English Language and Literature Commons^™

Re: Publics: Woman Of Color Feminist Rhetorical Process Shaping Safe Spaces For A Rehumanizing Discourse, Eloisa E. Moreno

Theses and Dissertations

The discourse of women of color feminists over the last thirty years follows what I refer to as woman of color feminist rhetorical process in three recursive phases: location, deliberation, and restoration. The process is a significant contribution to rhetorical theory in the form of woman of color consciousness. This way of knowing considers complex identities at the intersections of race, class, gender, and sexual identity. The woman of color feminist rhetorician asks us to view self, community, and our notions of love as political constructs. By doing so, we are able to move beyond identity politics and build new …

A National Style: A Critical Historiography Of The Irish Short Story, Andrew Fox

Doctoral Dissertations

This dissertation examines the artistic, historical and theoretical concerns that, for the past century, have shaped the Irish short story, the Irish nation and the body of criticism that mediates between the two. In Ireland, I argue, the prevailing critical narrative of the short story’s emergence and ongoing literary purpose has been bound up with the political narrative of the nation state’s decolonization. This process I view as symptomatic of a broader critical tendency to view Irish cultural narratives as inextricable from national ones, whereby literary interventions either are viewed as mere reflections of, or are assimilated to systems of …

The Dale Spender Collection At The Women's College, University Of Sydney, Olivia Murphy

ABO: Interactive Journal for Women in the Arts, 1640-1830

Notice of the opening of the Dale Spender collection of books relating to feminism; Australian women's writing; and women's writing in English of the long nineteenth century.

Revamping The Roles Of Women In Vampire Film Or Women Who Suck The Life Out Of You, Christy Freadreacea

Kaleidoscope

No abstract provided.

Witches, Bitches, And The Patriarchy: Gender And Power In The Harry Potter Series, Delaney Bullinger

Senior Theses

At the start of the Harry Potter series, J.K. Rowling employs traditional gendered thinking in her construction of character roles, but as the series continues, the gender roles are complicated. In the three main communities of J.K. Rowling’s world – the Ministry, Hogwarts School of Witchcraft and Wizardry, and the societies of the Death Eaters and the Order of the Phoenix – a struggle between the constructive, equalizing force of white magic and the violent, dominating force of black magic influences the gender roles operative in each. As a vehicle for the exercise of magic, the nuclear family also influences …

Metafiction, Fairy Tale, And Female Desire In A.S. Byatt‘S Possession: A Romance, Susan Marie Kieda

Masters Theses

Analysis of the novel Possession: A Romance by A.S. Byatt, in which Byatt contributes to a metamorphosis of the fairy tale genre through a reappropriation of individual tales and characters, such as the Grimm Brothers‘ Little Snow White and The Glass Coffin; Hans Christian Andersen‘s The Snow Queen; and the French fairy story Melusine. Analysis of the metafictional devices Byatt uses to achieve this reappropriation such as the writing and reading of letters, journals, and works of fiction within the novel, as well as an intertextuality created by repeating fairy tale allusions. Analysis of Byatt‘s character development …

Ophelia And The Feminine Construct, Lilly E. Romestant

Oglethorpe Journal of Undergraduate Research

In Shakespeare's celebrated tragic masterpiece, Hamlet, one of the most controversial and seminal characters, Ophelia, continues to have a heavy influence on contemporary culture today in some unexpected ways. Her prevalence in mainstream media––including film, literature, drama, and music homages––validates not only her importance now but also reimagines and reinforces her parallel importance at the time of her debut in 1603. Her association with global teenage culture, suicide, and mental illness, puts her in the unique position of being heralded, generation after generation, as an icon of depression in female youth. This can be both positive and negative, as …

Hybrid, Subversive, And Skeptical Performances Of Gender, Power, And Space In The Postcolonial Avant-Garde, Alyson T. Inouye

Honors Projects

In her one-woman play, Iraqi-American playwright and actress Heather Raffo performs the testimonies of nine resilient Iraqi women, emphasizing their diverse experiences of the American occupation and life under the Baathist regime. Near the end of the play, one of the soliloquies breaks down into incoherence: an instance of poetic rupture. There is revolutionary potential latent in this avant-garde technique, and by applying it to her urgent and immediate postcolonial context Raffo simultaneously enacts and demands a response of justice to the injustices attested to throughout. Through the poetic rupture of Layal’s textual/psychological breakdown, Raffo undermines the system that, by …

Jane Eyre's Masculine Crisis, Samantha Hilton

Senior Theses

Charlotte Bronte’s famed novel Jane Eyre was among the first novels celebrated by early feminist theorists in the 1960s for its portrayal of an independent and enviable female protagonist; both Charlotte Bronte and Jane have since been heralded as examples of the modern Western woman. Feminist theorists have taken to Jane Eyre because of the text’s rebellion against Victorian ideals: rather than passively follow orders, governess Jane instead follows her own code of morality. Jane is an appropriate early feminist heroine, and that, perhaps, is Bronte’s greatest achievement and Jane Eyre’s most lasting success. Feminist interpretations of the novel …

