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Articles 1 - 4 of 4
Full-Text Articles in European Languages and Societies
Animal Bodies, Renaissance Culture By Karen Raber, Chad Weidner
Animal Bodies, Renaissance Culture By Karen Raber, Chad Weidner
The Goose
Chad Weidner reviews Animal Bodies, Renaissance Culture by Karen Raber.
Dialogical Interspecies Ethics: Ataraxia, Desire And Hope In The Post-Human World Of Anne Carson's Pastoral, Thomas Bristow Dr
Dialogical Interspecies Ethics: Ataraxia, Desire And Hope In The Post-Human World Of Anne Carson's Pastoral, Thomas Bristow Dr
The Goose
This review essay implicitly revisits human and non-human power relations within a critical animal studies context that understands the affective conjunction between the manipulation of our worlds (action, partly through knowledge) and degrees of involvement with these others that live in our worlds (comportment via emotions). I take Louise Westling’s new study as the platform for an analysis of two book-length poems, The Autobiography of Red (1998) and red doc> (2013), which centre on the life of a shepherd, Geryon. Rather than revisit classical pastoral, these texts extract power-relations that classical myth and pastoral spatialise. In so doing, I argue, …
Fealess Friday: Kelsey Chapman, Christina L. Bassler
Fealess Friday: Kelsey Chapman, Christina L. Bassler
SURGE
Kelsey Chapman ’15 fearlessly advocates for human rights, peace, and justice, focusing on the Middle East. An economics major and Middle East and Islamic Studies (MEIS) minor, Kelsey is the house leader for the MEIS House, an Arabic PLA, and the founder of Gettysburg’s chapter of J Street U. [excerpt]
Made In Germany: Integration As Inside Joke In The Ethno-Comedy Of Kaya Yanar And Bülent Ceylan, Kathrin M. Bower
Made In Germany: Integration As Inside Joke In The Ethno-Comedy Of Kaya Yanar And Bülent Ceylan, Kathrin M. Bower
Kathrin M. Bower
As the largest “foreign” population in Germany, Turkish immigrants have been the primary target for concerns about integration and the impact of immigration on German culture. Since the founding of the first Turkish German cabaret in 1985 by Şinasi Dikmen and Muhsin Omurca, the misconceptions and one-sided expectations associated with integration have been played, parodied, and satirized by Turkish German performers. As producers of contemporary ethno-comedy, Kaya Yanar and Bülent Ceylan appeal to mass audiences with a new approach, inverting questions of integration by creating communities through laughter in which audiences are at once in on the joke and its …