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Transference Vol. 1, Summer 2013

Transference

Transference is published by the Department of World Languages and Literatures at Western Michigan University. Dedicated to the celebration of poetry in translation, the journal publishes translations from Arabic, Chinese, French and Old French, German, Classical Greek and Latin, Japanese, and Russian into English verse. Transference contains translations as well as commentaries on the art and process of translating.

Molière’S Le Misanthrope, Ian B. Carlino

Honors Capstone Projects - All

My Capstone project is a French-to-English translation of about 1,100 lines of Molière’s Le Misanthrope. I chose that play because I was interested in exploring translation theory and the act of translating — not because I wanted to contribute some revolutionary new work to the numerous translations of it that already exist. I had never tried to translate, so I wanted the project to be an exercise in the work.

I began by selecting the parts of the play I thought to be most significant and helpful in giving a feel for what the play means. The plot was …

Intersections In Immanence: Spinoza, Deleuze, Negri, Abigail Lowe

Department of English: Dissertations, Theses, and Student Research

The connection between French philosopher Gilles Deleuze and Italian political theorist Antonio Negri has drawn attention in academic publications over the last decade. For both thinkers, the philosophical concept of immanence is central to how both respectively conceptualize the world. However, in order to consider their work with regard to a metaphysical grounding, one may benefit from turning to each thinker’s engagement with Jewish Dutch philosopher Baruch Spinoza whose immanent ontology, or monism, was indeed his Ethics. This essay concentrates on drawing out an ontological distinction between the philosophical projects of Deleuze and Negri by way of a close reading …

Medieval Redemption For Modern Times: Representations Of Sacrifice In Perceval Le Gallois And The Fisher King, Tabitha Gerardot

Symposium on Undergraduate Research and Creative Expression (SOURCE)

Chretien de Troyes' medieval novel Perceval ou le Conte du graal tells the story of young Perceval's journey to knighthood and an understanding of selflessness and redemption. However, the tale was left unfinished, giving rise to numerous continuations, both medieval and modern. The film adaptations Perceval le Gallois, by French director Eric Rohmer, and The Fisher King, by Terry Gilliam, continue the rich tradition of Perceval with their own conclusions. While the films use different artistic styles and entirely different plots, they both solve the story with a tale of redemption. While Rohmer's adaptation is extremely faithful to the original …

The Politics Of Film Adaptation In Zola’S La Bête Humaine, Reillie Acks

Symposium on Undergraduate Research and Creative Expression (SOURCE)

In 1890, Emile Zola published a book called La Bête Humaine. The novel is essentially a psychological thriller whose story features three very dynamic characters: a train station master Roubaud, his wife Séverine, and her lover Jacques Lantier. The conflict that ensues is one of murder and deceit – and the motivations of the characters are similarly unclear and compromised. Therefore, this story can potentially be interpreted in multiple ways, providing important political commentary for their receiving audiences. It follows that when a series of film adaptations re-created the story on screen, they did so in drastically different ways. Two …

An Innocent Victim?: The Portrayal Of Anne Boleyn In French Drama, Art, And Literature Of The 1830s, Molly Driscoll

Honors Theses and Capstones

The 1830s in France saw a revival of artistic interest in and representations of Anne Boleyn, the second wife of King Henry VIII of England. This thesis traces Anne's influence on artistic, dramatic, and literary works of the 1830s and focuses on how these portrayals differed from one another as well as contemporary and modern opinions of Anne.

Bibliography For Work In Digital Humanities And (Inter)Mediality Studies, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

Number Marking In Western Armenian: A Non-Argument For Outwardly-Sensitive Phonologically Conditioned Allomorphy, Bert Vaux, Neil Myler, Karlos Arregi

Bert Vaux

The Western Armenian possessive plural data originally reported in Vaux (1998, 2003) have been asserted by Wolf 2011 to involve outwardly-sensitive phonologically conditioned allomorphy, a phenomenon widely argued to be unattested (Carstairs-McCarthy 1987; Paster 2006) and predicted to be impossible by the tenets of Distributed Morphology (Halle and Marantz 1993; Bobaljik 2000). We show that the full complexity of the Western Armenian system is better captured in an account that makes no reference to outwardly-sensitive phonological conditioning of this sort. The analysis is based on standard DM mechanisms of morpheme copying, displacement, and spellout (Harris and Halle 2005, Arregi and …

Retroflex Variation And Methodological Issues: A Reply To Simonsen, Moen, And Cowen (2008), Janne Bondi Johannessen, Bert Vaux

Bert Vaux

We argue that the differences in the articulation of Norwegian retroflex consonants described by Simonsen, Moen, and Cowen (2008) as individual variation may instead be due to factors such as individual and dialectal background, rather than variation across a single variety. Our main argument is based on existing dialect literature and speech corpus data, which show that the phonemes involved in the retroflexion process are not present in the same linguistic contexts in all dialects. SMC’s experimental stimuli and conditions include linguistic contexts which do not necessarily induce retroflexion naturally, and therefore cannot be relied upon to provide an accurate …

The Paradox Of Amnesia: Tondelli's Un Weekend Postmoderno, Stefano Giannini

Languages, Literatures, and Linguistics - All Scholarship

Tondelli opens his Un weekend postmoderno. Cronache dagli anni Ottanta declaring an intention opposite to the display of amnesia. In the long table of contents of his book, he writes down everything, in an excruciating streaming of details, so that the table of content becomes an exhaustive index of names and ideas. Yet, hidden within the hundreds of analytical snapshots, one of its many characters mentions the importance of dissimulation. Dissimulation, according to Tondelli, hides what is known, to protect the dissimulator and to mask the truth. Also, amnesia is a voluntary practice that can be enacted in order to …