European Languages and Societies Commons^™

Made In Germany: Integration As Inside Joke In The Ethno-Comedy Of Kaya Yanar And Bülent Ceylan, Kathrin M. Bower

Kathrin M. Bower

As the largest “foreign” population in Germany, Turkish immigrants have been the primary target for concerns about integration and the impact of immigration on German culture. Since the founding of the first Turkish German cabaret in 1985 by Şinasi Dikmen and Muhsin Omurca, the misconceptions and one-sided expectations associated with integration have been played, parodied, and satirized by Turkish German performers. As producers of contemporary ethno-comedy, Kaya Yanar and Bülent Ceylan appeal to mass audiences with a new approach, inverting questions of integration by creating communities through laughter in which audiences are at once in on the joke and its …

Minority Identity As German Identity In Conscious Rap And Gangsta Rap: Pushing The Margins, Redefining The Center, Kathrin M. Bower

Kathrin M. Bower

After rap entered the German music scene in the 1980s, it developed into a variety of styles that reflect Germany's increasingly multiethnic social fabric. Politically conscious rap assumed greater relevance after unification, focusing on issues of discrimination, integration, and xenophobia. Gangsta rap, with its emphasis on street conflict and violence, brought the ghetto to Germany and sparked debates about the condition of German cities and the erosion of civic consciousness. Alternately celebrated and reviled by the media, both styles utilize rap's synthesis of authenticity and performance to redefine the relationship between minority identity and German identity and debunk Leitkultur.

Syllabus Cpo 3103 (U02): Comparative Politics Of Western Europe (Fall 2015), Lukas K. Danner

Dr. Lukas K. Danner