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Articles 1 - 6 of 6
Full-Text Articles in European Languages and Societies
The Kin-Ship, Zheng Moham Wang
The Kin-Ship, Zheng Moham Wang
Comparative Woman
This is a group of two English poems the author composed separately in 2019 and 2021 about the imaginary scenes of his grandpa and mother from a Iu-Mien family of Southeast Asia and Southwestern China. The group was submitted to the upcoming Kinship volume of the Comparative Woman journal of Louisiana State University.
Distaff As Weapon In The Margins Of Two Late-Thirteenth-Century Arthurian Romance Manuscripts, Emily Shartrand
Distaff As Weapon In The Margins Of Two Late-Thirteenth-Century Arthurian Romance Manuscripts, Emily Shartrand
Medieval Feminist Forum: A Journal of Gender and Sexuality
The marginal art of two late-thirteenth-century Arthurian romance manuscripts from French-Flanders are rife with motifs depicting violent battles. One such motif is that of a mounted joust between a knight and a woman. The knight is weaponless, but the woman wields a distaff, a tool used to spin wool or flax, as a lance in order to penetrate the knight. By contextualizing this motif with the text of the Vulgate Arthur, as well as the socio-political moment within which the manuscripts were produced, this article seeks to investigate how its inclusion could direct certain interpretations of the narratives in accompanies.
Urban Landscape In Mcewan's Narrative Representation Of Berlin, Barbara J. Puschmann-Nalenz
Urban Landscape In Mcewan's Narrative Representation Of Berlin, Barbara J. Puschmann-Nalenz
CLCWeb: Comparative Literature and Culture
In her article "Urban Landscape in McEwan's Narrative Representation of Berlin," Barbara J. Puschmann-Nalenz discusses the image of Berlin created in Ian McEwanﹸs novel The Innocent (1990) and the chapter titled "Berlin" in Black Dogs (1992). It starts from the hypothetical statement that while British literary fiction set in Berlin is rare after 1970 the genres of spy and detective novel, where crime and violence take center stage, shape the image of the city in highbrow narratives as well. The perspectivization of the cityscape, including its monuments, through the protagonists fundamentally influences its image. In The Innocent the limited view …
Trespassing Physical Boundaries: Transgression, Vulnerability And Resistance In Sarah Kane’S Blasted (1995), Paula Barba Guerrero, Ana Mª Manzanas Calvo
Trespassing Physical Boundaries: Transgression, Vulnerability And Resistance In Sarah Kane’S Blasted (1995), Paula Barba Guerrero, Ana Mª Manzanas Calvo
CLCWeb: Comparative Literature and Culture
Sarah Kane’s Blasted has been analyzed from various perspectives that address the layers of destruction it exposes. From the questioning of its title and meaning, to the unravelling of the protagonists’ abusive relationship, the analyses have emphasized the depiction of vulnerability as the defining human trait that Jean Ganteau observes in contemporary British literature. However, a key aspect has been overlooked in the critical response to the play: for Kane vulnerability does not equal helplessness, but rather stands in opposition to it. Hence, this article concentrates on how Blasted formulates a new understanding of vulnerability that fits Judith Butler’s later …
Between God And The Apple: Divinity, Violence And Desire In A.L. Kennedy's 'Original Bliss', Abigail Rine
Between God And The Apple: Divinity, Violence And Desire In A.L. Kennedy's 'Original Bliss', Abigail Rine
Faculty Publications - Department of English
This article investigates how female sexuality and desire can be refigured beyond dynamics of fear and subjugation. By offering a close reading of A.L. Kennedy’s novel Original bliss through the theories of He´le`ne Cixous and Luce Irigaray, this work highlights the relationship between violence and Western religious notions of divinity, sexuality and the female body. Kennedy’s novel portrays, in violent detail, that the way in which the religious dimension has been conceptualised and articulated enforces negative views of female sexuality and justifies violence against the body. Rather than merely confronting the religious denigration of feminine sexuality, however, Kennedy’s novel also …
Colonial Violence And Trauma In The Works Of Michèle Lacrosil And Ken Bugul, Marie-Chantal Kalisa
Colonial Violence And Trauma In The Works Of Michèle Lacrosil And Ken Bugul, Marie-Chantal Kalisa
French Language and Literature Papers
To what extent can we say that both Lacrosil and Bugul rewrite Fanon? Through the study of Cajou and Ken, respectively the Guadeloupean and the Senegalese female protagonists, this article proposes a way to derive a specifically female perspective on colonial violence. The essay focuses on the two novels, Cajou and Le baobab fou, and examines the effect of colonial epistemological violence and its specific impact on the black female’s subjectivity. The protagonists Ken and Cajou revisit their initial trauma in a quest for knowledge of their historical heritage and engage in a dialogue with Frantz Fanon, representative of black …