Children's and Young Adult Literature Commons^™

Novela Negra Y Rol: Adaptación Del Género Hacia Nuevas Narrativas, Daniel Romero Benguigui

Journal of Roleplaying Studies and STEAM

En sus orígenes, la novela negra llegó a presentarse como una experiencia lúdica, donde se invitó a los participantes a resolver el caso antes de finalizar la velada. De igual manera, los juegos de rol también proponen un desafío para los jugadores, también mediante un conjunto de reglas que aseguran el juego limpio.

Además, estos han demostrado su vinculación a lo literario al adaptar diferentes géneros a los sistemas empleados para el juego, ya fuera la fantasía épica (Dungeons and Dragons, Anima: Beyond Fantasy), el terror cósmico (Llamada de Cthulhu, Rastro de Cthulhu) o …

Tolkien, Enchantment, And Loss: Steps On The Developmental Journey By John Rosegrant, Timothy K. Lenz

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

No abstract provided.

The One Ring Of King Solomon, Giovanni Carmine Costabile

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Tolkien source criticism has long been looking for the source of the One Ring in the wrong places. Neither the historical ispiration from World War II and the Atomic Bomb nor the proposed literary influences such as the Ring of the Nibelungs, Wagner's Ring, or the several examples of invisibility rings found in world literature may suffice to explain the complexity of Tolkien's unique creation. Nonetheless, the same cannot be said so easily with regards to another possible source once we survey the richness of the related legends: it is the fabled signet ring of King Solomon.

Terry Pratchett’S Witches Novels And The Consensus Fantasy Universe: A Feminist Perspective, Clair J. Hutchings-Budd Ms

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Abstract

Between 1987 and 2015, Terry Pratchett published eleven novels and one short story within his Discworld universe that came to be known as his “Witches” sub-series. In these texts he engaged with the narrative imperatives, preoccupations, and tropes which together make up the consensus fantasy universe, and those deeper mythologies and legendarium with which the author necessarily has an intertextual relationship. This paper focuses upon one aspect of that consensus universe, which is the difference between male and female magical practitioners—witches and wizards—in the fantasy canon, and how Pratchett sought to challenge and subvert the stereotypes of the genre …