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Full-Text Articles in English Language and Literature
Liz Lochhead And The Fairies: Context And Influence In Grimm Sisters And Dreaming Frankenstein, William Donaldson
Liz Lochhead And The Fairies: Context And Influence In Grimm Sisters And Dreaming Frankenstein, William Donaldson
Studies in Scottish Literature
Examines the Scottish poet Liz Lochhead's period of North American travel and her response to American second-wave feminist poetics, particularly to the anthology No More Masks! (1973) and the poetry of Adrienne Rich and Anne Sexton, the treatment of myth by J.G. Frazer and Robert Graves, and the perspective on Scottish fairy tales offered by folklorists, to explore Lochhead's creative reworking of both fairy tale and classical myth in her collections Grimm Sisters (1981) and Dreaming Frankenstein (1984).
"A Stranger In America": Queer Diasporic Writers And The American Politics Of Exclusion, Caitlin Stanfield
"A Stranger In America": Queer Diasporic Writers And The American Politics Of Exclusion, Caitlin Stanfield
Electronic Theses and Dissertations
While the academic concept of queer diasporic studies is relatively new, the epistemic future of this interdisciplinary, intersectional, and inclusive field is already imperiled. Throughout recent years, bills seeking to expunge critical race and queer theory from not only the public education sector, but from the legally-defined “general public” as well, have been proposed by legislators throughout the United States. To combat this assault upon marginalized educators, scholars, and authors, one must first understand what is at stake; the rich site of contemporary, queer diasporic poetry provides one such example. By situating these poems within their complex cultural, political, and …
The Peculiar Use Of Punctuation In A.R. Ammons' "So I Said I Am Ezra", Malek Zuraikat, Faisal Rawashdeh
The Peculiar Use Of Punctuation In A.R. Ammons' "So I Said I Am Ezra", Malek Zuraikat, Faisal Rawashdeh
Association of Arab Universities Journal for Arts مجلة اتحاد الجامعات العربية للآداب
In his poem "So I Said I am Ezra," A.R. Ammons employs a peculiar nopunctuation strategy to represent his speaker's unique terms of association with the natural elements. This kind of punctuation marks, we argue, allows for two opposed, yet interdependent, interpretations of the poem. While the one interpretation underscores the speaker's progressive but eventual isolation from Nature, the other explains his growing sense of belonging and resulting mutuality. We trace this ambivalent attitude to Nature in the poem's appropriation of the Romantic mode of poetic meditation and showcase how a twofold standpoint for thematic interpretation can be yielded by …