized by Turkish German performers. As producers of contemporary ethno-comedy, Kaya Yanar and Bülent Ceylan appeal to mass audiences with a new approach, inverting questions of integration by creating communities through laughter in which audiences are at once in on the joke and its …

Serdar Somuncu: Reframing Integration Through A Transnational Politics Of Satire, Kathrin M. Bower

Languages, Literatures, and Cultures Faculty Publications

Founded by Şinasi Dikmen and Muhsin Omurcu in Ulm in 1985, Knobi-Bonbon is widely recognized as the first Turkish German cabaret in the Federal Republic. Dikmen and Omurcu focused on ethnic stereotypes, integration, and coexistence in their early programs, with an emphasis on the German misunderstanding of integration as cultural assimilation (Boran 202, 219). With a run of successful performances, Knobi-Bonbon established a momentum that has carried through to the present day, making Turkish German comedy a fixture on the German stage. Responding to the wave of nationalism and xenophobia that followed in the wake of unification, Knobi-Bonbon’s shows became …

Reading On The Edge Of Oblivion: Virgil And Virule In Coetzee's Age Of Iron, Gary Shapiro

Philosophy Faculty Publications

Not long ago I taught a yearlong course on reading and writing for the last time. Last, because I have just retired from the university that sponsored the course and also because faculty, in their usual condition of mixed motives, aspirations, and agendas, have decided to discontinue it. I write then elegiacally, in memory of about twenty years of teaching a varying assemblage of so-called great books of literature, philosophy, religion, and even (occasionally) science, sprinkled with more-contemporary works (Toni Morrison, Orhan Pahmuk, Adrienne Rich, and others), drawn from all continents (we may have missed Australia) and written any time …

Serdar Somuncu: Turkish German Comedy As Transnational Intervention, Kathrin M. Bower

Languages, Literatures, and Cultures Faculty Publications

A reconceptualization of Germanness, combined with a reconsideration of what constitutes “Germanness” and “Turkishness” and how they are linked, is a central theme in the programs of a younger generation of Turkish German cabaret artists and comedians. As a member of the new generation of performers, Serdar Somuncu stands out, not only for his unapologetic embrace of political theater critical of both German and Turkish social politics, but also for his assertion of a right and responsibility to engage with Germany’s past, coupled with an insistence on differentiation and balanced comparison when discussing integration. After gaining notoriety through his Mein …

Minority Identity As German Identity In Conscious Rap And Gangsta Rap: Pushing The Margins, Redefining The Center, Kathrin M. Bower

Languages, Literatures, and Cultures Faculty Publications

After rap entered the German music scene in the 1980s, it developed into a variety of styles that reflect Germany's increasingly multiethnic social fabric. Politically conscious rap assumed greater relevance after unification, focusing on issues of discrimination, integration, and xenophobia. Gangsta rap, with its emphasis on street conflict and violence, brought the ghetto to Germany and sparked debates about the condition of German cities and the erosion of civic consciousness. Alternately celebrated and reviled by the media, both styles utilize rap's synthesis of authenticity and performance to redefine the relationship between minority identity and German identity and debunk Leitkultur.

Protest Song In East And West Germany Since The 1960s (Book Review), Kathrin M. Bower

Languages, Literatures, and Cultures Faculty Publications

While the title of this nine-essay anthology focuses on the protest song from the 1960s and beyond, one of key elements of the book is an examination of the legacy of the Vormärz revolutionary songs and political cabaret of the Weimar Republic in the repertoire of West-German and East-German Liedermacher. The first two chapters by David Robb offer a differentiated analysis of how the Vormärz and early twentieth-century political song traditions were adopted and adapted in the FRG and the GDR and how the resulting high/low culture blend of the political song enhanced its appeal. The third chapter, also …

Outing Hybridity: Polymorphism, Identity, And Desire In Monika Trent's Virgin Machine, Kathrin M. Bower

Languages, Literatures, and Cultures Faculty Publications

Monika Treut's 1988 film, Virgin Machine, offers a playful, self-ironizing look at the construction of sexual identities, utilizing the techniques specific to the filmic medium to create cuts and bridges between concepts, characters, and locations. In its portrayal of the passage and passages of the story's central character, Dorothe Muller, the film takes the viewer on a voyage of self-exploration and self-discovery that moves from one harbor city, Hamburg, and ends in another, San Francisco. The move between harbor cities carries associations of commerce and exchange, arrivals and departures, as well as the potential for import and export of …

Memories And Dreams : A Freudian Look At Proust, Barbara Alexander Baroody

Master's Theses

Proust, born some fifteen years after Freud; was equally fascinated with the potential for the unconscious mind. He was obsessed by the desire to overcome the destructive force of Time and assure tor himself a place in eternity. He wanted to project himself into the future by creating a work of art, for he believed that Art, alone surpassed Time. His work of art would be a novel, but rather than simply recounting past experiences, he sought to actually bring them to life again by evoking in the reader the same sensations he experienced. Dreams and those memories which rise …

The Destructive Messiah : A Study Of Henrik Ibsen's Search For Truth As Portrayed By Rebel Heroes In Brand, An Enemy Of The People, And The Wild Duck, Susan Taylor Soyars

Master's Theses

Having read Henrik Ibsen's major plays, I became interested in his treatment of truth. Brand, Doctor Stockman, and Gregers Werle all represented varied degrees of the truth, each embodying Ibsen's own ideas. It is specifically Gregers Werle' s treatment of the truth that resulted in the conclusions found in this paper.

As Ibsen explored his personal convictions about the truth, a new type of rebel hero began to emerge, a destructive savior. Through this messiah, a Christ-like figure, Ibsen allows the truth to be exploited, which brings about complete destruction to communities,families, and friends.

Biographical material has been deleted. By …

Caesar In Spain : An Economic Policy?, Robert O. Turek

Master's Theses

The question we set out to investigate was whether Caesar exhibited an organized policy toward the economy of the Spanish provinces. Two distinct aspects have been considered: that of Spain itself and its economic growth and that of Caesar personally and his policies.

During the first century B.C. the Spanish peninsula was exhibiting signs of the economic growth which reached its height during the first two centuries of Imperial times. Mining, industry and commerce were flourishing. Agriculture was becoming ore diverse and profitable. Italian immigration, both of money and manpower, was providing an impetus to spur the growth which had …