Echoes Of The Spanish Civil War In Tolkien’S Legendarium, Alexander Retakh

Journal of Tolkien Research

The Spanish Civil War had a profound effect on the literature of the 1930s and 40s; however, it has been almost neglected in Tolkien studies. This article examines both Tolkien's potential views of the Civil War and their effect on his writings of the late 1930s such as the emerging story of Numenor. The dearth of primary sources can be rectified by studying the position on the War taken by other British Catholic intellectuals. Very likely Tolkien viewed the Civil War primarily as a religious conflict and was shaken by the highly publicized cases of anti-clerical violence. The combination of …

Tolkien's Faith: A Spiritual Biography (2023) By Holly Ordway, Tom Emanuel

Journal of Tolkien Research

Book review, by Tom Emanuel, of Tolkien's Faith (2023) by Holly Ordway

J.R.R. Tolkien's Utopianism And The Classics (2023) By Hamish Williams, Dennis Wilson Wise

Journal of Tolkien Research

Book review, by Dennis Wilson Wise, of J.R.R. Tolkien's Utopianism and the Classics (2023) by Hamish Williams.

Tolkien’S Animals: A Bibliography, Kris Swank

Journal of Tolkien Research

Bibliography of scholarly and popular science research on Tolkien’s various animal species includes more than 100 English-language entries from literary, mythological, cultural, historical, philological, psychological, religious, and scientific perspectives. Includes entries on animal sentience/personhood, general surveys of animals, and analysis of specific species: bats, bears (including Beorn), birds, cats, cryptids, deer, dogs (including wolves and foxes), dragons, elephants, horses, sea-life, and spiders.

Tolkien's Tevildo - Of Fables, Rings And Cats, Polina Svadkovskaia

Journal of Tolkien Research

The article explores Tolkien's process of deconstructing two medieval beast fable narratives in his creation of Tevildo, Prince of Cats, whereby he strategically aligns the feline with malevolence. It further posits that the magic of the One Ring is presented preliminarily in The Tale of Tinúviel in two forms: Tevildo's golden collar and the enchantment he uses to control other cats. Tevildo is thus endowed with tokens of villainy reminiscent of Sauron's: however, the cat fails at projecting fear due to the underlying moralistic element of the story and the fragmentation of the magic his power relies upon.

The Deer-Maid Motif In The Children Of Húrin, Kris Swank

Journal of Tolkien Research

The story of Túrin Turambar goes back to the end of the First World War, and Tolkien continued to work on it through the 1950s. Later versions repeatedly describe Túrin’s sister Niënor figuratively—as or like—a hunted deer, especially after her enchantment by the dragon Glaurung. Tolkien identified Sigurd the Volsung, Oedipus, and the Finnish Kullervo as sources for Túrin, however, the motif of a maiden enchanted as a deer does not derive from those sources. The Irish story of Oisín’s mother, Sadhbh or Saav, who was transformed into a fawn by an evil druid, shares several analogous …

Sam's Song In The Tower: The Significance Of 'Merry Finches' In J.R.R. Tolkien's _Lord Of The Rings_, Jane Beal Phd

Journal of Tolkien Research

In The Lord of the Rings, Samwise Gamgee climbs the Tower of Cirith Ungol to try to rescue his master and friend, Frodo Baggins, who has been taken captive by Orcs. When Sam is near despair because he cannot find Frodo, Sam sings a song that makes reference to “merry finches.” What is the significance of this phrase in his lyrics? To answer this question, my essay first explores J.R.R. Tolkien’s ornithological knowledge, especially of finches in England, which is readily demonstrated from a letter he wrote to his son, Christopher Tolkien (July 7, 1944), about his observations of bullfinches …

"Tolkien's Eagles: Aves Ex Machina", Deidre Dawson

Journal of Tolkien Research

Many studies of Tolkien’s Eagles have emphasized their role as a narrative device (the deus ex machina) or spiritual symbol and have focused primarily on their intervention in The Hobbit and The Lord of the Rings. This essay argues for a more comprehensive interpretation, and demonstrates that the Eagles function as essential characters throughout Tolkien’s legendarium, beginning with the earliest stories. The importance of eagles in mythology, folklore and literature is highlighted to show how Tolkien combined his deep knowledge of these subjects with his attention to the biology and anatomy of actual eagles to create his own …

Of Foxes, Dancing Bears, And Wolves, John Rosegrant

Journal of Tolkien Research

When in “On Fairy-stories” Tolkien expressed his Faërian wish to understand the proper speech of animals, he was longing to relate with animals in a way that combined communion with them and respect for their separate natures. But the exuberance with which Tolkien expressed this wish changed over time. His early writings are rampant with talking animals and other forms of human-animal condensation in which the animals nevertheless retain their own agency; later in life he grew uneasy with what he now believed to be unrealistic and un-Catholic formulations. Nevertheless, the Faërian wish was so important to him that he …

Introduction To The Special Issue On Tolkien's Animals, Kris Swank

Journal of Tolkien Research

Introduction to the Special Issue on Tolkien's Animals

The Hen That Laid The Eggs: Tolkien And The Officers Training Corps [Expanded], Janet Brennan Croft

Journal of Tolkien Research

J.R.R. Tolkien, sharing an experience with many young men of his class and education, participated in the Officers Training Corps while at King Edward’s School. Because of this program, Tolkien and many of his fellow junior officers in the Great War were already familiar with the procedures of drill and camp and with basic tactics of war games in all kinds of weather. The atmosphere of the training camps of World War I would not have taken them entirely by surprise, but would have been somewhat reminiscent of the great summer encampments of OTC units from around the country—though of …