Discreet Feminism: Neil Gaiman’S Subversion Of The Patriarchal Society In American Gods, Christopher P. Thompson

University of New Orleans Theses and Dissertations

Neil Gaiman’s use of a hyper-masculine American culture in American Gods sheds light upon the multiple issues surrounding a misogynistic society in which women are treated as sexual objects and punished for their independence as sexual beings. Gaiman’s efforts at highlighting these issues are discreet and hidden under layers of patriarchal expectations, but through the use of his protagonist, Shadow, Gaiman is able to provide an alternative to the society he represents. While he successfully illustrates this more “ideal” society, his endeavors fall short and are almost imperceptible throughout his novel. Gaiman’s work in American Gods, while lacking in its …

If I Had An F: A Feminist Picture Book For Boys, Kelly Tieger

Graduate Student Independent Studies

This independent study uncovers and meets a need in contemporary children's literature: a book explicitly expressing Feminism as a critical democratic value for everyone. The study includes a comprehensive review of available children's picture books on the topics of gender identity, roles, and expressions after finding a notable absence of books dealing with, or even mentioning the word Feminism. Specifically, this picture book serves the previously unaddressed population of cis-gendered gender conforming boys aged eight to eleven by engaging them specifically in the topic of Feminism. The study posits that picture books can act as catalysts for positive change within …

"That Flesh-Locked Sea Of Silence”: Language, Gender, And Sexuality In Beckett’S Short Fiction, Emily F. Oliver

Honors College Theses

This paper asserts the interconnectedness of language, gender, and sexuality in the short prose of Samuel Beckett. “Assumption,” “First Love,” and “Enough,” are used as specific examples of Beckett’s fiction, selected because they assist in understanding Beckett’s participation in, and inversion of, the hegemonic privileging of the masculine. This interpretation focuses on the use of gendered language, verbalization as a sexual expression, and the manipulation of the “male” and “female” voice. The analysis is both informed by, and seeks to nuance, the linguistic criticism established by second-wave French feminists Kristeva, Irigaray, and Cixous.

Patriarchy And The Protestants: A New Historical And Feminist Reading Of Marilynne Robinson’S Gilead, Jesse D. Lawhead

The Research and Scholarship Symposium (2013-2019)

In her novel Gilead, Marilynne Robinson establishes a correlation between the presence of Protestantism and constricting gender roles women experience in the United States. Living in 1956 Gilead, Iowa, seventy-six-year-old Pastor John Ames begins writing to his seven-year-old son in a series of journal entries after he is diagnosed with a terminal case of angina pectoris. In these journal entries to his son, Ames records the histories of his reverend father, reverend grandfather, his own life, and present observations as the beauty of life continues to captivate him. Ultimately he hopes to “to tell [his son] things [he] might never …

Review Of Barbara K. Seeber, Jane Austen And Animals, Lucinda Cole

ABO: Interactive Journal for Women in the Arts, 1640-1830

In this review of Barbara K. Seeber's Jane Austen and Animals (Ashgate, 2013) Lucinda Cole summarizes this foundational book and emphasizes the role of animal studies scholars in linking feminism and environmental issues.

Jane Austen's Heroines--And Some Others, Neda H. Jeny

South East Coastal Conference on Languages & Literatures (SECCLL)

Jane Austen’s Heroines--and Some Others

Jane Austen is the earliest English novelist whose novels are still widely read today; in fact, they are becoming more popular all the time.

Of course, there are good reasons for this popularity. Apart from Austen’s creation of unforgettable characters, and her exquisite irony and sense of humor, there is one other thing I’d like to discuss today: her heroines could be called, in a sense, brilliant (and often unorthodox) adaptations of universally recognized types. For example, Elizabeth Bennet is so remarkable a character because she is, at the same time, a sort of Cinderella …

Feminist Markup And Meaningful Text Analysis In Digital Literary Archives, Hannah M. Schilperoort

Library Philosophy and Practice (e-journal)

In this research paper, I examine three digital archives of women writers--University of Nebraska-Lincoln’s Willa Cather Archive, Northeastern University’s Women Writers Online, and University of Alberta’s Orlando Project--for evidence of encoding practices and computational text analysis experimentation that supports feminist scholarship. I provide a brief overview of text encoding practices and controversies in digital literary studies, emphasizing research that suggests heavily detailed and interpretative markup results in more meaningful text analysis outcomes. I situate feminist text encoding and analysis practices and technologies within a larger argument for the use of detailed, interpretative and critical markup. I begin my research on …

Feminism And The Force Of Institutions In Twenty-First Century Dystopian Novels, Stephanie Roman

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Dickens And Eliot: A Tale Of Two Feminists, Matthew Thompson

The Corinthian

It has been (and will continue to be) argued that authors always portray characters of their own sex in a more complete way. It is because of this, and well-known facts about the time period during which he wrote, that Charles Dickens is rarely considered a feminist writer. George Eliot, who wrote in nearly the same time period, is often lauded as an exemplary feminist writer. But through his characterization of Miss Havisham and Estella in Great Expectations, Dickens shows himself to be more than equal to Eliot in that field of writing. Her own Maggie Tulliver in The Mill …

