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Articles 1 - 3 of 3
Full-Text Articles in European Languages and Societies
Documentation And Fiction In Hameiri's Accounts Of The Great War, Tamar S. Drukker
Documentation And Fiction In Hameiri's Accounts Of The Great War, Tamar S. Drukker
CLCWeb: Comparative Literature and Culture
In her article "Documentation and Fiction in Hameiri's Accounts of the Great War" Tamar S. Drukker discusses the only surviving Hebrew-language docu-novel of the Great War, written by Avigdor Hameiri (1890-1970), a Hungarian Jewish officer. His 1930 memoir The Great Madness is a wartime personal journal about his life at the Russian front. Many of the episodes described in The Great Madness receive a more styled treatment in Hameiri's wartime short stories which appeared in three collections during the 1920s. These stories are sometimes surreal, symbolic, and carefully crafted. Drukker's study of Hameiri's wartime life writing and his literary rendition …
Greenberg's Prose And Poetry About World War I, Chanita Goodblatt
Greenberg's Prose And Poetry About World War I, Chanita Goodblatt
CLCWeb: Comparative Literature and Culture
In her article "Greenberg's Prose and Poetry about World War I" Chanita Goodblatt analyzes the literary response of Uri Zvi Greenberg to the war. His volume of poetry Krieg oyf der Erd— largely untranslated to English — can be read as part of a multicultural literary response to World War I, particularly in juxtaposition with the poems of Wilfred Owen and Siegfried Sassoon. Goodblatt posits that a study of shared esthetic strategies and literary traditions underlines the way in which Greenberg created an "alienated wanderer" who witnesses and stands helpless in the face of the violence and destruction of …
European Literary Tradition In Roth's Kepesh Trilogy, Gustavo Sánchez-Canales
European Literary Tradition In Roth's Kepesh Trilogy, Gustavo Sánchez-Canales
CLCWeb: Comparative Literature and Culture
in his article "European Literary Tradition in Roth's Kepesh Trilogy" Gustavo Sánchez-Canales discusses the significance of European literature in Philip Roth's novels. Sánchez-Canales analyses the influence of Nikolai Gogol's "The Nose" and Franz Kafka's "The Metamorphosis" on Roth's The Breast and in Roth's The Professor of Desire of Anton Chekhov's tales and Franz Kafka's "A Hunger Artist" and The Castle. Further, Sánchez-Canales elaborates on the impact of Thomas Mann's Death in Venice and W.B. Yeats's poem "Sailing to Byzantium" on Roth's The Dying Animal.