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Articles 1 - 9 of 9

Full-Text Articles in European Languages and Societies

Ciudad, Movimiento Y Transformación: "23 Segundos" En Dos Tiempos, Mariana Pensa Sep 2021

Ciudad, Movimiento Y Transformación: "23 Segundos" En Dos Tiempos, Mariana Pensa

South East Coastal Conference on Languages & Literatures (SECCLL)

En este trabajo se realiza una lectura del film uruguayo 23 Segundos (2014, dirigido por Dimitry Rudakov). Un punto de entrada al mismo nos remite a los conceptos de acción/inacción, desde donde la intriga toma cuerpo y comienza a formarse. A partir de esto, se focaliza en el personaje principal de Emiliano, y en su recorrido por Montevideo, recorrido que se transforma a lo largo de la película en una forma de adquisición de conocimiento sobre sí mismo y los demás. Esto lo lleva ultimamente a un cambio de vida, a la superación de la alienación y la rutina. Es …


2021 Seccll Conference Program, Seccll Conference Sep 2021

2021 Seccll Conference Program, Seccll Conference

South East Coastal Conference on Languages & Literatures (SECCLL)

Conference program for the 2021 SECCLL.


Representations Of Female Agency In Medieval French Literature, Mathilde Pointiere Apr 2021

Representations Of Female Agency In Medieval French Literature, Mathilde Pointiere

LSU Doctoral Dissertations

This dissertation examines the different ways authors portray female agency in medieval French literature. In focusing on three medieval writers, Chrétien de Troyes, Heldris de Cornouailles and Christine de Pizan, I contend that female agency arises as a result of trauma or crisis. I define my terms as follows: agency is the capacity and intention of performing actions on one’s own behalf. For a fictional character to have agency, therefore, she must be portrayed as having a sense of control and of being the owner of the action she executes. Additionally, I argue that as women characters assume their agency, …


Gender Roles Reviewed Through Shakespeare's Twelfth Night With 21st Century Applications, Hannah Lewis Apr 2021

Gender Roles Reviewed Through Shakespeare's Twelfth Night With 21st Century Applications, Hannah Lewis

Scholar Week 2016 - present

This thesis focuses on a modern-day adaptation of Shakespeare’s Twelfth Night which aims to address negative gender stereotypes that are still in existence today. Through Shakespeare’s use of character representation and language, he creates a story that confronts the issue of gender stereotypes in the Elizabethan age. However, much is to be said about how gender roles in Shakespeare’s Twelfth Night is applicable to the 21st century. In this thesis, gender roles in both the Elizabethan age and the 21st century are explored in depth to provide examples of gender stereotypes. Thus, the study of gender roles is …


Transmuting John Gower: Elias Ashmole’S Hermetic Reading Of Gower’S Jason And The Golden Fleece, Curtis Runstedler Feb 2021

Transmuting John Gower: Elias Ashmole’S Hermetic Reading Of Gower’S Jason And The Golden Fleece, Curtis Runstedler

Accessus

This article examines Elias Ashmole’s alchemical reading of John Gower’s tale of Jason and the Golden Fleece in the Theatrum Chemicum Britannicum (1652). I argue that this tale can be read as alchemical and connects to the Renaissance humanist tradition of reading classical stories as alchemical as well as Book IV of the Confessio Amantis, in which Gower depicts alchemy as the ideal form of human labour. Jason, representing the aspiring adept in this reading, is aided by his lover Medea, who represents a master alchemist with her supernatural powers, and through his intensive labours he is successful as …


John Gower's Magical Rhetoric, Georgiana Donavin Feb 2021

John Gower's Magical Rhetoric, Georgiana Donavin

Accessus

In Book 6 of the Confessio Amantis, telling the “Tale of Ulysses and Telegonus,” John Gower says of the former, “He was a gret rethorien / He was a gret magicien,” thereby capturing deep connections between rhetoric and magic. The seriously flawed necromancers of Book 6 exemplify only negative connections, however. Ulysses, by embracing verbal trickery and deploying his knowledge of the liberal arts for inferior aims, fails as both hero and speaker. Worse than Ulysses is Nectanabus, whose deceitful “carectes” seem to serve as a critique against spoken enchantments. Later in Book 7, however, Gower recuperates a concept …


Magic, Religion, And Science: A Special Issue, Eve Salisbury Feb 2021

Magic, Religion, And Science: A Special Issue, Eve Salisbury

Accessus

Preface to a special issue of Accessus on magic, religion, and science in the Middle Ages and Early Modern Period.


Icelandic Folklore And The Cultural Memory Of Religious Change, Eric Shane Bryan Jan 2021

Icelandic Folklore And The Cultural Memory Of Religious Change, Eric Shane Bryan

English and Technical Communication Faculty Research & Creative Works

This book attempts to understand the origins and development of religious belief in Iceland and greater Scandinavia through the lenses of five carefully selected Icelandic folktales collected in Iceland during the nineteenth century. Each of these five stories has a story of its own: a historical and cultural context, a literary legacy, influences from beliefs of all kinds (orthodox and heterodox, elite or lay), and modalities (oral or written) by which the story was told. These factors leave an imprint -- sometimes discernible, sometimes not -- upon the story, and when that imprint is readable, the legacies and influences upon …


Wild Wales: How Cultural Discrimination Transformed Merlin From Brittonic Legends To French Arthurian Romances, Viveca Calista Lawrie Jan 2021

Wild Wales: How Cultural Discrimination Transformed Merlin From Brittonic Legends To French Arthurian Romances, Viveca Calista Lawrie

Senior Projects Spring 2021

The legend of King Arthur and his knights of the round table is one of the best-known stories in the Western world. Generally people tend to associate Arthurian legend with fifteenth-century English writing or French romances, but in reality, Arthurian legend has its origins in Brittonic oral tradition. Merlin, specifically, represents the concepts of Brittonic paganism and wildness more than any other Arthurian character. The changes made in the character and the narrative of Merlin, from Brittonic legend to Latin writing and then to French romances, reflect a political and cultural shift in Britain and France. An examination of Merlin …