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Fascist Aesthetics From 1940 To Contemporary Times, Anna M. Gellerman

Publications and Research

Movies and literature all over the world share some common aesthetics: militarization, romanticization of death, beauty of perfection, and even purity. What most don't think about is how these tropes rose to popularity due to Nazi Germany's propaganda films. This work describes these fascist aesthetics, and uses famous publications from the 1940s until now to paint just how common these themes are.

Restauration Und Ambivalenz: Maskulinitaet Im Deutschsprachigen Film Nach 1990 Im Lichte Des Neuen Deutschen Films, Sascha Harris

Articles

Restoration and Ambiguity: The Male in Post-Wall German Film

As the programmatic, if diverse tenets of the Neuer Deutscher Film began to lose their hold on German film-making in the eighties, filmic narratives and cinematography emerged which on the one hand draw on this tradition, especially in seemingly postmodern narratives of subversion, minority and subjectivity, but on the other combine these with conventional, even restorative film language and narrative construction. Reunification has set a development in motion which to a remarkable extent echoes the cultural metanarrative of the post-war period. The role and representation of male characters in a significant …

Un Nuovo Dato Per La Cronologia Della Versione Cinematografica Della Nuova Colonia Di Luigi Pirandello, Stefano Giannini

Languages, Literatures, and Linguistics - All Scholarship

Luigi Pirandello (1867-1936) wrote numerous film-treatments inspired by his short-stories and plays that were not completed as films. Among the never completed films there is La Nuova Colonia. The history of the film-project La Nuova Colonia [The New Colony] is important for the further understanding of Pirandello’s poetics. Nestled in the plot of Pirandello’s novel Suo marito [Her Husband], La Nuova Colonia took on independent life in 1926 as the play of the same name that premiered in Rome in March 1928. The two dates indicated for the play are not the chronological limits for the La Nuova Colonia …