Fashioning Mobility: Navigating Space In Victorian Fiction, Mary C. Jones

Theses and Dissertations--English

My dissertation examines how heroines in nineteenth-century British Literature manipulate conventional objects of feminine culture in ways which depart from uses associated with Victorian marriage plots. Rather than use fashionable objects to gain male attention or secure positions as wives or mothers, female characters deploy self-fashioning tactics to travel under the guise of unthreatening femininity, while skirting past thresholds of domestic space. Whereas recent Victorian literary and cultural criticism identifies female pleasure in the form of consumption and homosocial/erotic desire, my readings of Victorian fiction, from doll stories to the novels of Charlotte Brontë, Wilkie Collins, and Marie Corelli, consider …

Sowing Seeds Of Subversion: Nineteenth-Century British Women Writers' Subversive Use Of Fairy Tales And Folklore, Shandi Lynne Wagner

Wayne State University Dissertations

"Sowing Seeds of Subversion: Nineteenth-Century British Women Writers' Subversive Use of Fairy Tales and Folklore" focuses on the fictional works of nineteenth-century British women authors, analyzing their use of fairy-tale and folklore motifs to criticize social mores, in particular those surrounding domestic ideology and the institution of marriage. By situating texts within their sociocultural contexts, I explore how nineteenth-century women authors revised and adapted classic fairy tales to communicate subversive, proto-feminist social criticism to a variety of audiences. I examine fiction and poetry published in literary annuals, in fairy-tale collections, and in the more generally available collections of poetry and …

Angel Outside The House: The New Woman In Brittish Periodicals 1890-1910, Lindsay Rosa

Graduate Thesis Collection

The New Woman described in short fiction and editorial articles in British periodicals not only presented the ideal New Woman to readers, but served to shape the perceptions of the reader depending on the demographic of the targeted reading audience for that specific periodical. The audience for specific British periodicals featuring the New Woman included conservative families whose youth saw the New Woman figure as a role model. The New Woman figure easily connected to readers, particularly young, female middle-class readers, who easily identified with her because she possessed similar socioeconomic characteristics. Just as there were many New Women characters …

Hamlet #Princeofdenmark: Exploring Gender And Technology Through A Contemporary Feminist Re-Interpretation Of Hamlet, Allegra B. Breedlove

Scripps Senior Theses

Exploring the process of designing, producing, directing and starring in a multimedia feminist re-interpretation of Shakespeare's Hamlet set in a contemporary social media landscape.

Leading Ladies In Willa Cather's The Professor's House, Hannah C. Badenhop

Master's Theses

This paper analyzes the women in Willa Cather’s novel The Professor’s House and demonstrates the ways in which the women are able to adapt to change better than the men in the novel, even though the women are degraded for their materialism and behaviors. By looking at previous scholarship, this thesis highlights how women in this novel have for some reason been excluded from the academic debate surrounding The Professor’s House. This exclusion is often the result of scholars placing more emphasis on St. Peter and Tom as the main characters in the story. What this ignores, however, is the …

Margaret Atwood And The Implications Of The Word Love, Manuela Bowles

Calvert Undergraduate Research Awards

This paper discusses ideal romantic love as it appears in Western literature and how women are portrayed in works containing idealistic romantic plots. It also explores how Canadian author Margaret Atwood rejects the traditional love plot in her novel, The Handmaid’s Tale, as well as in her book of poetry Power Politics and the poem “A Woman’s Issue.” The first section of this paper gives a brief history of the ideal romantic love plot in Western literature, beginning with courtly love in Medieval literature, and its influences on later works such as Madame Bovary and The Awakening. The section …

Striving For Salvation : Margaret Anna Cusack, Sainthood, Religious Foundations And Revolution In Ireland, 1829-1899, Sean Heather K. Mcgraw

Legacy Theses & Dissertations (2009 - 2024)

Margaret Anna Cusack, later Sister Mary Frances Clare, and also known as Mother Clare, (6 May 1829 - 5 June 1899) was an Anglo-Irish Protestant who became a Catholic Nun and the foundress of a still existent Catholic religious order, the Congregation of the Sisters of St. Joseph of Peace. She was also a vociferous champion for the poor, for Irish political rights, for Irish nationalism, and was the first Irish nationalist woman historian and a prolific writer who wrote more than one hundred works. She was a radical, a revolutionary, a champion and hero, a source of conflict and …

Shakespeare's Dictionary: One Playwright's Influence On The Modern English Lanugage, Jennifer Walton

Undergraduate Distinction Papers

William Shakespeare is considered to the be the father of Modern English, but what most people do not realize is that he influenced much more in English than just the language. The number of phrases and words he created is over-exaggerated, he borrowed from many other languages, and he was one of the first people to document modern medical disorders. Not to mention Shakespeare was writing during one of the most lexically innovative time periods, so he helped aid in the transition from using “thee” to using “you” when addressing another person. Moving away from language specifically, Shakespeare’s writing has …