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- 18th century (1)
- Africa Asia and the History of Philosophy: Racism in the Formation of the Philosophical Canon 1780–1830 (1)
- Ballet Russes (1)
- Christopher Morris (1)
- Edward J. Watts (1)
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- Fin-de-siècle Parisian cultural life (1)
- Gabriel Astruc (1)
- Generations (1)
- History (1)
- La Grande Saison de Paris (1)
- Modernism and the Cult of Mountains: Music Opera Cinema (1)
- Music (1)
- Pagans (1)
- Peter K.J. Park (1)
- Philosophy (1)
- Philosophy and aesthetics (1)
- The Final Pagan Generation (1)
- Théâtre des Champs-Élysées (1)
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Articles 1 - 4 of 4
Full-Text Articles in European Languages and Societies
Africa, Asia, And The History Of Philosophy: Racism In The Formation Of The Philosophical Canon, 1780–1830 By Peter K.J. Park (Review), Joseph D. O'Neil
Africa, Asia, And The History Of Philosophy: Racism In The Formation Of The Philosophical Canon, 1780–1830 By Peter K.J. Park (Review), Joseph D. O'Neil
Modern and Classical Languages, Literatures and Cultures Faculty Publications
No abstract provided.
Modernism And The Cult Of Mountains: Music, Opera, Cinema By Christopher Morris (Review), Harald Höbusch
Modernism And The Cult Of Mountains: Music, Opera, Cinema By Christopher Morris (Review), Harald Höbusch
Modern and Classical Languages, Literatures and Cultures Faculty Publications
No abstract provided.
The Final Pagan Generation By Edward J. Watts (Review), James A. Francis
The Final Pagan Generation By Edward J. Watts (Review), James A. Francis
Modern and Classical Languages, Literatures and Cultures Faculty Publications
No abstract provided.
Re-Thinking Paris At The Fin-De-Siècle: A New Vision Of Parisian Musical Culture From The Perspective Of Gabriel Astruc (1854-1938), Cesar A. Leal
Re-Thinking Paris At The Fin-De-Siècle: A New Vision Of Parisian Musical Culture From The Perspective Of Gabriel Astruc (1854-1938), Cesar A. Leal
Theses and Dissertations--Music
Gabriel Astruc (1864-1938), a French impresario of Jewish background, is mostly known for his collaborative work as an impresario with Sergei Diaghilev and his Ballets Russes. His role within Parisian musical culture at the fin de siècle, however, was much broader. He was a critic, creator of a leading periodical, producer of musical and circus events, music publisher, and associate of many important cultural figures of his day. Although Astruc has been mentioned in scholarly literature, his multifaceted activities have never been carefully studied.
Following the revisionist initiatives of previous scholars (e.g., Pasler, Huebner, Garafola, Fauser), this project offers …