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Articles 1 - 6 of 6
Full-Text Articles in European Languages and Societies
The Fisherman By Anonymous, Luke J. Chambers
The Fisherman By Anonymous, Luke J. Chambers
Transference
Translated from the Old French with commentary by Luke Chambers.
How The Axe Falls: A Retrospective On Thirty-Five Years Of Sir Gawain And The Green Knight Performance, Linda Marie Zaerr
How The Axe Falls: A Retrospective On Thirty-Five Years Of Sir Gawain And The Green Knight Performance, Linda Marie Zaerr
Accessus
This retrospective represents a new approach to using historical performance as a tool for understanding medieval narrative performance. The core of the article traces how an individual performer’s interaction with a stable medieval text both indicates directions medieval performers may have taken and suggests the limitations imposed by modern performance conventions. The discussion touches on issues of adaptation and translation, variation in troupe composition and audience, expectations of modern audiences, impact of costume choices, and limitations of audio and video recordings as documentation of live performance. Juxtaposing eight performances of a single passage clarifies how performance can transform a text, …
Semper Venalis: Gower's Avaricious Lawyers, Robert Meindl
Semper Venalis: Gower's Avaricious Lawyers, Robert Meindl
Accessus
The first three chapters of the sixth book of the Vox Clamantis (lines 1-248) comprise a harsh critique of the many avaricious lawyers who, in Gower’s opinion, have come to dominate their profession to the disadvantage of English society in the late fourteenth century. Driven exclusively by their appetite for possessions, they have forgotten the biblical model presented in Psalm 14 that specifies the obligation of the good man to assist without recompense his neighbor’s search for justice. Falsely claiming to be men of law and inheritors of the biblical model of the good man, the causidici (as Gower calls …
Preface, Georgiana Donavin, Eve Salisbury
Preface, Georgiana Donavin, Eve Salisbury
Accessus
Co-editors Georgiana Donavin and Eve Salisbury thank the readers of Accessus for an enthusiastic reception of the first issue and summarize the contents of this second issue. The second issue showcases opportunities inherent in online publishing, such as the ability to produce extended commentaries and offer video streams. Robert J. Meindl's "Semper Venalis: Gower's Avaricious Lawyers" and Linda Marie Zaerr's "How the Axe Falls: A Retrospective on Thirty-five Years of Sir Gawain and the Green Knight Performance," respectively, realize these possibilities in online publishing while adding substantially and insightfully to our knowledge of important fourteenth-century poems from England.
Red Social En La Celestina: Una Aproximación Cuantitativa A Su Sistema De Personajes, Jennifer Isasi
Red Social En La Celestina: Una Aproximación Cuantitativa A Su Sistema De Personajes, Jennifer Isasi
Department of Modern Languages and Literatures: Dissertations, Theses, and Student Research
La que hoy es conocida como La Celestina se publicó en su edición príncipe con el título de Comedia de Calisto y Melibea (1499 o 1500), con 16 actos, para ser retitulada Tragicomedia de Calisto y Melibea en 1502, añadiéndosele cinco actos más. Parece que sin prestar demasiada atención a la decisión tomada respecto a la trama trágica en lugar de cómica, ya en ese mismo siglo Juan de Valdés o Juan Luis Vives comenzaron a referirse a la obra tal y como la conocemos hoy, haciendo de Celestina la protagonista de la obra ¿Por qué se dio dicho cambio, …
Aaron Swartz’S Legacy, Rebecca Gould
Aaron Swartz’S Legacy, Rebecca Gould
Rebecca Gould
“Aaron Swartz’s Legacy,” Academe: Magazine of the American Association of University Professors 95(1): 19-23. Special issue on the “New Public Intellectual.” http://www.aaup.org/article/aaron-swartz%E2%80%99s-legacy#.UtZGm2RDtmk