English Language and Literature Commons^™

Rædende Iudithðe: The Heroic, Mythological And Christian Elements In The Old English Poem Judith, Judith Caywood

Undergraduate Honors Theses

This project, devoted to the Old English epic fragment Judith, argues that the title character arises from the complex multicultural forces that shaped Anglo-Saxon society, positing that she exists between the mythological, the heroic and the Christian. Simultaneously Christian saint, Germanic warrior and pagan demi-goddess or supernatural figure, Judith arbitrates amongst the seemingly incompatible forces that shaped the poet’s world, allowing the poem to serve as an important site for the making of a new Anglo-Saxon mythos, one which incorporates these disparate yet co-existing elements. Judith becomes a single figure who is able to reconcile these opposing forces within …

John Milton’S Orphic Dependency, Magenta S. Reynolds

Undergraduate Honors Theses

The 17th-century poet John Milton invokes Ovid’s Orpheus as a source of strength and security in overcoming barriers of instability and insecurity, ultimately enabling Milton to claim his own authority as both a prophesizing poet and a bounds-breaking seeker of Classical knowledge. It is my argument that Milton’s dependency on Orpheus has been overlooked, and that it is only through an Orphic foundation that Milton is able to reach beyond artistic creativity, into higher registers of inspiration.

Milton repeatedly invokes the Orpheus in both his prose and poetry, including: Paradise Lost, Ad Patrem, Lycidas, and various sonnets and elegies. These …

Tobacco And Tar Babies: The Trickster As A Cultural Hero In Winnebago And African American Myth, Catherine Squibb

Undergraduate Honors Theses

This thesis explores the trickster character through the lens of his role as a cultural hero. The two characters that I chose to examine are from North American myth, specifically Winnebago Hare and Brer Rabbit. These two characters represent the duality of the trickster while simultaneously embodying the lauded abilities of the hero. Through their actions these two characters shape culture through the very action of disrupting societal norms.

Innocent Until Proven Guilty: Shakespeare's Use Of Source Material In Three Plays, Alexandria C. Mcqueen

Undergraduate Honors Theses

In my thesis, I discuss and analyze William Shakespeare’s utilization and adaptation of source texts within three of his dramas: Henry IV, Part I, a history; Twelfth Night, a comedy; and Julius Caesar, a tragedy. By comparing Shakespeare’s adaption of sources to the contemporary United Kingdom intellectual property policies, it becomes possible for me to determine whether Shakespeare’s extensive and popular dramas would violate modern copyright law.

The first chapter, “Printing and Writing in the Early Modern Period,” discusses the development of proprietary interests among the Elizabethan people. I break down the individual components of the printing process in …

Making The Vision A Reality: Staging The Unreal In Realist Theatre, Sarah Zentner

Undergraduate Honors Theses

This paper seeks to understand why visionary elements are sometimes implemented in otherwise realist works of theatre. Beginning with the father of realism, Henrik Ibsen, and discussing some of the social and domestic conventions present in his work, the paper then moves through an analysis of visionary elements, as they have been implemented in the following works: August Wilson's The Piano Lesson (1987) and Two Trains Running (1990), Tennessee Williams's A Streetcar Named Desire (1947), Arthur Miller's Death of a Salesman (1949), and Elizabeth Egloff's The Swan (1993). In doing so, the paper investigates how visionary elements can be effective …

More Awesome Than Infinity: Explorations Of Sea Imagery And Sexual Deviance, Kelly Lonergan

Undergraduate Honors Theses

More Awesome Than Infinity: Explorations of Sea Imagery and Sexual Deviance

Magic And Femininity As Power In Medieval Literature, Anna Mcgill

Undergraduate Honors Theses

It is undeniable that literature reflects much about the society that produces it. The give-and-take relationship between a society and its literature is especially interesting when medieval texts are considered. Because most medieval plots and characters are variants of existing stories, the ways that the portrayals change has the potential to reveal much about the differences between medieval societies separated by distance and time. Changes to the treatment of these recurring characters and their stories can reveal how the attitudes of medieval society changed over time. Perceptions of magic and attitudes toward its female practitioners, both real and fictional, changed …

Everest, Rebecca A. Seaman

Undergraduate Honors Theses

Everest is a creative writing project and an analysis of that project that focuses on the creative writing experience. The creative project is composed of two individual short stories focusing on themes of journeying and personal development. The stories are entitled, “Everest,” and “Shenyang.” They are based on personal experience and important life questions.

“The Bedroom And The Barnyard: Zoomorphic Lust Through Territory, Procedure, And Shelter In ‘The Miller’S Tale’” & Haunchebones, Danielle N. Byington

Undergraduate Honors Theses

“The Bedroom and the Barnyard: Zoomorphic Lust Through Territory, Procedure, and Shelter in ‘The Miller’s Tale’” is an academic endeavor that takes Chaucer’s zoomorphic metaphors and similes and analyzes them in a sense that reveals the chaos of what is human and what is animal tendency. The academic work is expressed in the adjunct creative project, Haunchebones, a 10-minute drama that echoes the tale and its zoomorphic influences, while presenting the content in a stylized play influenced by Theatre of the Absurd and artwork from the medieval and early renaissance period.