“Fruit Of The Poison Vine”: Defining And Delimiting Tolkien’S Orcs, Sara Brown

Journal of Tolkien Research

Fantasy author NK Jemisin has commented that “Orcs are fruit of the poison vine that is human fear of ‘the Other’.” Indeed, we would have every reason to fear Tolkien’s Orcs and their difference. Every way in which they are presented, including the etymology of their species name, the fear and horror they evoke, even the food that they consume, denotes their alterity. Their skin colour, their language, and their behaviour all encourage a reading that is rooted in racialism and essentialism; embedded stereotypes invite a conclusion that this species possesses a definable set of attributes essential to its identity, …

Translating The Hobbit (2023) By Mark T. Hooker, Arden R. Smith

Journal of Tolkien Research

Book review, by Arden R. Smith, of Translating The Hobbit (2023) by Mark T. Hooker

Weather In Middle-Earth Or Tolkien: The Weather-Master?, Jonas Mertens

Journal of Tolkien Research

Abstract

This article attempts to shed light on the use of weather in general and meteorological expressions in The Lord of the Rings, as J. R. R. Tolkien is well known to be a writer for whom the environment and natural world is closely intertwined with his storytelling. Both a manual count and a count which a digital text analysis tool were combined to find the frequency of previously selected weather terms. In total, more than 2,000 references were found in the books, with the words ‘sun’, ‘wind’ and ‘cold’ being the most abundant. Meteorological expressions are frequently encountered in …

Twenty-First Century Receptions Of Tolkien (2022), Edited By Will Sherwood, Kristine Larsen

Journal of Tolkien Research

Book review, by Kristine Larsen, of Twenty-first Century Receptions of Tolkien (2022), edited by Will Sherwood

Tolkien And Diversity (2023), Edited By Will Sherwood, Kristine Larsen

Journal of Tolkien Research

Book review, by Kristine Larsen, of Tolkien and Diversity (2023) edited by Will Sherwood

“We Could Do With A Bit More Queerness In These Parts”: An Analysis Of The Queer Against The Peculiar, The Odd, And The Strange In The Lord Of The Rings, Yvette Kisor

Journal of Tolkien Research

As developed in The Lord of the Rings, “queer” is a special term, one uniquely associated with the Hobbits, and Tolkien crafts a very specific set of resonances that embed it in provincial mistrust, a sense of real outside threat, and places within the ancient natural world that appear foundationally opposed to the ordinary realm of civilization. While Tolkien cannot be said to use the word “queer” in its more modern sense of “homosexual” or nonnormative sexual and/or gender identity, he included an owning and even embracing of the term that follows a similar pattern.

A Case For Tolkien As Master Of The Sublime, Graham A.C. Scheper

Journal of Tolkien Research

The present article aims to reconcile Tolkien with the Literary Critics through an exploration of Tolkien's use of the sublime. First, an explanation of the sublime is given, with a summary of its evolution over the past two millennia. Subsequently, three key thrusts of the sublime's manifestation in Tolkien's work are identified: his use of depth and incompleteness, his use of vastness and grandeur, and his usage of shadows and death. Investigating Tolkien's usage of these devices in turn illuminates his skill as an artist and as an author.

‘Where Now Bucephalus And The Proud Eormanric?' The Interplay Of Gothic And Classical References As A Tacit Background Behind The Wanderer, Tolkien's Anglo-Saxon Source, Giovanni Carmine Costabile

Journal of Tolkien Research

The famous lines "Where now the horse and the rider?" from The Two Towers, spoken by Théoden in Peter Jackson's film, but recited by Aragorn in Tolkien's original text, find an unquestionable source in the Anglo-Saxon poem The Wanderer, and as such received detailed comment by the Professor as a scholar, stating that it is not very important to identify who the rider being cited might be, as long as we admit he is a "type". In order to understand the type of this rider, then, we only have to look for similar occurrences of the evergreen "ubi …

The Mythopoeic Code Of Tolkien: A Christian Platonic Reading Of The Legendarium (2021), By Jyrki Korpua, John Wm. Houghton

Journal of Tolkien Research

Book review, by John Wm. Houghton, of The Mythopoeic Code of Tolkien: A Christian Platonic Reading of the Legendarium (2021), by Jyrki Korpua

Nólë Hyarmenillo: An Anthology Of Iberian Scholarship On Tolkien (2022), Edited By Nuno Simões Rodrigues, Martin Simonson, And Angélica Varandas., Marjorie Burns

Journal of Tolkien Research

Book review, by Marjorie Burns, of Nólë Hyarmenillo: An Anthology of Iberian Scholarship on Tolkien (2022), edited by Nuno Simões Rodrigues, Martin Simonson, and Angélica Varandas.

Tolkien Dogmatics: Theology Through Mythology With The Maker Of Middle-Earth (2022) By Austin M. Freeman, Thomas Honegger

Journal of Tolkien Research

Book review, by Thomas Honegger, of Tolkien Dogmatics: Theology through Mythology with the Maker of Middle-earth (2022) by Austin M. Freeman

Second Age, Middle Age, Norbert Schürer

Journal of Tolkien Research

The recent releases of the volume The Fall of Númenor and the series The Lord of the Rings: The Rings of Power raise the question: What is the significance of the Second Age of Tolkien’s legendarium? This article suggests that Tolkien conceived of the Second Age as parallel to the Middle Ages in our world, which were the focus of his academic career in his studies of Old and Middle English language and literature. As various frameworks and overviews for the legendarium demonstrate, Tolkien thought of the Second Age, like the Middle Ages, as uniquely looking backwards and forwards …